A film about another kind of “unreturned soldier” than Shohei Imamura has profiled elsewhere, KARAYUKI-SAN finds the filmmaker traveling to Malaysia to interview Kikuyo Zendo, one of the countless Japanese women who were kidnapped or otherwise sold into sexual slavery in order to service the Japanese military in Southeast Asia.
74 years old at the time of filming, she offers a frank and harrowing testimony into her horrific wartime experiences, and the factors that have led her to choose exile over repatriation. Continue reading
by Hal Erickson
Director Michael Mann co-wrote the teleplay for The Jericho Mile with Patrick J. Nolan. Peter Strauss stars as “Rain” Murphy, serving a life sentence in Folsom Prison for first-degree murder. To break up the boredom of prison life, Murphy begins running laps around the prison recreation track. Prison officials take notice when Murphy runs a mile in less than four minutes. They lobby to enter Murphy into the Olympics, an act of largesse that not only pulls Murphy out of his misanthropy but also helps to unify his racially divided fellow prisoners. Originally telecast March 18, 1979, The Jericho Mile was filmed on location at Folsom Prison, with several inmates playing small roles–and talking the talk of prisoners, never mind the TV censors. Continue reading
“I know what you want, you want to see the movie.”
John Carpenter directs this unsettling installment of the “Masters of Horror” series, following one man’s search for the holy grail of horror cinema. Hired by a millionaire collector (Udo Kier) to retrieve the infamous Le Fin du Monde — a violent movie that reportedly causes viewers to turn into homicidal maniacs after they watch it — an unsuspecting theater owner (Norman Reedus) begins to fall under the film’s spell. Continue reading
A documentary directed by Abel Ferrara for the series ‘BOATS – Based On A True Story’ about the Padre Pio di Pietrelcina. Continue reading
Three men at three different times in history come to Mow Top hill in search of sanctuary from their troubles. A Roman soldier, a medieval rebel and a 1970’s young man. Somehow they seem linked through a energy within the hill and an axe. Is history doomed to repeat itself or can loving another person free them?
A disturbing exploration of the inevitability of life. Under Orion’s stars, bluesilver visions torment Tom, Macey and Thomas as they struggle with age-old forces. Distanced from each other in time, and isolated from those they live among, they are yet inextricably bound together by the sacred power of the moon’s axe and each seek their own refuge at Mow Cop. Can those they love so intensely keep them clinging to reality? Or is the future evermore destined to reflect the past? Continue reading
The director Gaspard Bazin is preparing a new feature film. For now, he is still in the casting and financing stages. He’s asking the help of Jean Almereyda, a producer once fashionable but now at low ebb, who has more and more difficulties to raise cash for his company. His wife, Eurydice, dreams of being a movie star. Between the two men, a perverse game is starting, Almereyda wishing to please his wife, but the unrepentant seducer reputation of Bazin holds him to require a part for Eurydice… Continue reading
Sean Axmaker, Keyframe wrote:
When handed the raw materials from an unfinished documentary about Elmyr de Hory, an art forger whose life was being written up by biographer Clifford Irving, Orson Welles took the opportunity to make something far beyond the concept of the traditional documentary. F for Fake has been called the Orson Welles’ first essay film, a true enough statement if you limit the accounting to feature films, but he had been doing short-form non-fiction since 1955, when he made Around the World with Orson Welles (a.k.a. Around the World) for British television. Continue reading