Peter Ilich Tchaikovsky was born in Kamsko-Votinsk in 1840 and died in St. Petersburg of cholera in 1893. In between he composed some of the world’s loveliest, most romantic music, married unhappily, suffered terrible bouts of depression that were linked to both his genius and his homosexuality (which he hid and referred to in his writings only by means of a hieroglyphic), and was acclaimed at home and abroad.
Although such authentic genius defies rational interpretation, except, perhaps, by another genius, Ken Russell’s “The Music Lovers” sets out to do just that. At least, I assume that’s what the film set out to do. Because “The Music Lovers” plays rather loosely with some of the facts of Tchaikovsky’s life, it can be accepted only as the kind of interpretation that certifies the most baroque speculation. Read More »