A story about young orphan girl who was rejected by her mother. Continue reading
A photographer tired of the jaded milieu of an early advertising age under socialism romances a young ballerina. The Triple Bridge, fountains and rooftops of the Slovenian capital, Ljubljana, and the ski resorts of the Slovenian Alps are the dreamy 1960s backdrops for this great love story. Disarmingly believable as the inexperienced naif, Snežana Nikšić, as the ballerina, steals the show.
Jean-Marie Straub: But all the same there is something very different. For example, there’s a Yugoslav filmmaker I like very much, whose called Matjaž Klopčič. He makes films which are … I don’t know, somewhere between Cocteau and Mallarme. Well, he did one, at first, which was called A Story that Doesn’t Exist, and then a second, called On Paper Wings (1967). The first was a total failure, but all the same he was able to do the second straight away, and I think he’s just finished shooting a third. You can’t say his films are suitable for a mass audience – you can’t say they’d be successful. Although the first film was unsuccessful he was able to do his second without making any concessions to the myth of the mass public which doesn’t exist. This sort of thing can’t happen in Western Europe.
Source: There’s Nothing More International Than a Pack of Pimps – A Conversation between Pierre Clémenti, Miklos Janscó, Glauber Rocha and Jean-Marie Straub convened by Simon Hartog in Rome, February 1970. Continue reading
A partisan comes secretly to town to find about what happened to his little son who barely remembers him. He is horrified when he finds out that his son is raised in a colaborators’ orphanage, brought up to hate and fight communists and partisans. He decides to take his son to the freed territory out of town…
A short love affair of young married woman and police inspector in winter resort will turn into fatal love after chance meeting. Inspired by Chekhov’s story “The Lady with the Dog”. Continue reading
An experimental film with no plot. Consists mostly of static shots portraying train wagons. The word COMPOSITION in Serbian has a triple meaning here – a train composition, composition of a shot, and music composition. Regarding the third meaning, the “soundtrack” of the film is a 5 second loop that keeps repeating itself over and over again. Continue reading
Bora the Gypsy is married to an older woman, and he falls in love with the younger Tissa, who is being offered in marriage by her father, to a young gypsy man. This marriage arrangement is according to custom. Tissa rejects her husband, claiming he is not able to consumate the marriage, and Bora joins her. They get a monk in the mountains to marry them. Unable to return to the Gypsy camp, Tissa tries to reach Belgrad on her own, but a couple of truck drivers rape her, and she does return in misery to her tribe. Meanwhile, Bora defends his honour the traditional way, in a knife duwl, and kills his opponent. Therefore he, too, must leave the tribe. And yet, we’ll find happy gypsies… Written by Artemis-9 Continue reading
Here is a review from NYT from 1967 when it was nominated for Best foreign film at Academy Awards:
War’s utter bestiality and waste, usually illustrated by armies, is brought into sharp focus by a talented few in “Three,” a prize-winning Yugoslav drama that treats its bleak and harrowing subject with a grim but poetic artistry. It had a showing at the New York Film Festival last year, and is now at the Studio Cinema and 72d Street Theaters. The film is mystifyingly abrupt in its transitions, but its effects, physical and intellectual, are unmistakably forceful and chilling.
The director, Aleksandar Petrovic, with the aid of a sparse script and stunning photography by Tomislav Pinter, has pointed up war’s ravages as it affects one partisan’s fights in one small sector of the conflict. In each of three events he is part of, needless death brought about by fear, despair and defeat. In the opening sequence, as one of a milling village crowd seeking to escape by train from the approaching Nazis, he witnessed the shooting of an innocent man on suspicion by nervous Yugoslav soldiers. Continue reading