A young girl witnesses her brother murder a man through a reflection in a mirror. Twenty years later the mirror is shattered, freeing his evil spirit, which seeks revenge for his death. Continue reading
IMDB user review
31 July 2007 | by (peacecreep) (United States)
Shot on 16mm in rural Utah in the early 90′s, Sure Fire is obscure American cinema at its finest. Josts style is very unique, containing many long scenes of dialogue, and beautiful photography of landscapes. This film contains some of the longest, most engaging monologues I’ve ever seen or heard, courtesy of the lead actor, Tom Blair. Blair is an amazingly strange actor that really gets into his roles. All I can really say is watch him work, it is fascinating.
The story was developed in accordance with the people Jost met in Utah and what was going on in their lives and the area at the time. The story concerns Tom Blair’s character, Wes, wanting to sell real estate to people moving to his town from California. It goes on to explore his relationship with the people close to him.
At times, the film feels like a weirder version of Twin Peaks, and that’s a very good thing. But it is no doubt a singular vision by a truly underground filmmaker. It is hard to find, but worth the hunt. -James Sinclair 7/07 Continue reading
The true story of a handful of Mormon movie buffs and their efforts to clean up Hollywood hits (and make money doing it) are chronicled in this documentary from filmmakers Andrew James and Joshua Ligairi. In Utah, a state where a significant number of residents are members of the Church of Jesus Christ and Latter Day Saints, a number of video store owners found it difficult to find popular films that their customers would find suitable for family viewing. One shop stepped forward with the notion of creating edited versions of recent hits, with nudity, adult language, drug use and violence clipped out using digital editing software. Calling their product “Cleanflix,” the sanitized versions of titles such as Titanic, The Big Lebowski and The Matrix were an immediate success, and a number of other Utah video stores followed suit. However, when Cleanflix and similar services began making their product available via mail order and the internet, not everyone was happy about it. The studios that owned the copyrights on the original films filed suit against the edited video services, asserting they were selling films that were not rightfully theirs, and a number of leading filmmakers (including Steven Spielberg, Steven Soderbergh and Martin Scorsese) launched a well-publicized campaign against movies being edited by outside parties for commercial use. Some of the edited movie dealers continued to operate in defiance of legal injunctions, though one found himself involved in a most unexpected scandal. Cleanflix was an official selection at the 2009 Toronto International Film Festival. Continue reading
Based on a true story, this film tells of a police chief hired to wipe out corruption in the Louisiana State Police. Continue reading
Based on a true story. In neutral Turkey during WWII, the ambitious and extremely efficient valet
for the British ambassador tires of being a servant and forms a plan to promote himself to rich
gentleman of leisure. His employer has many secret documents; he will photograph them, and with
the help of a refugee Countess, sell them to the Nazis. When he makes a certain amount of money,
he will retire to South America with the Countess as his wife Continue reading
Plot Synopsis by Hal Erickson
Heavy Traffic represents a follow-up to animator Ralph Bakshi’s first feature film, Fritz the Cat (1972). The central character is Michael, the ingenuous son of an Italian father and Jewish mother. An aspiring cartoonist, Michael leaves home in a huff and outrages his family by conducting an affair with an African-American woman. Heavy Traffic was originally intended to be a cartoon adaptation of Hubert Selby’s notorious novel Last Exit to Brooklyn, but negotiations fell through, and Bakshi was obliged to cook up a similar but not identical “mean streets” plotline. (Last Exit to Brooklyn was made as a live-action film in 1989.) Continue reading
American Pop is a 1981 American animated film directed by Ralph Bakshi. The film tells the story of four generations of a Russian Jewish immigrant family of musicians whose careers parallel the history of American popular music. The majority of the film’s animation was completed through rotoscoping, a process in which live actors are filmed and the subsequent footage is used for animators to draw over. However, the film also uses a variety of other mixed media including water colors, computer graphics, live action shots, and archival footage. Continue reading