Rafael Baledón – El pantano de las ánimas aka Swamp of the Lost Souls (1957)

 Rafael Baledón   El pantano de las ánimas aka Swamp of the Lost Souls (1957)

thgc Rafael Baledón   El pantano de las ánimas aka Swamp of the Lost Souls (1957)

A small Mexican village faces the disappearance of a corpse. The dead man’s brother goes out to find his detective friend, a cowboy. However, he is killed by a gang that seeks to get the insurance money from the policy put on the dead man by his aunt. Meanwhile, a strange fish-man monster is stalking our heroes with the intent to kill! Can the cowboy solve the mystery in time?
Continue reading

William Berke – Deputy Marshal (1949)

 William Berke   Deputy Marshal (1949)

logoimdbb William Berke   Deputy Marshal (1949)

ynopsis:
A few minutes before he is killed by an unseen gunman using a split-butt rifle, in a saloon in Tumult, Wyoming, railway employee Harley Masters
(Wheaton Chambers) gives a secret map to Deputy Marshal Ed Garry (Jon Hall.) Garry is questioned about the murder by Master’s niece Janet
(Frances Langford); her cousin Bill Masters (Russell Hayden); the town big-shot, Joel Benton (Dick Foran) and Doc Vinson (Clem Bevans).
Garry meets Claire Benton (Julie Bishop) when her brother and his henchman Eli Cressett (Joe Sawyer) question Garry about the map.
Garry accuses Cressett of being one of the two wanted men he is seeking. Cressett, aided by Benton,mescapes from jail. Garry and Janet find
a split-butt rifle near where one of her hands was killed in a rustling raid. They take it to town and Garry telegraphs the Winchester Arms Company
and asks the name of the purchaser based on their serial number records. Cressett meets with Bill Masters, the real leader of the gang, and is
offered more money if he will kill Benton. He agrees, but intends to double-cross Masters. Continue reading

Henry Hathaway – Shoot Out (1971)

yEQb4hS Henry Hathaway   Shoot Out (1971)

logoimdbb Henry Hathaway   Shoot Out (1971)

Storyline:

Clay Lomax, a bank robber, gets out of jail after an 8 year sentence. He is looking after Sam Foley,
the man who betrayed him. Knowing that, Foley hires three men to pay attention of Clay’s steps.
The things get complicated when Lomax, waiting to receive some money from his ex-lover, gets only the
notice of her death and an 8 year old girl, sometimes very annoying, presumed to be his daughter.
Continue reading

Vasilis Georgiadis – To homa vaftike kokkino aka Blood on the Land (1966)

0jvu Vasilis Georgiadis   To homa vaftike kokkino aka Blood on the Land (1966)

logoimdbb Vasilis Georgiadis   To homa vaftike kokkino aka Blood on the Land (1966)

from the back cover:
In 1907, in the parts of Greece that are liberated, not all Greeks feel free and the biggest ranges of the Thessalian valley are owned by a few big landowners. The farmers who are forced to work like slaves find in Marinos, a well educated young man, their ideal
representative. Odysseus, son of one of the big landowners, supports Marinos and conflicts with his father and brother, a conflict with a tragic end. Continue reading

Anthony Mann – Man of the West (1958)

qu6f Anthony Mann   Man of the West (1958)

logoimdbb Anthony Mann   Man of the West (1958)

Western auteur Anthony Mann and aging Western icon Gary Cooper team up in this stark tale of a trio of train passengers stranded in the middle of the desert after a railway holdup. Taking responsibility for his helpless compatriots (Julie London as a sad-eyed prostitute and Arthur O’Connell as a garrulous but cowardly banker), craggy-faced Link Jones (Cooper) takes them into a veritable viper’s nest in a desperate gamble. It turns out the respected town elder is a former member of the outlaw gang that robbed them, and he’s welcomed back by patriarchal gang leader Dock Tobin (Lee J. Cobb) like the prodigal son. In his last true Western, Anthony Mann matched the archetypal title with a story about a hero’s effort to descend into his outlaw past so that he can exorcise it from his present. Mann initially makes light of Link’s discomfort with civilization, before isolating him, saloon girl Billie, and gambler Sam in the wilderness, where their entrance into Dock’s dark outlaw lair reveals Link’s family-trained past as a hardened criminal, a past abandoned for upstanding married life. Underlining Link’s psychological state as he plans to kill the gang, the widescreen landscapes move from more verdant surroundings to the rocky Mojave Desert and a ghost town, as Link’s obsessiveness matches his enemies’ psychosis. Continue reading

Nikita Mikhalkov – Svoy sredi chuzhikh, chuzhoy sredi svoikh AKA At Home Among Strangers, A Stranger Among His Own (1974)

400477svojsredichuzhihym4 Nikita Mikhalkov   Svoy sredi chuzhikh, chuzhoy sredi svoikh AKA At Home Among Strangers, A Stranger Among His Own (1974)

logoimdbb Nikita Mikhalkov   Svoy sredi chuzhikh, chuzhoy sredi svoikh AKA At Home Among Strangers, A Stranger Among His Own (1974)

From ruscico.com
Description: An unenviable lot fell to the Red Army soldier Shilov: he is being suspected of stealing gold. In the hungry 1920s, the young Soviet Republic’s government searches for gold all over the country, to buy for it bread from abroad. And now, the collected valuables disappeared from the armored and well-guarded train car on their way to Moscow. Shilov learns that the valuables have been stolen by the bandits. To restore his good reputation, Shilov has to infiltrate the band. To find out where the stolen gold is kept, he must be at home among the strangers.
A debut of the world-famous director Nikita Mikhalkov, this film is an excellent model of a “western”, having a very ingenious plot, and, most importantly, being a hymn to men’s true friendship.
Continue reading

Clarence G. Badger – The Ropin’ Fool (1922)

qdt7 Clarence G. Badger   The Ropin Fool (1922)

thgc Clarence G. Badger   The Ropin Fool (1922)

In Ropin’ Fool (1922) Rogers plays Ropes Reilly, a cowboy who ropes anything that moves until a lynch mob decides to use Reilly’s rope for a hanging party, with Reilly as the guest of honor. Motion Picture World wrote: “Plentiful use of slow motion photography shows how it is done and dispels any possible belief that the stunts are faked. No audience can help but marvel as Rogers throws a figure eight around a galloping horse, or lassoes a rat with a piece of string, or brings to term a cat melodiously inclined.” Later Rogers would wryly claim fame as America’s “Poet Lariat.”
Continue reading

pixel Clarence G. Badger   The Ropin Fool (1922)