The 1968 film shows Fedor Karamazov as a stingy old man, who’s three sons are after his money. The Karamazov brothers, Dmitri, a gambler, Ivan, a thinker, and Aleksei, a monk, are living through their different problems. Ivan is trying to save the world by making a story of “The Great Inquisitor”. Dmitri, who lost money in gambling, is begging his father to help him. But the father gives a lot of money to his mistress Grushenka.
Musical comedy. Herding pigs girl Glasha of the Russian countryside and the shepherd Musaib of Dagestani aul came to Moscow at the agricultural exhibition, meet there and fall in love at first sight. They will leave for a long time, and partial to Glasha fellow villager does not want to so just give the girl a distant opponent. Continue reading
Synopsis (courtesy of the two IMDB comments):
Very cinematic Russian tale of alienation and lost identity
I saw this film on a local government television station in Australia called SBS which played it at midnight. There’s something very beautiful about this film which despite being set amidst the cold, harsh landscape of a desolate Russian territory it features the vitally honest, wan, lost eyes of the lead actor (whose name I can’t recall regrettably) whose vivid sense of alienation was extremely memorable. Its a B&W film about a military guard who finds himself lost amidst his fellow guards’ corruption and his own painful sense of duty versus his sense of goodness. Its a classic, familiar storyline but the use of black and white film is extremely powerful. It also contains a homo-erotic theme – obvious in parts like the shower-room scene in which the lead characters nakedness offers both symbolic proof of his feeling of emptiness but also the sad truth that even reduced to nakedness his alienation from fellow guards is unbreakable. Throughout this film the sad beauty is haunting but there are some strong moments of violence. This is a film filled with silences in which the eyes are very much windows to the soul. I found myself quietly reflective after viewing this film. Continue reading
Platon Ryabinin, a pianist, is traveling by train to a distant town of Griboedov to visit his father. He gets off to have lunch during a twenty minute stop at Zastupinsk railway station. He meets Vera, a waitress, after he refuses to pay her for the disgusting food he doesn’t even touch and misses his train due to police investigation of the incident. His passport is then accidentally taken away from him by Andrei, Vera’s fiancé, and his money is stolen as he waits for the next train to Griboedov. Vera learns that Platon is about to get sentenced and sent to prison in the Far East for a car accident he isn’t guilty for. During the few days that Platon has to spend in Zastupinsk he and Vera develop feelings for each other… Continue reading
The film’s main hero is Chermen. An illegitimate son, Chermen is striving to assert his dignity. He is opposed by Dacco, the elder of the Aldar clan, in whose village Chermen lives. Guided by mercenary motives, Dacco strikes a deal with Prince Tsarai. Together, they rob people and then divide the loot between themselves.
By some chance, Chermen learns of the deal and informs his friends about it. At first, he thinks that no one in the Aldar village would believe him, the bastard, and that the plot would remain unexposed. But the friends accept the challenge. Continue reading
Koja is really a little brat nobody can tame. His mother, neighbours and even his head teacher don’t know how to deal with such a boy any more. The head teacher tells him that, unfortunately, he is not like his father who died at war. Koja makes promises, but he forgets them as soon as he leaves the head teacher’s office … “Working on a film with children should be like a game so that the shooting does not weight heavily on them. All children are by nature actors and story tellers. They simply express this penchant in more or less obvious ways. ” Abdulla Karsakbaiev
Source Festival de Vesoul, 2012
Based on the play by Alexander Volodin. The set is the 1950s. The tangible world of an old communal apartment is recreated onscreen with an incredible accuracy, every thing capturing the flair of the time. The stylized visuals, the curious objects, the amusing inhabitants, so charming and exotic… There are all the marks of the ‘retro’ style, which is always ‘in’. The actors Ludmila Gurchenko and Stanislav Lyubshin succeeded in conveying everything that they couldn’t say openly. The finale allows for different interpretations. Hence the emotions evoked by this impeccably made melodrama appear to be even more poignant.Once Alexander and Tamara were in love. But the war had separated them… Twenty long years after, they meet again, but they lack the courage to admit that their feelings are still alive. Unable to overcome their pride, they try to convince each other that both are doing just fine…