Just as many American studio-era directors found acclaim abroad that was denied them in their home country, by 1980 Akira Kurosawa’s reputation outside Japan exceeded his esteem at home. As uncompromising as ever, he found considerable difficulty securing backing for his ambitious projects. Unsure he would be able to film it, the director, an aspiring artist before he entered filmmaking, converted Kagemusha into a series of paintings, and it was partly on the basis of these that he won the financial support of longtime admirers Francis Ford Coppola and George Lucas. Set in the 16th century, when powerful warlords competed for control of Japan, it offers an examination of the nature of political power and the slipperiness of identity. Read More »
THE MEDIA PROJECT is an exposé on media coverage of the first Gulf War, directed by Peter Watkins. The film raises debate on the global media coverage of the Gulf War by taking examples from the Australian media coverage of the event and having them discussed by a small group of people from different backgrounds who are having dinner together. Written by Peter Watkins in conjunction with the cast, many of whom are expressing their own feelings and concerns. Read More »
Filmmaker Anatole Litvak was still one year away from his “breakthrough” picture Mayerling when he co-wrote and directed L’Equipage (The Crew). Charles Vanel and Annabella star respectively as a daring WW I aviator and his loving but neglected wife. Ostracized by the other pilots because of his recklessness and standoffishness, Vanel nonetheless befriends a young flyboy (Jean-Pierre Aumont). It is therefore a great source of consternation for Aumont when he discovers that the woman with whom he’s fallen in love is none other than Vanel’s wife Annabella. Read More »
Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country. Read More »
Compilation footage of Nazi concentration camps in the immediate aftermath of World War II. The footage was gathered by the US Department of Defense as part of the effort to conduct war crimes trials.
This film contains extremely graphic scenes of human suffering. The distributors advise caution when viewing. Accordingly, the screenshots posted here won’t reflect the whole content of the documentary.
from the film opening screen:
“This is an official documentary report compiled from films made by military photographers serving with the Allied Armies as they advanced into Germany. The films were made pursuant to an order issued by General Dwight D. Eisenhower, Supreme Commander, Allied Expeditionary Forces.” Robert H. Jackson, United States Chief of Counsel Read More »
When they speak of heroes – of villains – of men who look for action, who choose between honor and revenge – they tell the story of Breaker Morant
During the Boer War, three Australian lieutenants are on trial for shooting Boer prisoners. Though they acted under orders, they are being used as scapegoats by the General Staff, who hopes to distance themselves from the irregular practices of the war. The trial does not progress as smoothly as expected by the General Staff, as the defence puts up a strong fight in the courtroom. Read More »
Fixed Bayonets! (1951) is a war film written and directed by Samuel Fuller and produced by Twentieth Century-Fox during the Korean War. It is Fuller’s second film about the Korean War. In his motion picture debut, James Dean appears briefly in the film. Read More »