Khru Marut – Santi-Vina (1954)

Santi, a poor 10- year-old blind boy who lives with his father. Vina takes a pity on him and tries to protect him from the bullying of Krai. Santi’s father send him to stay with Luang Ta, a respectable monk, hopefully that he would learn the Buddhist lessons and by doing good deed, he could regain his eyesight.

When they have grown up, Santi and Vina become lover. Krai feels jealous because he also love Vina. Krai asks his parent to make a marriage proposal to Vina. Vina decides to run away with Santi. However, they are finally caught and Santi is severe beaten. Read More »

Brillante Mendoza – Kinatay AKA The Execution of P (2009)

“Daniel Kasman” wrote:
Dedicate a movie to one thing, respect the singular attention of the camera, and a film should be rich enough to overcome just about anything. Brillante Mendoza gives almost half of his film Kinatay to the nocturnal drive of a group of policemen out of Manila to its suburbs, and another half hour of night awaits them at their destination, a police black site. This rich vision of so much gloom, dim suspension, no action, no spectacle, no drama is a beautiful thing, something out of an avant-garde film dedicated to textures, subtle shifts in color, and spatial uncertainty of a sunless world. Read More »

Jerzy Skolimowski – Essential Killing (2010)

allmovie wrote:
A pair of American security operatives (Zach Cohen and Iftach Ofir) are on patrol in Afghanistan when they stumble upon a Taliban fighter (Vincent Gallo), who kills them despite his terror and nervousness. While trying to escape, the Afghan is captured by American forces; he’s tortured during interrogation, but doesn’t tell the Americans anything, in part because an explosion has made it difficult for him to hear what they’re saying. The Americans ship the Afghan off to a detention facility with a number of other Taliban soldiers, but upon arrival he’s able to escape. However, the Afghan finds himself in a forbidding snowbound climate, and with no provisions or warm clothing he struggles to simply survive as he avoids his pursuers and struggles to find some way to get home. Read More »

Kamran Shirdel – Teheran, payetakht-e Iran ast AKA Tehran is the Capital of Iran (1966)

“Tehran is the Capital of Iran” (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran’s poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district’s living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel’s film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.. Read More »

Abbas Kiarostami – 24 Frames (2017)

Synopsis:
24 Frames is an experimental project made by filmmaker Abbas Kiarostami in the last three years of his life. It is a collection of 24 short four-and-a-half minute films inspired by still images, including paintings and photographs. Read More »

Hadi Mohaghegh – Mamiroo AKA Immortal (2015)

Ayaz, a lonely seventy-year-old man, detests his life. He’s constantly in search of ways of ending his life. Some years back, on the way back from a family wedding party, the minibus which he was driving, falls in the bottom of a valley and people on board -all his own family- are killed. Now, Ayaz lives with his teenager grandchild, Ebrahim – who is the last remainder of his family- and his wife’s voice on a cassette tape. He loathes being alive. Read More »

Renata Gasiorowska – Cipka AKA Pussy (2016)

A young girl spends the evening alone at home. She decides to have some sweet solo pleasure session, but not everything goes according to plan. Read More »