PBS documentary on John Cassavestes featuring comments from Peter Bogdanovich, Martin Scorsese, as well as Peter Falk and Ben Gazzara. Continue reading John Cassavetes – American Masters: John Cassavetes (1990)
Opening show from the second season of the “Columbo” TV series, starring Peter Falk as Lt. Columbo. Guest star is John Cassavetes as a famous symphony conductor who murders his mistress, an up-and-coming pianist (Anjanette Comer), and tries to make it look like suicide. Needless to say, Columbo unravels the truth in his typical entertaining fashion.
This episode is listed on the IMdB as having been directed (uncredited) by Cassavetes and Falk together with the credited director, Nicholas Colasanto. The same claim is made in Thierry Jousse’s Cassavetes book. Ray Carney, in Cassavetes on Cassavetes, writes, however, that before working together on Elaine May’s Mikey & Nicky, Continue reading Nicholas Colasanto & John Cassavetes & Peter Falk – Columbo Étude in Black (1972)
NBC’s “Suspicion” was a 40 episode series (which ran from 1957 to 1958) in a similar mold to “Alfred Hitchcock Presents”. Alfred Hitchcock directed the series permiere episode, “Four O’Clock”. It was originally broadcast on 30/Sep/1957.
Paul Steppe, a successful watchmaker, begins to suspect that his wife Fran is seeing another man. Consumed with jealousy, Steppe decides to murder her. His plan, he feels is ingenious. Painstakingly Steppe applies all of his watchmaking skills to the construction of a time bomb. He plans to slip into his house in the afternoon without his wife’s knowledge, leave the bomb and then return to his jewelry store unnoticed and unsuspected. Continue reading Alfred Hitchcock – Suspicion: Four o Clock (1957)
Thriller (aka. Boris Karloff’s Thriller) was an hour-long TV Horror anthology series that originally aired on NBC from 1960 to 1962. Horror fans who grew up in the 1960’s and 1970’s were nearly enraptured with the content and structure of this show. Indeed, in his non-fiction book on horror, Danse Macabre, Stephen King calls Thriller “the best horror series ever put on TV” (224; 1983 ed). At the beginning of each hour, Hollywood’s master of the macabre himself, Boris Karloff, would set the tone and prime the viewers for frightful and chilling dramatizations based on the works of some of the era’s greatest writers in the genre – writers like Robert E Howard, Cornell Woolrich, Richard Matheson, and Robert Bloch. Each episode was shot in eerie black and white and offered at least one story, with a few episodes dividing the hour between two or three shorter plays. Continue reading Various – Boris Karloff’s Thriller [Season 1] (1960)
A famous French documentary director has chosen to match his talents with those of a powerful subject who talks on his youth, his formative years, his life and work. Reichenbach on Welles on Welles, one might say.
These recollections help to explain something of the creative processes of film making, comparing the behaviour of Welles the director and Welles the man. Orson at home, Orson interviewed at the Cannes Festival, Orson shooting a scene with Jeanne Moreau… Orson in portrait. No less. (MIFF) Continue reading François Reichenbach & Frédéric Rossif – Portrait: Orson Welles (1968)
Plot Synopsis from ALLMOViE:
Though he made allusions to his own life in all of his films, Fanny and Alexander was the first overtly autobiographical film by Ingmar Bergman. Taking his time throughout (188 minutes to be exact), Bergman recreates several episodes from his youth, using as conduits the fictional Ekdahl family. Alexander, the director’s alter ego, is first seen at age 10 at a joyous and informal Christmas gathering of relatives and servants. Fanny is Alexander’s sister; both suffer an emotional shakedown when their recently-widowed mother (Ewa Froling) marries a cold and distant minister. Stripped of their creature comforts and relaxed family atmosphere, Fanny and Alexander suddenly find their childhood unendurable. The kids’ grandmother (Gunn Wallgren) “kidnaps” Fanny and Alexander for the purpose of showering them with the first kindness and affection that they’ve had since their father’s death. This “purge” of the darker elements of Fanny and Alexander’s existence is accomplished at the unintentional (but applaudable) cost of the hated stepfather’s life. Ingmar Bergman insisted that Fanny and Alexander, originally a multipart television series pared down to feature-film length, represented his final film, though within a year after its release he was busy with several additional Swedish TV projects, and he returned to make one more theatrical release movie before his death – the 2003 Saraband. Oscars went to Fanny and Alexander for Best Foreign Film, Best Cinematography (Sven Nykvist), Best Costume Design and Best Art Direction/Set Decoration. Continue reading Ingmar Bergman – Fanny och Alexander [TV Version] (1982)
Synopsis: “Estrella, a girl of ten, has lived alone with her mother Angela since her father died when she was very small. She is a lively and sociable child, but she spends a lot of time alone at home. Too much. Estrella enjoys fantasy and horror stories and, in order to exorcise the fear that the ‘big monsters’ cause her, she makes friends with them: she gives them a body, talks to them, they go to school with her, they protect her…. One day, Estrella makes friends with a new companion, a vampire. But could it be that this ‘friend’ is not merely a product of the girl’s imagination?” Continue reading Enrique Urbizu – 6 Películas para no dormir: Adivina quién soy aka 6 Films to Keep You Awake: A Real Friend (2006)