The film’s main hero is Chermen. An illegitimate son, Chermen is striving to assert his dignity. He is opposed by Dacco, the elder of the Aldar clan, in whose village Chermen lives. Guided by mercenary motives, Dacco strikes a deal with Prince Tsarai. Together, they rob people and then divide the loot between themselves.
By some chance, Chermen learns of the deal and informs his friends about it. At first, he thinks that no one in the Aldar village would believe him, the bastard, and that the plot would remain unexposed. But the friends accept the challenge. Continue reading
Koja is really a little brat nobody can tame. His mother, neighbours and even his head teacher don’t know how to deal with such a boy any more. The head teacher tells him that, unfortunately, he is not like his father who died at war. Koja makes promises, but he forgets them as soon as he leaves the head teacher’s office … “Working on a film with children should be like a game so that the shooting does not weight heavily on them. All children are by nature actors and story tellers. They simply express this penchant in more or less obvious ways. ” Abdulla Karsakbaiev
Source Festival de Vesoul, 2012
Based on the play by Alexander Volodin. The set is the 1950s. The tangible world of an old communal apartment is recreated onscreen with an incredible accuracy, every thing capturing the flair of the time. The stylized visuals, the curious objects, the amusing inhabitants, so charming and exotic… There are all the marks of the ‘retro’ style, which is always ‘in’. The actors Ludmila Gurchenko and Stanislav Lyubshin succeeded in conveying everything that they couldn’t say openly. The finale allows for different interpretations. Hence the emotions evoked by this impeccably made melodrama appear to be even more poignant.Once Alexander and Tamara were in love. But the war had separated them… Twenty long years after, they meet again, but they lack the courage to admit that their feelings are still alive. Unable to overcome their pride, they try to convince each other that both are doing just fine…
Kino-nedelya was directed by Dziga Vertov, Vladimir Gardin, Lev Kuleshov and others
In 1918 Mikhail Koltstov, who headed the Moscow Film Committee’s newsreel section, hired Vertov as his assistant. Among Vertov’s colleagues was Lev Kuleshov, who was conducting his now legendary experiments in montage, as well as Edouard Tissé, Eisenstein’s future cameraman was Lev Kuleshov, who was conducting his now legendary experiments in montage, as well as Edouard Tissé, Eisenstein’s future cameraman. Vertov began to edit documentary footage and soon was appointed editor of
Kinonedelya, the first Soviet weekly newsreel
What makes an athlete compete? How can he be made to endure the gruelling training most sports require? In this image-rich combination documentary and poetic drama, participants in sports including foot-racing, wrestling, speed-skating, swimming and gymnastics are seen in their daily lives and in all stages of training and competition. Their regimens are contrasted with the efforts of ordinary people to train some life into their limbs as they exercise to lose weight, or, as aging people, in order to stay active. In one episode, a marathon runner competing on a hot summer day in Philadelphia literally runs himself to death, and in a later dramatic re-enactment, medieval warriors hold a competitive joust. As one image piles upon another in this unique film, answers to questions about competition begin to suggest themselves. Continue reading
Aleksandr Sokurov creates a visually poetic, elegant, and unforgettable synthesis of art and life in Mariya. The lush and textural initial sequence, shot using color film, presents the austere life of the titular Mariya – a robust, genial, and hard-working middle-aged collective farmer with an engaging smile – during an arduous flax harvest season in the summer of 1975: operating heavy machinery, sharing a meal at a communal table with fellow workers, visiting her young son’s grave, enjoying a lazy afternoon by the lake with her family on her day off, and proudly (and uninhibitedly) describing her responsibilities and work ethic before the camera.
The first scenario work of Anatoliy Lunacharsky.
The first Soviet kinopostanovka Petrograd kinokomiteta (now – Lenfilm Studio).
November 7, 1918 – the date of the first issue on the screens of Soviet films. On this day it was released four paintings, three of them – campaign.
In order to seal one of the rooms of Professor relocated from raw basement working with his daughter. Flats start attending the factory workers. Guests are becoming more and more, and the professor begins to read popular lectures in the workers’ club. Between the younger son of a professor and his daughter working there is a feeling and the characters decide to get married …