Moving back and forth between present and past, Antonieta tells the story of Antonieta Rivas Mercado – a writer, social activist, and important patron of the arts – against a backdrop of the political turmoils of the Mexican Revolution and its aftermath. Read More »
Three words. Just three words, and perhaps most important in the world have become the dumbest, even to say them disgusting. “I love you” – shit… They have been meaning nothing, but serve only a cover for, you know, all kind of dirty tricks. Well, how many chicks were fucked and left in the morning? How many apartments and estates were swindled under the guises of these three words. “I love you, honey. All night just thinking about you, darling. Yak, fuck! Actually, ‘I love you’ is the most common phrase people are lying with. And all of the songs about all of this, 95% exactly. As if there are no other themes to find, I don’t know… Always the same. I love you, I love you, I love youuu.
Lovers in Kiev – anthology of short films by analogy with the project “Paris, I Love You”, “New York, I love you. ” Almanac will consist of 8 meters short of young Ukrainian filmmakers. The authors intend to show Ukrainian capital through the eyes of romantic youngsters. Read More »
Moncef Kahloucha is a fan of ’70s genre movies, especially those with Bruce Lee, Jim Kelly and Clint Eastwood. Apart from working as a house painter in Kazmet, a poor Tunician locality, Kahloucha is a tenacious director, actor, screenwriter and prop master in his own zero-budget productions. At the limits of communal, visceral cinema captured on a VHS camera, it literally costs Kahloucha blood, sweat and tears to shoot his next film: Tarzan of the Arabs, opening at a bar TV set. With an amplified eye, Néjib Belkhadi not only records a ferocious making-of, but also manages to come out with a crystal-clear map of Kazmet’s social ills, including the Arabs who must survive in their Italian exile to the tune of the anthological “Tunisino” by Neshez. The savage primitiveness of the shooting, the struggle for a place in the ads of the neighbors-actors and Kahloucha’s displays of tinsel used in previous films are some gripping, all but likely moments of an incendiary passion for cinema.
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Despite a paralyzed leg, Grigris, a 25 year old living in Chad, dreams of being a dancer, but his dreams are dashed when his uncle falls critically ill. To save him, Grigris resolves to work for petrol traffickers.
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One of several British melodramas picked up for American distribution by Columbia in the late 1950s, The Long Haul stars Victor Mature and Diana Dors, two of the prettiest and most amply endowned screen personalities of the era. Mature is cast as American ex-GI Harry Miller, who takes a job as a truck driver to support his British war bride Connie (Gene Anderson). It isn’t long, however, before Harry is blackmailed into joining a smuggling operation run by the conniving Casey (Liam Redmond). His resolved momentarily weakened by his obsession with gang moll Lynn (Diana Dors), Harry finally decides to turn honest again–if the other crooks will let him live that long. Director Ken Hughes adapted the screenplay from a novel by Mervyn Mills….by Hal Erickson Read More »
A mysterious man is sent deep into the forest to investigate the bizarre behavior of the notorious Dr. Tarr. What he stumbles upon is the doctor’s torture dungeon, a hellish asylum completely cut off from civilization and presided over by the ultimate madman. Innocent people have been savagely chained, tortured and stuck in glass cages, then forced to take part in gruesome games of ritual slaughter. Read More »
Love story between a young girl and a police man, both of them had connections with drugs but in opposite ways. This will create a conflict that love will try to overcome.
Heli (Armando Espitia), the protagonist of Amat Escalante’s 2013 Palme d’Or nominee of the same name, is a young Mexican who lives with his father, his son, his young wife (Linda Gonzalez) and 12-year-old sister, Estella (Andrea Vergara). He’s prone to bad luck, keen on his naps and, when a census taker comes to the house, hesitates about how many people live there with him. However, when 17-year-old army cadet Beto (Juan Eduardo Palacios) falls in love with Estella and makes plans for the two of them to run away together, Heli’s cataclysmic knee-jerk reaction will plunge the family into pitiless and brutal violence. Read More »