United Kingdom

Roy Ward Baker – A Night to Remember (1958)


Director Roy Ward Maker, and his producer, William MacQuitty, have done a sterling job in putting the tragic sinking of the Titanic in 1912 on the screen with an impressive, almost documentary flavour. With around 200 speaking roles in the film, few of the actors are given much chance to develop as characters. Even leading player Kenneth More, is merely part of a team. The ship itself is the star. Read More »

Basil Dearden – Frieda (1947)


‘In the final year of WW2 a British airman marries the German girl who helped him escape from a POW camp and brings her home to meet his stolid middle-class family. Will they – and by implication, British society – come to accept this representative of the Herrenvolk?’

— Philip Kemp. Read More »

Nicky Hamlyn – Not to See Again / Guesswork (1979-1980)


Details, fragments, transformations and shadows of a confined space: the toilets of the London Filmmakers’ Co-op in Gloucester Avenue, Primrose Hill, London. This film is neither abstract, nor firmly resolved in terms of what is depicted. Saturated colors and snatches of images are punctuated by darkness, whilst silence is punctuated by mysterious sounds, which are confined to moments when the image is extremely low key. The haunting use of sound and silence and the enigmatic juxtapositions and fragmentation contribute to the film’s overall abstract quality. Read More »

Thea Sharrock – ‘As You Like It’ at Shakespeare’s Globe Theatre (2010)



Rosalind, the daughter of a banished duke, falls in love with Orlando at a wrestling match, but her usurping uncle, jealous of her popularity, banishes her from court. Disguised as a boy she seeks out her father and his friends in the Forest of Arden. Here she meets Orlando again and, under the guise of a young man, counsels him in the art of love.

Directed by Thea Sharrock
Designed by Dick Bird
Music composed by Stephen Warbeck
Choreographed by Fin Walker

Recorded live at Shakespeare’s Globe Theatre, London, in October 2009. Read More »

Mike Dunford – Collected HD Works (1969-1971)

Mike Dunford’s 8mm films were made within a short period of time between 1968 and 1971 whilst he was a sculpture student at Goldsmiths College. Using offcuts, junk footage banality, politics, performance, pastiche, escalators, flowers, aeroplanes and motor cycles, Dunford experimented with film as a medium which he approached as a materialist sculptor. For Dunford, “the reality of a filmstrip running through the gate, and all its previous incarnations as a representational record of a social reality, an object to be worked on, physically scarred, in its existence and evidence in and of time, its evanescent fragility as modulated light, this was the true subject matter of these films. Four Films includes a ‘walking piece’ with Sally Potter. Read More »

Michael Powell & Emeric Pressburger – Black Narcissus (1947)


(Gary W. Tooze wrote)
“five Protestant missionary nuns embark on the task of establishing a school/health center and residence for their future convent in the desolate Himalayan mountains. The dwelling is a deserted sultans palace surrounded by the grandeur of the snowcapped peaks of Kanchenjunga. Obstacles confront them at every turn with a community of superstitious natives and a jaded and rugged British intermediary named Mr. Dean (David Farrar). Adding to these hurdles are their own emotional frailties, culture shock and previously unearthed worldly passions with the inherent creeping jealousies and desires. The project proves a daunting test for the ambitious Sister Clodagh (Deborah Kerr), given her first taste of authority and her strong determination to succeed as she counters the continuous roadblocks.” Read More »

Paul Schrader – The Walker (2007)

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Review From Times Online
Woody Harrelson’s lesson in The Walker: don’t cross a venomous Washington wife
By James Christopher

A scene in The Walker in which Woody Harrelson undresses himself for bed is one of the most telling strips of film Paul Schrader has shot. The gay hero is dismantling his smooth public image in front of an expensive dressing-room mirror. He presses chunky cufflinks into plush velvet cushions. He pins an immaculately folded tie to a white satin tray. The piece-de-resistance is a state-of-the-art hairpiece. Once this is peeled off, the rest of our hero’s beauty tips unravel in seconds. Read More »