UNTEN MITTE KINN (the title can be literally translated as ‘Bottom Middle Chin’) is about a group of drama school students shortly before their graduation. They struggle with their teacher Borchardt – played by actor and stage director Fritz Schediwy (1943–2011) – and so they hire actress Corinna Trampe (Ursula Werner) to help them finish their stage production of Maxim Gorki’s Nachtasyl (The Lower Depths / На дне, literally: ‘At the bottom’).
Philippe and Sylvie live in a mountain hotel run by their parents. Continue reading
almost 35 years ago (sept 22 1978) bukowski made this notorious ill fated appearance on french tv. no subs and mostly in french (chuck speaks english but a french translator does his best to drown him out, as does everyone else). he initially seems okay with with suffering through it all via the proverbial bottle of wine and indian cigs but it isnt long before the self important pseudo intellectual bloody frogs begin to wear him down. after awhile he decides to remove his earpiece and wing it. soon he cant get a word in edgewise (douchebag host bernie pivot even shushes him numerous times as things get increasingly ugly. chuck says finally “i’m sorry i said anything”):) Continue reading
Very old and very rare comedy, 5 parts TV series produced by TV Sarajevo, Bosnia and Herzegovina, ex-Yugoslavia. Continue reading
Around the World with Orson Welles (1955) is a series of 26-minute TV documentaries, made for British television. Five of the episodes survive, and have been collected and released on a DVD. Welles compared the series to home movies. This is a bit misleading. There are travelogue sections shot silent, edited together with narration by Welles – segments that do resemble in form the average person’s vacation films of the era. But there are also extensive synch sound interviews with people Welles meets in his travels. These parts are a bit like a talk show, although they are generally set on locations where the person lives, rather than in a studio. In general, Welles resists “voice of authority” narration here, and tries to disguise his comments as elements of conversation with another character. Welles will also frequently show the camera, microphone, and the camera crews filming. It is part of the spectacle. Continue reading
Made for television, this film consists of four parts: Part One, “The Last Christmas Dinner,” is about the relationship between an old man and an old woman, both homeless. Part Two, “The Electric Floor Polisher,” is an opera-like story of a woman who is obsessed with polishing her floors. Part Three is a musical interlude featuring Jeanne Moreau singing “When Love Dies.” Part Four, “The Virtue of Tolerance,” concerns an old man, his young wife, and how they come to terms when she has an affair with a man her own age. Continue reading
In 1975, the American Film Institute bestowed upon Orson Welles their third Lifetime Achievement Award. (The first went to John Ford and the second to James Cagney.) This program, which originally aired on CBS, features a host of actors and other celebrities — Frank Sinatra, Johnny Carson, Joseph Cotton and Charlton Heston — who pay tribute to Welles’ brilliant but tumultuous career.
Throughout the night, many different people speak about the filmmaking contributions Welles made throughout his career, and clips from many of Welles’ films — Citizen Kane, The Magnificent Ambersons, The Lady from Shanghai, Touch of Evil, Falstaff etc. — are shown. It’s rumored that Welles didn’t want to show up unless the AFI would let him show some clips from his then in-production but now-incomplete film, The Other Side of the Wind, so the AFI indulged him and let him show a few clips. (The last screen grab is from one of the film’s scenes.)
For Welles fans, this is a must-see event, as it’s great to see him honored by so many of his colleagues. Continue reading