Vittorio De Sica

Vittorio De Sica – Ieri, oggi, domani AKA Yesterday, Today and Tomorrow (1963)

Stories about three very different women and the men they attract.

Episode 1. In Naples the street trader Adelina is sentenced to prison for selling bootleg cigarettes. The lawyer Verace tells her husband Carmine that according to the law a woman cannot be put in prison when she is pregnant and six months after the delivery. Adelina and Carmine start procreating one child after another to avoid imprisonment, but after the 7th child is born, Carmine is burned out and cannot make love anymore. Read More »

Vittorio De Sica – Il viaggio AKA The Voyage (1974)

IMDb wrote:
Adriana De Mauro loves Cesar Braggi, but Cesar, honoring his father’s dying wish, allows his brother, Antonio, to marry Adriana. As fate wills, Antonio dies in an automobile accident. Adriana’s mourning for Antonio ends when Cesar steps in to rekindle her lust of life. Soon, Adriana begins having dizzy spells. Cesar helps her to a specialist, and the diagnosis is not good. She has an incurable disease. For the rest of their time together, Cesar woos Adriana and eventually proposes to her on a gondola. Yet, for some reason or other, Signora De Mauro, Adriana’s mother, is not pleased with the relationship and argues bitterly with Cesar. Read More »

Vittorio De Sica – La porta del cielo (1945)

SYNOPSIS
During War World II, Vittorio De Sica was approached by Goebbels to help relaunch the Italian film industry under the auspices of Musolini’s puppet regime. In order to escape collaboration with the Nazis, De Sica quickly invented the project “La porta del cielo” a film about religious miracles funded by the Vatican. Appalled by their plight during the German occupation of Rome, De Sica cast many Jews in the film to spare them from Nazi persecution, extending the shoot until the American allies arrived in the capital. Read More »

Vittorio De Sica – Ladri di biciclette AKA Bicycle Thieves (1948)

Quote:

A crowd forms in front of a government employment agency, as it does every day, waiting – often in vain – for job announcements. Antonio Ricci (Lamberto Maggiorani), one of the unemployed laborers who participates in this daily ritual, is selected to hang posters in the city, a job requiring a bicycle, which he has long sold in order to sustain his family’s meager existence for a few more days. He and his wife, Maria (Lianella Carell), return to the pawn shop with a few remaining possessions, their matrimonial linen, in order to redeem the bicycle. During his first day at his new work, his bicycle is stolen. He combs the city with his young son, Bruno (Enzo Staiola), in search of the elusive bicycle. Read More »

Vittorio De Sica – Il boom (1963)

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Written by John Parrot On 20th April 2012,

By the release of Il Boom in 1963, the Italian economy had seen spectacular growth since 1951 in a growth spurt christened ‘il boom’. The country had left behind both neo-realism and penury. Life may have been sweeter for many people but, as we in the 2010s know, il boom is usually followed by il bust. Even if the Italian economy had been able to defy gravity and travel on a one-way trajectory to the stars, Vittorio De Sica would have been there to bring everyone back down to earth. Il Boom, starring one of Italy’s biggest comic movie stars, Alberto Sordi, looks beneath the glossy surface of the economic miracle to the festering truth of the matter. Read More »

Vittorio De Sica – Il tetto aka The Roof (1956)

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THE ROOF, largely considered the last masterpiece of Italian Neorealist cinema, dramatizes a single night in the lives of Luisa (Gabriella Palloti) and Natale (Georgio Listuzzi), a strikingly good-looking but destitute pair of newlyweds. The couple shares a small two-room apartment with several relatives. Following a bitter family dispute, Luisa and Natale pack out of this untenable living situation. Luisa turns to a friend for housing, while Natale finds shelter in a toolshed. Realizing that separation is no solution, the couple struggles to build a small shack for themselves in a race against time by a Roman municipal edict, which declares that if the roof is not completed by dawn, it will be torn down by the police. True to writer Cesare Zavattini and director/producer Vittorio De Sica’s previous works (THE BICYCLE THIEF, UMBERTO D.), what risks being lost isn’t just material property, it is the personal dignity of the couple and by extenuation, the dignity of all of mankind. The acting, writing, and directing throughout THE ROOF is superb, creating an honest and touching story centered upon the mutual love and devotion of the young newlyweds. Read More »

Giuseppe Amato & Vittorio De Sica – Rose scarlatte AKA Scarlet roses (1940)

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SYNOPSIS
Respectable bourgeois wife (Renee Saint-Cyr) turns out a mysterious bunch of scarlet roses and yields to temptation of adultery. Vittorio de Sica’s director debut (with supervision by Giuseppe Amato); light but already a little bitter comedy based on skillful Aldo de Benedetti’s stage hit. Naturally, superstar De Sica playing the main role himself – and is on the top of his charm here.
Sadly, there is only Spanish theatrical release (from that time), with Spanish dubbing and titles. Read More »