Starting as a documentary on the sexually liberated culture of late-Sixties Denmark, Sexual Freedom in Denmark winds up incorporating major elements of the marriage manual form and even manages to squeeze in a montage of beaver loops and erotic art. All narrated with earnest pronouncements concerning the social and psychological benefits of sexual liberation. Tame by the standards of 1971, when hardcore loops and features would begin to flood certain metropolitan markets, the film was shocking enough in 1970 to instigate media attention and long lines at the box office. Read More »
This collects nearly all of Truffaut’s extant correspondence, many were lost or simply never kept, a few have been withheld for personal reasons but what does remain still amounts to a very hefty and remarkable body of letters.
Perhaps this is a more enjoyable book to leaf through and let something catch your eye than to read in a strict chronological fashion. That said the early sections that capture the eventful years of Truffaut’s late adolescence do possess quite a narrative thrust of their own: selling your friends most treasured possessions behind his back, a suicide attempt, desertion from the army, military incarceration… Read More »
Chess Fever is a comedy about a man who, though soon to be married, already has a mistress – chess. His bride-to-be, knowing nothing of the game but seeing that his heart resides on the sixty-four squares of the chessboard, freaks out and storms onto the snow-covered streets in hysteria. Read More »
The exam movie of Béla Tarr.
Documentaristic subject picture about a worker’s hostel. An old worker is suspected with stealing a motor, he’s been fired from the factory and he has to leave the hostel. First he offends and attacks all of his roommates, then he starts to cry and tells that he was a pilot in WWII and he’s left his soul there. An interesting portrait of human reactions and changing emotions. Read More »
This is a documentary film by Chris Marker. It employs Marker’s standard rostrum camera technique, filming historic photographs and paintings of whales and the whaling trade. It also contains real-life footage of whaling and harpooning. Marker sides with the hunted mammals in this film and comments negatively on the clinical instrumental relativism of whaling. Read More »
THE LAST MOVIE 1971 was his follow-up to the hugely successful RIDER, but it’s core was much more elusive and abstract, dealing with the nature of film reality and reality it’s self. The editing was loose, the story half told. Hopper shot tons of footage in Peru and brought it back to his home in Taos, New Mexico. He seemed lost in this editing process and the studio was getting upset. For a while Alexandro Jodorowsky, who’s EL TOPO 1971 Hopper greatly admired, assisted in the editing.
During this time the documentary THE AMERICAN DREAMER 1971 was made showing Dennis toting a machine gun, frolicking with numerous groupies, and acting supremely wasted. (The Weird World of 70s Cinema) Read More »
A loner (Johnson) drives into a small Texas town and gets himself a job at a used car dealership. He gets an idea for robbing a small local bank after he tries to open a new bank account at the same time a fire occurs nearby. The bank was left open while all of the employees went to fight the fire. The manipulative boss’ wife (Madsen) wishes to use him for her own purposes: “I always get what I want, Harry”. He resists, however, as he finds himself falling in love with the accountant (Connelly) at work, who has her own problem to work out. Read More »