Willi Forst – Maskerade AKA Masquerade in Vienna (1934)


“Maskerade” is the second film directed by Willi Forst. While the ‘Vienna film’ had been popular since the early 1930s not least due to Forst’s work as an actor and singer, it was “Maskerade” that brought the genre to a probably never surpassed high point.

The plot, set in Vienna around 1900, seems to be feather-weight at first sight. When a nude drawing of a society lady, made by the artist Heideneck (Adolf Wohlbrück), gets into the newspaper by accident, a near scandal is caused. Heideneck saves his neck by randomly giving the name of an unknown girl as the drawing’s model. However, a romance soon develops between the artist and the girl (Paula Wessely), which causes the jealousy of Heideneck’s former girlfriend Anita (Olga Tschechowa)… Continue reading

Willi Forst – Frauen sind keine Engel (1943)


“Frauen sind keine Engel” was made on a moderate budget and has generally found not as much attention as that which has been rightfully accorded to his ‘Viennese trilogy’ made at about the same time. Please don’t expect the outward splendour of some other Forst films, even though script, acting and direction leave nothing to be desired. However, like many of Forst’s more important films this one not only provides great entertainment, but is also a thorough examination of the relation of fiction/art and reality. Continue reading