Count Dracula moves from Transylvania to Wismar, spreading the Black Plague across the land. Only a woman pure of heart can bring an end to his reign of horror. Continue reading
Two ecologists (played by Veronica Ferres and Gael Garcia Bernal) are sent to South America as part of a U.N. investigation into an ecological disaster. They are quickly kidnapped by the villainous CEO (played by Michael Shannon) of a large company held responsible for the ecological disaster. But when a supervolcano nearby begins to show signs of erupting, they must unite to avoid a disaster.
Salt and Fire is a 2016 internationally co-produced thriller film directed by Werner Herzog. It had its premiere at the Shanghai International Film Festival. It was selected to be screened in the Special Presentations section at the 2016 Toronto International Film Festival. – wiki Continue reading
For much of the time, the location consisted of three differently-sized rafts slowly gliding down the head-waters of the mighty Amazon river: one for the action proper, a second to set up the camera on, and a third one, dangling a few miles behind so as not to be in frame, providing basic accommodation and meals. Scorching sun, high humidity and mosquitoes galore took their toll. At one point Kinski, forever true to his reputation, insisted on the fulfilment of his contract: if no air-con room at night, no work. With this luxury about 1,000 km away, Herzog saw only one chance to save his film: at gunpoint he threatened to kill Kinski and later explain his disappearance with an unfortunate incident in the perilous waters. As we all know, Kinski kept on working. Continue reading
“I think anyone who claims they know what’s going to happen to the internet is not worth listening to.” This summation of the way we understand and can predict the interconnectivity of the future seems an apposite way to begin a discussion of Werner Herzog’s expansive, nebulous investigation in Lo and Behold, Reveries of the Connected World. The notion that we can’t really know anything is catnip for a director who revels in intricate philosophical enquiry. Audiences undoubtedly excited by the lip-smacking prospect of an intent documentary from the man who asked a journalist, baffled, whether Pokémon GO resulted in murder. Continue reading
If Werner Herzog’s The Enigma of Kaspar Hauser is, as I contend, an exegesis on the human tendency to contextualize life through custom – not to mention, of course, the inculcative parallels through which both we and less domesticated species glean long-term behavioral patterns – then his 1976 work, Heart of Glass, is an admonishment on holding such traditions in too high of sentiment. Despite revolving ostensibly about an 18th century Bavarian village, the director appears to be simply employing this milieu as but a microcosm for any culture that’s extinction draws nigh, painting progress and evolution as more reliable entities than ritual and superstition. Heart of Glass’s diaphanous narrative is laden with hints to such contemplations, though in the end, none reads as poetically oblique as the opening sequence: A formal and spoken manifestation of death. Continue reading
An exploration of active volcanoes in Indonesia, Iceland, North Korea and Ethiopia, Herzog follows volcanologist Clive Oppenheimer, who hopes to minimize the volcanoes’ destructive impact. Herzog’s quest? To gain an image of our origins and nature as a species. He finds that the volcano – mysterious, violent, and rapturously beautiful – instructs us that, “there is no single one that is not connected to a belief system”. Continue reading
Werner Herzog’s exploration of the Internet and the connected world.