Chantal Akerman – Demain On Demenage aka Tomorrow We Move (2004)

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Director Chantal Akerman helmed this offbeat comedy about a mother and daughter who find themselves living together again for the first time in many years. Still reeling emotionally from the recent death of her husband, Catherine (Aurore Clément) has chosen to leave her old home and move in with her grown daughter, Charlotte (Sylvie Testud). While Charlotte is sympathetic, she’s something less than enthusiastic; her mother’s mood swings and the clutter of her collected belongings are cramping her home and her style, and when Catherine decides to revive her career as a piano teacher, the constant parade of youngsters bludgeoning the keyboard makes it all but impossible for Charlotte to complete her latest writing project. Catherine and Charlotte decide to look for more spacious living quarters, while Charlotte is also in search of her own office space. As a steady stream of prospective tenants check out their home, Charlotte makes friends with a pregnant woman looking for a new flat (Natacha Régnier), while her search for a space of her own brings Charlotte a relationship with a like-minded realtor (Jean-Pierre Marielle) and an unlikely collaborator in Michelle (Elsa Zylberstein), a poet who enjoys tinkering with Charlotte’s prose. Read More »

Sally George – Brothers and Sisters in Love – (2008)

Synopsis
Most societies consider incest to be the ultimate taboo. Yet, a strange phenomenon called ‘Genetic Sexual Attraction’ has been known to affect adults who meet long-lost blood relatives for the first time.

This program features several brother/sister couples (along with one mother/son couple) who’ve developed sexual relationships and insist on maintaining them in spite of pressure from society and, sometimes, criminal prosecution. Read More »

Richard Brooks – The Brothers Karamazov (1958)

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Ryevsk, Russia, 1870. Tensions abound in the Karamazov family. Fyodor is a wealthy libertine who holds his purse strings tightly. His four grown sons include Dmitri, the eldest, an elegant officer, always broke and at odds with his father, betrothed to Katya, herself lovely and rich. The other brothers include a sterile aesthete, a factotum who is a bastard, and a monk. Family tensions erupt when Dmitri falls in love with one of his father’s mistresses, the coquette Grushenka. Two brothers see Dmitri’s jealousy of their father as an opportunity to inherit sooner. Acts of violence lead to the story’s conclusion: trials of honor, conscience, forgiveness, and redemption. Read More »

Man Kei Chin – Mi Tao Cheng Shu Shi 33D aka The 33D Invader (2011)

Plot / Synopsis:
A woman arrives from the future in search of the healthiest human genes. Meanwhile, a pair of evil villains also follow her back in time to stop her quest … Read More »

Roger Gnoan M’Bala – Bouka (1988)

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Plot Synopsis:
Bouka is a gifted young teenager. He lives with his parents in a village and forms with them a solid family. His father gives him a traditional education close to nature. Unfortunately this happiness will be troubled by the brutal death of the father…Remained widow, the mother of Bouka will suffer the consequences of a relentless traditional principle. She become the new wife of the nephew of her late husband, Bouka doesn’t accepts this new condition of her mother. He suspects his stepfather to be involved in his father death. He stops to go to school and organize a gang in the forest. In this tormented atmosphere, he develops a mortal hate towards its new “father”… Read More »

António de Macedo – Domingo à Tarde AKA Sunday Afternoon (1966)


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Jorge is the doctor in charge of the Haematology Department of a big hospital. One day he meets Clarisse, a patient suffering from advanced leukaemia, and falls in love with her. His struggle to save her inevitably fails in the end, and Jorge will now have to deal with a future of pointless routine and despair. Read More »

Milcho Manchevski – Majki aka Mothers (2010)

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*Macedonian entry for the Best Foreign Language Film at the 83rd Academy Awards

Two nine-year-old girls report a flasher to the police even though they never saw him. Three filmmakers meet the only residents of a deserted village – an elderly brother and sister who have not spoken to each other in 16 years. Retired cleaning women are found raped and strangled in a small town.

The fiction slowly turns into a documentary.

Marking the return of Milcho Manchevski, ‘Mothers’ portrays all types: dedicated, neglectful, loving, absent. Through these women, Manchevski renders the faces of human tragedy and joy.

Employing an innovative structure, the three stories in ‘Mothers’ highlight the delicate relationships of truth and fiction, of drama and documentary. What is the nature of truth?

Directed with a keen eye for contemporary Macedonia, the film eschews neat narrative devices and pushes the viewer to confront their own definitions of filmic reality.

In a traditional structuralist manner, the structure of the film itself (two parts fiction and one part documentary) becomes part of its message. Read More »