Yoshishige Yoshida – Kaigenrei AKA Coup D’Etat (1973)

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Ikka Kita is a revolutionary, who suffers when he is brought his younger brother’s clothes, still smeared with his blood. Ikka’s brother followed the revoltionary’s precept and acted, attempting on the life of a finantial group manager and then, unable to escape, killing himself. Now, Ikka is more determined than ever to take his own teachings to the ultimate end, the «coup d’etat».Ikka Kita is a revolutionary, who suffers when he is brought his younger brother’s clothes, still smeared with his blood. Ikka’s brother followed the revoltionary’s precept and acted, attempting on the life of a finantial group manager and then, unable to escape, killing himself. Now, Ikka is more determined than ever to take his own teachings to the ultimate end, the «coup d’etat» Continue reading

Yoshishige Yoshida – Rengoku eroica AKA Heroic Purgatory (1970)

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Little exists, critically speaking, on the subject of Yoshishige Yoshida’s “Heroic Purgatory”. It is a singular experience in that it has never been the subject of much acclaim or criticism. Film sites boast very few, if any, reviews. You will not find its name amongst the more famous Japanese cinematic works. Once one has seen the film, that is all there is. There is no chance to read a critical evaluation and put the pieces together with the help of a more wise, trusted and noted critic. The film extrapolates no farther than itself and its viewer. Continue reading

Yoshishige Yoshida – Erosu purasu Gyakusatsu AKA Eros Plus Massacre (1969)

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Synopsis:
In the 20’s, the anarchist revolutionary Sakae Osugi is financially supported by his wife, journalist Itsuko Masaoka. He spends his time doing nothing but philosophizing about political systems and free love and visiting with his lovers Yasuko and the earlier feminist Noe Ito. He conveniently defends three principles for a relationship between a man and a woman: they should be financially independent (despite the fact that he is not); they should live in different places; and they should be free to have intercourse with other partners. In 1969, twenty year-old student, Eiko Sokuta, has an active sexual life, having sex with different men. Her friend, Wada, is obsessed with fire and they usually play weird games using a camera while they read about Osugi and Ito. Continue reading

Yoshishige Yoshida – Honô to onna AKA Flame and Women (1967)

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Honoo to onma (lmpasse; the title translates as the more poetic ” Flame and Woman” neatly rendered in the French title, La Femme et la Flamme) made the same year as The Affair (whose Japanese title more poetically translates as “Flame of Feeling”), concerns the inability of a woman to find satisfaction in her traditional family s tructure. The heroine, Ritsuko, is married to Shingo, a design engineer. Shingo is unable to father a child so Ritsuko is artificially inseminated. The birth of a son, Takashi, however, does not help marital relations between husband and wife. When Sakaguchi, a doctor having marital problems with his wife, Shina, is revealed as the sperm donor, Ritsuko develops a passion for the doctor. Eventually, following other complications (Shina kidnaps Takashi and she tries to seduce Shingo), Ritsuko, Shingo, and Takashi are reunited . Continue reading

Yoshishige Yoshida – Honô to onna aka Flame and woman (1967)

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29f7c043f76a2bde437fd0d52a185152

Quote:
Honoo to onma (lmpasse; the title translates as the more poetic ” Flame and Woman” neatly rendered in the French title, La Femme et la Flamme) made the same year as The Affair (whose Japanese title more poetically translates as “Flame of Feeling”), concerns the inability of a woman to find satisfaction in her traditional family s tructure. The heroine, Ritsuko, is married to Shingo, a design engineer. Shingo is unable to father a child so Ritsuko is artificially inseminated. The birth of a son, Takashi, however, does not help marital relations between husband and wife. When Sakaguchi, a doctor having marital problems with his wife, Shina, is revealed as the sperm donor, Ritsuko develops a passion for the doctor. Eventually, following other complications (Shina kidnaps Takashi and she tries to seduce Shingo), Ritsuko, Shingo, and Takashi are reunited . Ritsuko’s inability to feel erotic attraction toward her husband is literalized by his sterility. Continue reading