Werner Schroeter’s rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.
Film en quatre épisodes : Cuba, Drame du rail, Coeur brisé et La Trahison. Dans Flocons d’or, qui traite de la mort, l’héroine Montezuma est l’épouse française d’un gros propriétaire terrien qui se droque. L’action se déroule à Cuba vers la fin des années 40. Des quatre épisodes du film, un seul comporte une ironique lueur d’espoir. Continue reading
Werner Schroeter is one of the German new wave’s prophets without honour. He was too confrontationally weird to take his place alongside Fassbinder, Wenders and Herzog in the international distribution sweepstakes and the disturbingly freaked-out Nuit de Chien goes a long way to suggesting why.
The film posits Pascal Greggory as a man fleeing a nameless fascist dictatorship currently in the throes of a power struggle. Fleeing the nation, he can’t seem to find his wife and in searching for her winds up in brothels, alleys and avenues of power. As in the best magic realism, the country is a place of surreal dislocation, with people doing appalling things apparently against their personal dispositions and making peace with insane circumstances. Continue reading
In “Malina,” the German film maker Werner Schroeter’s adaptation of a novel by Ingeborg Bachman, Isabelle Huppert portrays a writer who suffers from an interminable case of existential angst.
Isabelle Huppert’s unnamed character is a chain-smoking novelist who lives in Vienna with a calm and devoted male companion, Malina (Mathieu Carriere). Although attractive and successful, she is emotionally disturbed. In the film’s opening scene, she has a vision of herself as a little girl being thrown to her death by her father from the roof of a building. The father, a demonic figure, reappears in several expressionistic set pieces, sometimes to the accompaniment of operatic music.
One day in front of a flower shop, she spies a handsome stranger, Ivan (Can Togay), whom she chases into a bank and inveigles into embarking on a steamy affair. Although Ivan enjoys the relationship, he takes it more lightly than does the woman, who grows obsessed…. Continue reading
Werner Schroeter’s adaptation of a novel by Ingeborg Bachmann, Isabelle Huppert portrays a writer who suffers from an interminable case of existential angst.
An unusual story of a triangular relationship set in Vienna. A woman shares an apartment with a man named Malina. The woman meets Ivan and falls in love. It will be her last great passion. The singlemindedness of her love is so great that it is more than the man can comprehend or respond to. The film’s subject is nothing less than love- and the loneliness of the lover. Continue reading