Kino-nedelya was directed by Dziga Vertov, Vladimir Gardin, Lev Kuleshov and others
In 1918 Mikhail Koltstov, who headed the Moscow Film Committee’s newsreel section, hired Vertov as his assistant. Among Vertov’s colleagues was Lev Kuleshov, who was conducting his now legendary experiments in montage, as well as Edouard Tissé, Eisenstein’s future cameraman was Lev Kuleshov, who was conducting his now legendary experiments in montage, as well as Edouard Tissé, Eisenstein’s future cameraman. Vertov began to edit documentary footage and soon was appointed editor of
Kinonedelya, the first Soviet weekly newsreel
What makes an athlete compete? How can he be made to endure the gruelling training most sports require? In this image-rich combination documentary and poetic drama, participants in sports including foot-racing, wrestling, speed-skating, swimming and gymnastics are seen in their daily lives and in all stages of training and competition. Their regimens are contrasted with the efforts of ordinary people to train some life into their limbs as they exercise to lose weight, or, as aging people, in order to stay active. In one episode, a marathon runner competing on a hot summer day in Philadelphia literally runs himself to death, and in a later dramatic re-enactment, medieval warriors hold a competitive joust. As one image piles upon another in this unique film, answers to questions about competition begin to suggest themselves. Continue reading
Aleksandr Sokurov creates a visually poetic, elegant, and unforgettable synthesis of art and life in Mariya. The lush and textural initial sequence, shot using color film, presents the austere life of the titular Mariya – a robust, genial, and hard-working middle-aged collective farmer with an engaging smile – during an arduous flax harvest season in the summer of 1975: operating heavy machinery, sharing a meal at a communal table with fellow workers, visiting her young son’s grave, enjoying a lazy afternoon by the lake with her family on her day off, and proudly (and uninhibitedly) describing her responsibilities and work ethic before the camera.
The first scenario work of Anatoliy Lunacharsky.
The first Soviet kinopostanovka Petrograd kinokomiteta (now – Lenfilm Studio).
November 7, 1918 – the date of the first issue on the screens of Soviet films. On this day it was released four paintings, three of them – campaign.
In order to seal one of the rooms of Professor relocated from raw basement working with his daughter. Flats start attending the factory workers. Guests are becoming more and more, and the professor begins to read popular lectures in the workers’ club. Between the younger son of a professor and his daughter working there is a feeling and the characters decide to get married …
Description: An unenviable lot fell to the Red Army soldier Shilov: he is being suspected of stealing gold. In the hungry 1920s, the young Soviet Republic’s government searches for gold all over the country, to buy for it bread from abroad. And now, the collected valuables disappeared from the armored and well-guarded train car on their way to Moscow. Shilov learns that the valuables have been stolen by the bandits. To restore his good reputation, Shilov has to infiltrate the band. To find out where the stolen gold is kept, he must be at home among the strangers.
A debut of the world-famous director Nikita Mikhalkov, this film is an excellent model of a “western”, having a very ingenious plot, and, most importantly, being a hymn to men’s true friendship.
First screen adaptation of Gorky’s ” Mother”
One of the most popular movies tells, in an ironic manner, about complicated relationships between close people. Among the film’s achievements is not only splendid acting, but also the fact that “Kinfolk” remains as contemporary and topical as before. The relations between a son-in-law and a mother-in-law are as everlasting a theme as love itself. Especially when the role of the son-in-law Stasik is brilliantly played by Yuri Bogatyryov, and that of the mother-in-law by the incomparable Nonna Mordyukova. Marusya Konovalova, a kind, simple-hearted country woman, comes to Moscow to visit her only daughter (Svetlana Kryuchkova) and tries to help “glue together” her broken-up family. Acting with best intentions, she cannot understand why her interference provokes a stormy protest…First film role of Oleg Menshikov. N. Mikhalkov, A. Adabashyan and P. Lebeshev as waiters and cooks!