Turksib: bold and exhilarating, Turksib charts the building of the Turkestan-Siberian railway. Presented in the English version prepared in 1930 by John Grierson, with an evocative new score by Guy Bartell (Bronnt Industries Kapital). Read More »
Get Out of the Car is a response to my last movie, Los Angeles Plays Itself. I called Los Angeles Plays Itself a ‘city symphony in reverse’ in that it was composed of fragments from other films read against the grain to bring the background into the foreground. Visions of the city’s geography and history implicit in these films were made manifest. Read More »
Lola is still a virgin at the age of twenty-five. Her friends decide to stick their noses into it. Memoirs of a Disturbed Young Lady is the story of a mad chase after a politically correct loss of virginity. Read More »
The Khmer Rouge slaughtered nearly two million people in the late 1970s. Yet the Killing Fields of Cambodia remain unexplained. Until now. Enter Thet Sambath, an unassuming, yet cunning, investigative journalist who spends a decade of his life gaining the trust of the men and women who perpetrated the massacres. From the foot soldiers who slit throats to Pol Pot’s right-hand man, the notorious Brother Number Two, Sambath records shocking testimony never before seen or heard. Having neglected his own family for years, Sambath’s work comes at a price. But his is a personal mission. He lost his parents and his siblings in the Killing Fields. Amidst his journey to discover why his family died, we come to understand for the first time the real story of Cambodia’s tragedy. Read More »
An Old Man (Lou Gilbert) rises out of Lake Michigan and interacts briefly with a few creative people as he drifts merrily through Chicago, at one point riding in a truck from the Goldstein Company. A metal sculptor (Tom Erhart) looks for the old man while trying to patch up his relationship with Sally (Ellen Madison). She discovers she’s pregnant and makes arrangements for a bizarre out-of-town Doctor (Severn Darden) to perform an abortion. The sculptor asks his father for help and brings along his friend Jay (Benito Carruthers), who lifts the father’s wallet. Jay uses some of the money to bankroll a night with some fancy ladies, while the sculptor continues to search for the inspirational Old Man. Read More »
Plot / Synopsis
From Germany’s Rapid Eye Movies and Japan’s Kokuei Company comes a whimsical pink film musical about a woman and a sea creature.
Directed by pink-film veteran Shinji IMAOKA (Lunch Box, Frog Song), shot by Christopher Doyle – the famed cinematographer behind Hero and countless films by Wong Kar Wai – and with music by Germany’s Stereo Total, Underwater Love – A Pink Musical promises to be unlike anything you’ve ever seen.
Asuka works in a lakeside fish factory. She is just about to be married to her boss. One day, she encounters a Kappa, a water creature living in the lake and learns that it is the reincarnation of Aoki, her first love.
What ensues is a zany spectacle of love, music and sex. Read More »
Portrait of a small south German village and its residents in the early sixties.
Rural culture is undergoing a transformation caused by the intrusion of the industrial world. Gestures at work and words of its inhabitants.
From the start, Nestler’s films attest how an observational description of reality can become an authentic art form. He consistently refuses to comply with the insistence of television editors and directors to provide explanatory comments of the pictures through neutral narration. Nestler insists on leaving things and testimonies of people standing side by side before the camera. But one who violates the unwritten policy conditions that come along as formal laws of the medium (motto: “people will not understand it…”) will be placed on the index. So he never became a TV reporter. In March 2007 he was dedicated a retrospective at the Paris Cinéma du réel documentary film festival at the Centre Pompidou for this. “My first films in the early 60s (that weren’t ‘political’) contained something that was irritating, disturbing the peace, especially in the films Mülheim (Ruhr), Ödenwaldstetten (both 1964) and Von Griechenland (1965). I was cut off the money supply, and so I moved to Sweden”, thus Nestler 1998 laconically. from ray Filmmagazin Read More »