Western

John Ford – The Iron Horse [US Version] (1924)

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allmovie wrote:
David Brandon (James Gordon) is a surveyor in the Old West who dreams that one day the entire North American continent will be linked by railroads. However, to make this dream a reality, a clear trail must be found through the Rocky Mountains. With his boy Davy (Winston Miller), David sets out to find such a path, but he’s ambushed by a tribe of Indians led by a white savage, Peter Jesson (Cyril Chadwick); while the boy manages to escape, David is killed. Years later, the adult Davy Brandon (George O’Brien) still believes in his father’s dream of a transcontinental railroad, and legislation signed by President Abraham Lincoln has made it an official mandate. Davy is hired on as a railroad surveyor by Thomas Marsh (Will R. Walling), the father of his childhood sweetheart Miriam (Madge Bellamy). While Davy hopes to win Miriam’s heart as he helps to find the trail that led to his father’s death years ago, he’s disappointed to discover that Miriam is already married — and shocked to discover her husband is Peter Jesson, now working with the railroad as a civil engineer. As the Union Pacific crew presses on to their historic meeting at Promitory Point, Davy must find a way to earn Miriam’s love and uncover Peter’s murderous past. Read More »

Ali Khamrayev – Sedmaya pulya aka The Seventh Bullet (1974)

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Quote:
Classic movie….
2 July 2009 | by drakon_ultra (Israel)

Classic post Russian civil war movie. The movie is based on the conflict between the new atheistic communist government that ruled in Uzbekistan after the 1917 revolution in Russia and the traditional laws of Islam that Uzbek people believing for thousand years. The main character is communist officer Maksumov that organized an local communist squad for fighting with anti-government Islamic elements powered by international aid lead by England. The main anti hero is Hairulla the leader of this elements… The movie starts when Maksumov back from an capital and finding that all his squad abandon the post and moved for Hairula forces, Maksumov starting to get out a plan for backing his squad to explain them that Islamic way of life is past and the Soviet rules are much better for them… Read More »

Seijun Suzuki – Sandanju no otoko AKA The Man With A Shotgun (1961)

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Ryoji, a wanderer, arrives in a remote mountain town, carrying a shotgun and claiming to be a hunter. He quickly becomes embroiled in a web of trouble surrounding the town’s mill. Read More »

Delmer Daves – 3:10 to Yuma (1957)

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SYNOPSIS:
Dan Evans is a farmer struggling to hold onto his land and livelihood during a severe drought. He finds a financial solution for himself and his family when he is offered a large sum of money to secretly escort Ben Wade, the captured leader of an outlaw gang, to a nearby town and place him on board a train that will carry him to trial in Yuma. The two men hole up in a hotel near the station where the smooth-talking Wade tries to mentally and emotionally manipulate his captor into letting him go. Meanwhile, Wade’s gang is fast approaching the town where a final showdown between Evans and the outlaws is imminent. Read More »

Vasilis Georgiadis – To homa vaftike kokkino aka Blood on the Land (1966)

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from the back cover:
In 1907, in the parts of Greece that are liberated, not all Greeks feel free and the biggest ranges of the Thessalian valley are owned by a few big landowners. The farmers who are forced to work like slaves find in Marinos, a well educated young man, their ideal
representative. Odysseus, son of one of the big landowners, supports Marinos and conflicts with his father and brother, a conflict with a tragic end. Read More »

Arthur Penn – The Missouri Breaks (1976)

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Synopsis from Timeout.com:
A wonderfully quirky Western, brilliantly scripted by Thomas McGuane, which strips all the cute whimsy away from the Butch Cassidy theme (outlaws on the run from a relentless lawman), replacing it with a kind of pixillated terror. Playing the ‘regulator’ as a camp Buffalo Bill with an Irish accent, Brando makes his entrance playing peekaboo from behind his horse, and at one point even stalks his prey in a dress and poke bonnet. But he is also a legalised killer, expert with a rifle but preferring (as the flail of God) to use a harpoon shaped like a crucifix. And as his gloating sadism shades into hints of bizarre perversion when he dedicates a love song and a kiss to his horse, the tone gradually darkens to a kind of horror. It’s one of the few truly major Westerns of the ’70s, with a very clear vision of the historical role played by fear and violence in the taming of the wilderness. Read More »

Allan Dwan – The Ranchman’s Vengeance (1911)

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Lorenz Pedro, a Mexican half-breed, owns a small sheep ranch, and lives happily with his wife Marie and little daughter Lois. One exceedingly hot afternoon, Tom Flint, riding across the ranch looking for work is overcome by the heat, and Pedro, acting the part of a good Samaritan, takes him to his home, where Marie, through careful nursing, soon has him quite himself again. Pedro is out daily with his flock, leaving Marie and Flint together, offering an opportunity which Flint ungratefully takes advantage of, resulting in his completely winning Marie’s love. Manuelito, Marie’s father, is suspicious and comes upon them while Flint is declaring his love. He goes to Pedro in the field and tells what he has seen and heard. Hastening home he finds his wife in Flint’s embrace, and in his great love for Marie bids Flint take her, but warns him his life shall pay the penalty should he ever find him shamefully abusing both mother and child. Manuelito sends a telegram to Pedro, who is working …

Written by Moving Picture World Read More »