Yugoslavian vampire horror film
Directed by Djordje Kadijevic in 1973
Cast: Mirjana Nikolic, Petar Bozovic , Slobodan Perovic, Vasja Stankovic
This is a Yugoslavian female vampire horror film of the early 70s shot in the Serbian countryside and based on a novel. The film starts in a mill. The old miller listens strange bird voices and while he’s sleeping the millstone suddenly stops working and a strange creature with black hands, long nails, angry eyes and long teeth bites his neck and drinks his blood. You don’t manage to see the whole creature but you understand it’s a human, not animal… Continue reading
Young people living in villages throughout Vojvodina, in their spare time: bars, dances, vine cellars.
Outburst of life energy, and on the other hand, emptiness of life.
This was Zilnik’s professional debut: it introduced his style of ‘’film provocation’’, ‘’wild realism’’, ‘’documentary fiction’’ and ‘’arranged document’’, later to become stylistic feature of all Zilnik’s films. Continue reading
A lighthouse keeper lives on an isolated island together with his wife, ailing father and retarded sister. News of a serial killer stalking the isolated lighthouses makes him leave in order to hunt him down. In the meantime, the wife meets a mysterious and seductive stranger. Continue reading
Dušan Makavejev’s anarchic 1974 comedy goes even further than his previous W.R., depicting more trangressions than the average viewer’s imagination could conjure up.
From Time Out London:
Potentially one of the most scandalous films ever made—except that it has been little seen outside France and has not aged well. Seemingly completely episodic, the ‘plot’ follows the adventures of a beauty queen (Laure), a certified virgin who escapes a disastrous honeymoon with the richest man in the world to join a group of carefree sensualists. The latter are the once-notorious Otto Muehl troupe, who delight in pissing and shitting as a public spectacle. This is cross-cut with the journey of the good ship SS Survival (which sports Karl Marx for a masthead) on the Seine. Laure herself sought legal suppression of certain shots which, in their blanked out form, ironically suggest even more sexual activity on her part. Sadly, this highly idiosyncratic melange of sex and politics, for all its liberating pretensions, only served to put Makavejev’s career back a good few steps. –David Thompson Continue reading
Taxi driver crosses the path of some very vicious gangsters.
This is collection of 20 Serbian Experimental/Alternative short movies/animations.It’s released on DVD,but it’s hard to find . Continue reading
Dušan Makavejev’s debut feature, establishing his freewheeling, exploratory, and often childlike style.
From the Chicago Reader:
[One of the best Chicago releases of 1974.] “His first, seen here last, like all his others only better. A parable on Socialist living, enacted on the playground of peasants in the industrial landscape.” –Myron Meisel
From Time Out London:
Makavejev’s first feature is a delightful, typically eccentric concoction, centred very loosely indeed around a story about an engineer who visits a new town to assemble mining machinery. There his devotion to work fouls up his relationship with his beloved, while a fellow worker encounters problems when his wife discovers he has a mistress. A freewheeling kaleidoscope mixing comedy and social comment as it deals with both labour and sexual politics, not to mention many seemingly unrelated topics such as hypnotism and culture (there’s a marvellous climactic scene with Beethoven performed in an enormous foundry while the heroine conjures her own ode to joy), it defies description but is extremely entertaining. – Geoff Andrew