Janko Bugarski “Džimi Barka” is a small time wallet snatcher, and an aspiring singer, who wants to make it big with as little effort as he can, traveling through industrial areas and looking for affairs with local women and easy money. On one of his travels he meets a young girl he takes to Belgrade to accompany him on an amateur singing contest, where he fails miserably, since he can’t follow a tune, and abandoning her, teams up with his former girlfriend, also a pickpocket, which takes him to his final journey. Continue reading
An early (1967) film by Dusan Makavejev, the master of the eastern European dirty joke (WR: Mysteries of the Organism, Montenegro). The passionate affair of a telephone operator and a Marxist rodent exterminator is intercut with lectures on criminology and sexology, with occasional cooking lessons. It’s very funny and, with its ragged arrangement of warring styles and ideologies, very original: it’s like a smutty, sticky-fingered Godard. – Dave Kehr, The Chicago Reader Continue reading
The first film of the Yugoslav Black Wave.
Grad is a psychological drama about the thin line that separates depression and melancholy. It gives us the opportunity to understand that the alienation of the modern socialist man is not just a social problem, but also a poetic aestheticization of urban thinking and behaviour. For Pavlovic, Bapca, and especially Rakonjca, self-destruction is not a defence mechanism, but a lifestyle.
Exploring new areas of old sites, Grad is, in a figurative sense, the first Yugoslavian film that deals with the suburb as a metaphor of alternative culture. Through their analysis of public consciousness, the three directors project their secret Bauhaus, seeking its shadow in the hidden areas of obsolete thought, in the everyday of Socialism. Continue reading
Yugoslavian vampire horror film
Directed by Djordje Kadijevic in 1973
Cast: Mirjana Nikolic, Petar Bozovic , Slobodan Perovic, Vasja Stankovic
This is a Yugoslavian female vampire horror film of the early 70s shot in the Serbian countryside and based on a novel. The film starts in a mill. The old miller listens strange bird voices and while he’s sleeping the millstone suddenly stops working and a strange creature with black hands, long nails, angry eyes and long teeth bites his neck and drinks his blood. You don’t manage to see the whole creature but you understand it’s a human, not animal… Continue reading
Movie from 1955, in duration of 11 minutes.
The movie is created in standard technique, with sound, in black and white
The film describes the religious rites of the dervishes, from the Moslem religious sect
“Rifai”. Continue reading
Young people living in villages throughout Vojvodina, in their spare time: bars, dances, vine cellars.
Outburst of life energy, and on the other hand, emptiness of life.
This was Zilnik’s professional debut: it introduced his style of ‘’film provocation’’, ‘’wild realism’’, ‘’documentary fiction’’ and ‘’arranged document’’, later to become stylistic feature of all Zilnik’s films. Continue reading
This is Macedonia’s contribution to what was once the cottage industry of ex-Yugoslav Partisan war movies.
I will simplify this one for the outsider that is not well verse in Macedonian history, particularly WWII – Macedonian partisans take up the struggle against Bulgarian fascists that occupy Macedonia. This was not by any means an easy battle since Bulgaria was the only German ally that did not send troops to the Russian front. Thus, the entire Bulgarian military machine could, without distraction, dedicate its efforts to crushing the Macedonian resistance. Continue reading