Weimar Republic cinema

Michael Curtiz – Fiaker Nr. 13 aka Cab Nr.13 (1926)

IMDB User Reviews
20 April 2004 | by bullybyte (United Kingdom)

*** This review may contain spoilers ***

SPOILERS!! The film starts with a woman on the run from her millionaire husband giving birth to a daughter in the home of a washerwoman. The woman dies in childbirth, but the baby survives. The washerwoman leaves the baby in a horsedrawn Parisian taxicab (No. 13). The paperwork of the birth is lost in a huge tome. Sixteen years pass. The tome is bought by a poor student. One day his bookshelf collapses, and the tome opens at the page where the paperwork has been hidden. The student realises that the paperwork relates to a millionaire who has spent the last sixteen years looking for his pregnant wife. Read More »

Georg Wilhelm Pabst – Kameradschaft AKA Comradeship (1931)


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Valliant effort to use a mining catastrophe as a vehicle to pronounce this director’s distaste for war. The audience not only learns a great deal about early mining rescue procedures but, we learn that Europeans at the interval between WWI and WWII, had concerning pacifists(for lack of a better term). The speeches given by both representatives of each country at the end of the film, are inspiring given the time. Although the revised edition, through the transfer technology of early foreign films, “cuts-off characters heads” at times, this film holds it’s own in many different aspects. Character analysis, lighting techniques, historical content and a scenario that has tested and inspired many a writer and filmmaker.

Pabst went on to Direct and put to screen Weil & Brecht’s “Three Penny Opera”, starring the original star, Lotte Lenya.
Author: (jrichmon@arts.ucla.edu) from United States Read More »

Oskar Fischinger – R-1 (Ein Formspiel) (1927)



Quote:
R-1 (Ein Formspiel)

“The title R-1, EIN FORMSPIEL VON OSKAR FISCHINGER survives on two different films, one composed entirely of STAFFS … and one composed of small fragments of many different experiments – wax, model planets, atoms, etc. – including a great deal of STAFFS footage. For convenience, I will use the title R-1 to refer to this second, mixed film which appears to be a revised version of the first …. Read More »

F.W. Murnau – Der Brennende Acker AKA Burning Soil (1922)


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When farmer Rog dies, his son Peter stays, but Johannes can not be satisfied with such a condition (and servant Maria’s love) and finds a job as old Count Rudenberg’s secretary. His ambition leads him to charm Gerda, the Count’s unique daughter. But when he discovers that Count’s second wife Helga will soon inherit a field that only he knows his underground is full with petroleum, he changes his allegiance… Greed and death. Read More »

Robert Reinert – Opium (1919)

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“Opium” (1919)

Produced in Germany by Meinert-Films
Directed by Robert Dinesen
Released in 1919 with a running time of 112 minutes.

Cast Werner Krauss, Sybill Morel, Hanna Ralph, Conrad Veidt and Eduard von Winterstein

Cinematic Freedom

Germany in 1919 was a country that had been devastated by the war, four years of slaughter, famine, civil unrest, a civil war and runaway inflation. The country was in dire need of change. The Council of Peoples Representatives in 1919 abolished the military censorship that had been in effect since 1918. The council believed that the numerous political parties causing unrest would use the screen to spread their political views instead of battling in the streets. The political parties continued using the streets and beer halls to spread their message, but, having nothing to fear from government interference, the film industry decided to take advantage of the abolishment of censorship. Read More »

Robert Wiene – I.N.R.I. AKA Crown of Thorns (1923)

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By the director of Cabinet of Dr.Caligari, this is the Passion embedded in a contemporary story. An anarchist jailed for an attempted assassination is told the Passion story by the prison chaplain, who seeks to convince him that it is better to sacrifice ones own life than take the life of ones enemy. The framing story, taken from a novel, is believed to have been intended to give the Biblical story an anti-Bolshevist propaganda function. In any case, it was added without the knowledge of the actors in the Passion story, who included some of the major stars of the period Asta Nielsen as Mary Magdalene, Henny Porten as Mary, Grigori Chmara as Jesus, and Werner Krauss as Pontius Pilate -bampfa.berkeley.edu Read More »

Carl Boese & Paul Wegener – Der Golem, wie er in die Welt kam aka The Golem: How He Came Into the World [+Extras] (1920)

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Classic Horror Review :

Emanating from Jewish folklore, the legend of the “golem” has transfixed audiences for centuries. Although when used pejoratively the word “golem” describes a moronic person easily manipulated, the word often refers to any mythical creature animated from inanimate materials such as clay, sand, or stone.

One of the most popular “golems” appears in J.R.R. Tolkien’s The Lord of the Rings trilogy. Spelled “Gollum,” Tolkien’s character shares similarities with creatures that haunted Jewish legends, particularly the golem featured in director Paul Wegener’s 1920 silent classic, The Golem. Both suffer from split personalities and possess hybrid traits: Gollum is part human, part frog, fish, etc.; many Jewish golems, including Wegener’s, are monsters made of inanimate objects that carry human traits. Both have been damned or punished, and in both instances, the creatures start well intentioned but transform into evil beings, usually due to gluttony, greed, wrath, envy, or pride. Thus, they are morally “gray,” and like Wegener’s monster, Tolkien’s has often been depicted as gray in color to symbolize this amorality, most notably in Peter Jackson’s recent films. Read More »