A 1962 Soviet black-and-white drama film directed by Mikhail Romm about nuclear particle physics, Soviet scientists
(physicists) and their relationship. The film won the Crystal Globe Award in 1962.
Two young physicists, an afflicted experimenter Dmitri Gusev (Batalov) and a sceptical physicist-theorist Ilya Kulikov (Smoktunovsky) carry out nuclear researches at a Siberian research institute. Dmitri heads the researches begun by his teacher Sintsov who as a result of experiment had received a deadly dose of radiation. Gusev is irradiated also. Doctors warn that any more radiation will kill him. At that time his friend Ilya and Lyolya who loved Dmitri developed a romantic relationship. The enamoured couple prepares for a wedding and look for a possibility to inform Dmitri about it. When they meet, Dmitri already suspects this and coldly received Lyolya and Ilya. Lyolya is caught up in self-contradictions, and as she tries to establish his true feelings for her she learns about the terrible diagnosis. Realising that she still loves Dmitri, Lyolya cancels her wedding to Kulikov and weds Gusev. Continue reading
Kin-dza-dza! (Russian: Кин-дза-дза!, translit. Kin-dzah-dzah!) is a 1986 Soviet comedy-science fiction film released by the Mosfilm studio and directed by Georgi Daneliya, with a story by Georgi Daneliya and Revaz Gabriadze. The movie was filmed in color, consists of two parts and runs for 135 minutes in total.
The film is a dark and grotesque parody of human society and may be described as a dystopia. It depicts a desert planet, depleted of its resources, home to an impoverished dog-eat-dog society with extreme inequality and oppression. It is a cult film, especially in post-Soviet countries, and its humorous dialogue is frequently quoted. Continue reading
movie about living and fighting of Paris Commune and fate of the little boy – Communard.
based on Ilya Ehrenburg novel. Continue reading
A comedy about young Moskovites, their short one-day friendship with installer Volodya, who has come from a construction project in Siberia. About mutual assistance and first love. Continue reading
Grigory Chukhraj’s poetic odyssey of an accidental hero on a six-day pass is a sentimental journey through the ideals of the Soviet state in World War II. Vladimir Ivashov is the fresh-faced signalman whose trip from the Russian front to visit his white-haired mother becomes a series of detours as he stops to help the loyal comrades, fellow soldiers, and salt-of-the-earth civilians (as well as a few shirkers and scoundrels) he meets along the way. On a transport train he even falls in love with a pretty young stowaway, a feisty blond girl-next-door on her way to visit a wounded boyfriend. Delicately photographed and gently paced, this deliriously romantic road movie is undeniably Soviet in its celebration of patriotism and collectivism, but Chukhraj transcends politics with delightfully vivid characters and a deft mix of comedy, melodrama, and romance. –Sean Axmaker Continue reading
Mike Pinsky, DVDVerdict wrote:
Russian film poet Evgeni Bauer combined the technical virtuosity of D.W. Griffith with the haunting terror of Edgar Allan Poe and the artist’s eye of Johannes Vermeer. He is — perhaps — the greatest film director you have never heard of. During his brief four-year career, Evgeni Bauer created macabre masterpieces. They are dramas darkly obsessed with doomed love and death, astonishing for their graceful camera movements, risqué themes, opulent sets and chiaroscuro lighting. Tragically, Bauer died in 1917, succumbing to pneumonia after breaking his leg.
For many decades, Bauer’s films were buried in the Soviet archives — declared too “cosmopolitan” and bizarre for the puritanical Soviet regime. But with the fall of the Iron Curtain, Bauer’s work has risen like a glorious phoenix out of the ashes of time. by MilestoneFilms Continue reading
Dovzhenko was commissioned to make what was intended to be a minor propaganda film to encourage the establishment of farming collectives. Under Dovzhenko’s lyrical montage and photography what emerged far exceeded propaganda; Earth has repeatedly made every international top ten film list. Continue reading