Ken Hughes – The Long Haul (1957)

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synopsis
One of several British melodramas picked up for American distribution by Columbia in the late 1950s, The Long Haul stars Victor Mature and Diana Dors, two of the prettiest and most amply endowned screen personalities of the era. Mature is cast as American ex-GI Harry Miller, who takes a job as a truck driver to support his British war bride Connie (Gene Anderson). It isn’t long, however, before Harry is blackmailed into joining a smuggling operation run by the conniving Casey (Liam Redmond). His resolved momentarily weakened by his obsession with gang moll Lynn (Diana Dors), Harry finally decides to turn honest again–if the other crooks will let him live that long. Director Ken Hughes adapted the screenplay from a novel by Mervyn Mills….by Hal Erickson Read More »

Juan López Moctezuma – The Mansion of Madness [Extras] (1973)

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A mysterious man is sent deep into the forest to investigate the bizarre behavior of the notorious Dr. Tarr. What he stumbles upon is the doctor’s torture dungeon, a hellish asylum completely cut off from civilization and presided over by the ultimate madman. Innocent people have been savagely chained, tortured and stuck in glass cages, then forced to take part in gruesome games of ritual slaughter. Read More »

Amat Escalante – Heli (2013)

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From IMDb

Love story between a young girl and a police man, both of them had connections with drugs but in opposite ways. This will create a conflict that love will try to overcome.

Heli (Armando Espitia), the protagonist of Amat Escalante’s 2013 Palme d’Or nominee of the same name, is a young Mexican who lives with his father, his son, his young wife (Linda Gonzalez) and 12-year-old sister, Estella (Andrea Vergara). He’s prone to bad luck, keen on his naps and, when a census taker comes to the house, hesitates about how many people live there with him. However, when 17-year-old army cadet Beto (Juan Eduardo Palacios) falls in love with Estella and makes plans for the two of them to run away together, Heli’s cataclysmic knee-jerk reaction will plunge the family into pitiless and brutal violence. Read More »

Ray Enright – Havana Widows (1933)

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The wonderful Warner Bros. stock company goes through its customarily breezy paces in Havana Widows. Joan Blondell and Glenda Farrell star as Mae and Sadie, a couple of hard-boiled dames who support themselves by shaking down wealthy and susceptible older men in Havana. Their current target is Deacon Jones (Guy Kibbee), a self-appointed moralist whose rock-ribbed values disappear after the third drink. But Blondell spoils the scam when she falls in love with the Deacon’s son Bob (Lyle Talbot). Less than a month after the release of Havana Widows, many of the same cast members were back to their old tricks in Convention City. ~ Hal Erickson, All Movie Guide
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Ray Enright – I’ve Got Your Number (1934)

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Plot:
The adventures of wisecracking telephone repairmen Terry and Johnny are by turns comic, risque, and heroic. Terry pursues Marie, a hotel switchboard operator, who loses her job when she innocently does a favor for gangster Nicky. Terry gets Marie a job with financier Schuyler; but Nicky has new plans for her. Read More »

Dziga Vertov – Kazakhstan – Frontu! (Тебе Фронт! ) AKA Tebe Front! (1942)

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The film was shot in 1942 in Kazakhstan. Unfortunately the image and sound quality is not so good.
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Yakov Protazanov – Otets Sergiy AKA Father Sergius (1917)

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One of the few pre-Revolution Russian feature films to survive, Father Sergius is an elaborate picturization of a Tolstoy novel. Ivan Mozzhukin plays a young, libertine officer who thinks nothing of committing casual sins while in the service of the Czar. He comes to regret his misdeeds as he grows older, his past debaucheries manifesting themselves in his wizened face and desiccated body. He wanders up and down the countryside, searching for redemption. Director Feodor Protazanov emphasized the high and low points of Mozhukin’s life by filming in the actual palaces and private clubs described by Tolstoy in his novel. The overall theme of corruption in high places automatically resulted in Father Sergius being banned by the Czarist censors, though the film found a more receptive audience once the government passed into the hands of the revolutionaries. ~ Hal Erickson, All Movie Guide
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