Sam Peckinpah – Pat Garrett and Billy the Kid (1973)

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It’s 1881 in New Mexico, and the times they are a’changing. Pat Garrett, erstwhile travelling companion of the outlaw Billy the Kid has become a sheriff, tasked by cattle interests with ridding the territory of Billy. After Billy escapes, Pat assembles a posse and chases him through the territory, culminating in a final confrontation at Fort Sumner, but is unaware of the full scope of the cattle interests’ plans for the New West. -imdb Continue reading

Szabolcs Hajdu – Délibáb AKA Mirage (2014)

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Synopsis: “Mirage tells the story of an African football player in a small Hungarian town, who commits a crime and has to flee. He finds refuge on a farm deep in the Hungarian flatland. Soon he realizes that the farm is a modern slave camp where he is forced to fight for his freedom and ultimately his life.”

Quote:
The Hungarian plains might as well be Sergio Leone’s American West in Szabolcs Hajdu’s Mirage, an atmospheric fable whose setting feels like no place, any time. Isaach De Bankolé, as the loner who shows up here for reasons we never learn and contends with a gang of slave-driving farmers, carries a film that is philosophically related to but more satisfying than Jim Jarmusch’s The Limits of Control. The picture should draw well at fests, but is willfully obscure enough that, sans an auteur whose name is known in the States, it may be a hard sell here. – John Defore, Variety Continue reading

John Ford – The Searchers [+Extras] (1956)

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SYNOPSIS:
Ethan Edwards, returned from the Civil War to the Texas ranch of his brother, hopes to find a home with his family and to be near the woman he obviously but secretly loves. But a Comanche raid destroys these plans, and Ethan sets out, along with his 1/8 Indian nephew Martin, on a years-long journey to find the niece kidnapped by the Indians under Chief Scar. But as the quest goes on, Martin begins to realize that his uncle’s hatred for the Indians is beginning to spill over onto his now-assimilated niece. Martin becomes uncertain whether Ethan plans to rescue Debbie… or kill her. Continue reading

Robert Altman – McCabe & Mrs. Miller (1971)

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Quote:
“In the opening shots of Robert Altman’s “McCabe & Mrs. Miller,” the camera follows John McCabe (Warren Beatty) making his way on horseback through the green-brown hills of the Pacific Northwest. As the camera pans slowly to the right, it picks up the credits, hanging in the rain-soaked air. They don’t fade in, as most credits do. Like everything else in “McCabe & Mrs. Miller,” they seem to have existed before we took our seats in the theater, before Altman started filming.

“McCabe & Mrs. Miller” is a western that, as shot by Vilmos Zsigmond, looks like old photographs lit from within, as though the subjects had created a sort of afterlife by finding a way to project their essence onto the film. The movie haunts you like a ballad whose tune you remember but whose words hang just beyond reach. And like listening to a ballad, we know the outcome of the events we’re watching was foretold long ago, but we’re helpless to do anything but surrender to the tale. Continue reading