Davey Haggart (John Hurt) wishes to follow his father’s footsteps and become a highway robber. He also wishes to avoid his father’s fate — which was death by hanging at the tender age of 21 after a botched robbery of the Duke of Argyle (Robert Morley). Davey commits a daring robbery in broad daylight with the help of two henchmen (Ronald Fraser and Fidelma Murphy) and heads for the highlands of Scotland to hide out. The local Constable (Nigel Davenport) warns young Davey he will end up just like his father but helps him escape the fate of dancing on the end of a rope. Annie (Pamela Franklin) is the kind-hearted farm girl who tries to make sweet Davey give up a life of crime and settle down. This comedy was taken from the autobiographical diary”The Life Of David Haggart.” Continue reading
London, 1949. John Christie is an unassuming, middle aged man who, along with his wife Ethel, manages the apartment building at 10 Rillington Place. His unassuming demeanor masks the fact of being a serial killer. His modus operandi is to act as a person with a medical background, lure unsuspecting women to his apartment on the pretense of curing them of some ailment, knock them unconscious with carbon monoxide gas, gain his sexual release through contact with the unconscious body, then strangle the victim dead before disposing of the body usually by burying it in his back yard. His next intended target is Beryl Evans, a young woman who has just moved into a flat in his building. Beryl’s husband, Tim Evans, is an illiterate man who likes to put on airs. Already with an infant daughter named Geraldine, the Evanses learn they are going to have another baby, which they cannot afford to have, nor can they afford to abort the pregnancy. This problem, on top of the constant issue of lack of…
‘A young fireman on the Flying Scotsman train falls in love with the beautiful daughter of the driver who is about to retire. The young fireman has replaced another named Crow who was sacked for drinking on the job and is planning to wreck the express on the driver’s last trip.’
- trunkeyts (IMDb) Continue reading
Jonathan Glazer‘s film is a gorgeous piece of film-making that leaves the narrative heavy-lifting to the viewers as it eschews a traditional setup and instead relies on visuals to clue us in as the story progresses. Expect complaints similar to those hurled at Upstream Color, that the story is unclear or convoluted, but such accusations are as baseless here as they were with Shane Carruth’s film. The details may be elusive, but the steadily engrossing narrative is clear. Continue reading
The movie tells the story of rock singer “Pink” who is sitting in his hotel room in Los Angeles, burnt out from the music business and only able to perform on stage with the help of drugs. Based on the 1979 double album “The Wall” by Pink Floyd, the film begins in Pink’s youth where he is crushed by the love of his mother. Several years later he is punished by the teachers in school because he is starting to write poems. Slowly he begins to build a wall around himself to be protected from the world outside. The film shows all this in massive and epic pictures until the very end where he tears down the wall and breaks free. Continue reading
A young girl’s life is turned upside down when her mother brings home a new boyfriend
From the start, I knew the British director Andrea Arnold had captured something volatile and splendid in Fish Tank. A girl named Katie Jarvis plays 15-year-old Mia, who in the first shots stares out the window of a high-rise, working-class tenement in London’s East End — the window of a vacant flat where she practices her hip-hop moves to the sound of music from tiny speakers.