SYNOPSIS: A nudist camp provides the primary setting for this exploitation film that chronicles the camps attempts to gain respectability in a community. The story centers around the daughter-in- law of a prissy magnate. After her husband dies, the woman decides that she needs a major change in her life. When she accidently finds a nudist colony, she decides that this is the change she has been looking for. Of course her late husband’s father is morally outraged by her actions until he visits the camp himself to bring her back. Soon he finds he likes the lifestyle and becomes a convert. Read More »
This is the first comprehensive examination in English of Italian cinema during the Fascist era. James Hay discusses the films of the 1920s and 1930s in terms of the popular culture and cultural policy of the times. The hundreds of films produced during this period have generally been discredited as propagandistic or as “white telephones” by both film and social historians. Hay, however, argues that this interpretation is much too simplistic. He demonstrates that this popular film culture was the result of a growing public “literacy” of film and of the interaction of cultural, social, and political transformations. This study uses popular cinematic narratives and images to discuss how Italians began to see themselves as a nation and as a cultura popolare.
Popular Film Culture in Fascist Italy is profusely illustrated with photos from films such as Grandi magasini and Squadrone bianco as well as popular classics such as Amarcord Read More »
Author: Ephraim Gadsby from USA
Often accused of being less than the sum of its parts, “It’s a Mad Mad Mad Mad World is one of the most precious gems in filmdom. True, it’s far from being the funniest movie ever. Once, when Monty Python was putting a film together, they found that after fifty-odd minutes the audience stopped laughing. Thinking it was the material, they recut it so the latter material came out first. The audience still stopped laughing at fifty-odd minutes, even with what MP assumed the funnier materials backloaded. The fact is, people can only laugh so long. Read More »
This movie is a fictionalized account of the war crimes trial of judges and prosecutors who served the Nazis.
“Judgment at Nuremberg” depicts a watershed event: the first trials, based on principles of justice and international law, of the leaders of a country that waged aggressive war and committed crimes against humanity. The film is a gripping, searching and provocative look at the moral issues surrounding both the actions of the accused and the process of bringing them to justice. The film also explores the issue of whether ordinary Germans bore responsibility for the Holocaust. Read More »
Description: Inherit the Wind (1960) portrays, in partly fictionalized form, the famous and dramatic courtroom “Monkey Trial” battle (in the sultry summer of 1925 in Dayton, Tennessee) between two famous lawyers (Clarence Darrow and William Jennings Bryan) who volunteered to heatedly argue both sides of the case (over 12 days, including two weekends).
Its story centers around the issue of evolution vs. creationism, in the prosecution of 24 year-old Dayton High School mathematics teacher and sports coach – and substitute science teacher – John T. Scopes for violating state law (the 1925 Butler Act) by teaching the Darwin’s theory of evolution in a state-funded school. The film’s title was taken from the Biblical book of Proverbs 11:29: “He that troubleth his own house shall inherit the wind.” Read More »
In 1964, nuclear war wipes out humanity in the northern hemisphere; one American submarine finds temporary safe haven in Australia, where life-as-usual covers growing despair. In denial about the loss of his wife and children in the holocaust, American Captain Towers meets careworn but gorgeous Moira Davidson, who begins to fall for him. The sub returns after reconnaissance a month (or less) before the end; will Towers and Moira find comfort with each other? Read More »
Paul Muni’s film debut. Muni earned an Academy Award nomination for his performance, the first of six in his long career.
A drifter with a clouded past accidentally kills the key witness to a crime, then sacrifices himself to the law under an assumed name rather than disgrace his family. In this manner, Muni is certain that he’s redeemed himself for his previous misdeeds–but a curious police inspector tries to probe his past. The Valiant was remade in 1940 as THE MAN WHO WOULDN’T TALK, with Lloyd Nolan in the Muni role. Read More »