Description: Janitor Antonio Buonocore joins his friend Lo Turco e Cardone, to print some counterfeit bills. When they decide to circulate one counterfeit bill, they are only able to spend the right one, used as a mould for the others. Crime is not for them and so they decide to renounce their plans. Read More »
Die Feuerzangenbowle (The Fire-Tongs Bowl or The Punch Bowl) is a 1944 movie, directed by Helmut Weiss and is based on the book of the same name. It follows the book closely as author Spoerl also wrote the script for the movie. Both tell the story of a famous writer going undercover as a pupil at a small town secondary school after his friends tell him that he missed out on the best part of growing up by being educated at home. The story in the book takes place during the Weimar Republic in Germany. The movie was produced and released in Germany during the last years of World War II and has been called a “masterpiece of timeless, cheerful escapism.” The movie stars Heinz Rühmann in the role of the student Hans Pfeiffer, which is remarkable as Rühmann was already 42 years old at that time.
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Description: “The absolute last word on visual addiction, ARREBATO is a fascinating Spanish cult film. Drugs, vampirism and uncontrollable film fanaticism all figure into this little seen classic that bears quite a few similarities to David Cronenberg’s VIDEODROME, which it predated by five years.
Completed in 1979, ARREBATO is probably the most famous Spanish cult movie of all time. It’s been largely inaccessible in the years since its extremely limited original release and so has developed quite a mystique.
The story: Jose is a filmmaker putting the finishing touches on his latest production, a schlocky vampire picture. Feeling supremely dissatisfied with his vocation and heroin addicted girlfriend Ana, he arrives back at his apartment to discover a package from his friend Pedro. It contains a reel of super 8mm film, an audiotape and a key to Pedro’s apartment. Read More »
This stunning Quebecois kitchen sink drama is so raw and real, the pain evoked so acute, you’ll be devastated by its quiet power while at the same time dazzled by its cinematic genius. The film had its World Premiere in Competition at the Sundance Film Festival in January 2011 and was cited as one of Canada’s Ten Best Films of the year in the Toronto International Film Festival’s (TIFF) CTT. That it has not garnered one single nomination for a Genie Award is an utter disgrace.
(Greg Klymkiw, canadianfilmcorner.blogspot.com)
A tale of quiet resilience and human frailty that plays out against a harsh and apparently endless Quebec winter, befouled by the global economic downturn and a cruel twist of fate, Quebec filmmaker Sébastien Pilote’s debut, Le Vendeur (The Salesman) is a masterful observation of ordinary people squeezing what they need to get by out of unforgiving circumstances. Read More »
The idyllic, rural past of a Suffolk village comes to life through the memories of an old man who tends a country graveyard, in this extraordinary, little-seen film from David Gladwell. Although best known for his celebrated work as editor on Lindsay Anderson’s If…. and O Lucky Man!, Gladwell has, until now, rarely been recognised as the director of a number of ground-breaking films. Read More »
NBC’s “Suspicion” was a 40 episode series (which ran from 1957 to 1958) in a similar mold to “Alfred Hitchcock Presents”. Alfred Hitchcock directed the series permiere episode, “Four O’Clock”. It was originally broadcast on 30/Sep/1957.
Paul Steppe, a successful watchmaker, begins to suspect that his wife Fran is seeing another man. Consumed with jealousy, Steppe decides to murder her. His plan, he feels is ingenious. Painstakingly Steppe applies all of his watchmaking skills to the construction of a time bomb. He plans to slip into his house in the afternoon without his wife’s knowledge, leave the bomb and then return to his jewelry store unnoticed and unsuspected. Read More »
In no sense a ‘wronged innocent’ thriller, The Paradine Case sets out to be a morality tale on the dangers of Strong Emotion. A happy marriage is threatened when rising young barrister Peck falls hopelessly in love with the woman (Valli) he is defending on a murder rap. Blinded by passion, he can see neither her guilt, nor that her obsession lies elsewhere – with the man (Jourdan) whom he would destroy in her stead. Bleak in its message (those who love passionately inevitably destroy the object of their desire), the movie only half works; Peck is rather half-hearted, Valli coldly cat-like, Ann Todd as the rejected wife too self-sacrificing and loyally forgiving to be true. And the intricate, triangular plot is finally overburdened by the courtroom setting from which it tries to draw a laborious analogy between the perversion of love and justice. — FF, Time Out Film Guide 13 Read More »