NORTH BY NORTHWEST
Since he is a peripatetic operative who loves to beat about the bush while beating about the countryside, director Alfred Hitchcock and a covey of willing and able traveling companions have made North by Northwest, which was unveiled at the Music Hall yesterday, a suspenseful and delightful Cook’s Tour of some of the more photogenic spots in these United States.
Although they are involved in lightning-fast romance and some loose intrigue, it is all done in brisk, genuinely witty, and sophisticated style. With Mr. Hitchcock at the helm, moving North by Northwest is a colorful and exciting route for spies, counterspies, and lovers. Continue reading
‘Strangers on a Train,’ Another Hitchcock Venture, Arrives at the Warner Theatre
It appears that Alfred Hitchcock is fascinated with the Svengali theme, as well as with his own dexterity in performing macabre tricks. His last picture, “Rope,” will be remembered as a stunt (which didn’t succeed) involving a psychopathic murderer who induced another young man to kill for thrills. Now, in his latest effort, called “Strangers on a Train,” which served to reopen the Strand Theatre last night under its new name, the Warner, Mr. Hitchcock again is tossing a crazy murder story in the air and trying to con us into thinking that it will stand up without support. Continue reading
A series of ingenious jewelry robberies takes place on the French Riviera. The police suspect John Robbie – an expert thief who was known as “The Cat” before he retired from crime. Robbie enlists the help of an insurance man to guess where the real thief will strike next. He befriends wealthy widow Jessie Stevens and her attractive daughter Frances. Continue reading
Thriller (aka. Boris Karloff’s Thriller) was an hour-long TV Horror anthology series that originally aired on NBC from 1960 to 1962. Horror fans who grew up in the 1960’s and 1970’s were nearly enraptured with the content and structure of this show. Indeed, in his non-fiction book on horror, Danse Macabre, Stephen King calls Thriller “the best horror series ever put on TV” (224; 1983 ed). At the beginning of each hour, Hollywood’s master of the macabre himself, Boris Karloff, would set the tone and prime the viewers for frightful and chilling dramatizations based on the works of some of the era’s greatest writers in the genre – writers like Robert E Howard, Cornell Woolrich, Richard Matheson, and Robert Bloch. Each episode was shot in eerie black and white and offered at least one story, with a few episodes dividing the hour between two or three shorter plays. Continue reading
College assassination game turns deadly as someone starts playing for real. Continue reading
The best known of Hitchcock’s British films, this civilized spy yarn follows the escapades of Richard Hannay (Robert Donat), who stumbles into a conspiracy that involves him in a hectic chase across the Scottish moors—a chase in which he is both the pursuer and the pursued. Adapted from John Buchan’s novel, this classic Hitchcock “wrong man” thriller encapsulates themes that anticipate the director’s biggest American films (especially North by Northwest), and is a standout among his early works. Continue reading
Several survivors of a torpedoed ship find themselves in the same boat with one of the men who sunk it.
In the Atlantic during WWII, a ship and a German U-boat are involved in a battle and both are sunk. The survivors from the ship gather in one of the boats. They are from a variety of backgrounds: an international journalist, a rich businessman, the radio operator, a nurse, a steward, a sailor and an engineer with communist tendencies. Trouble starts when they pull a man out of the water who turns out to be from the U-boat. Continue reading