Dennis Christopher stars as a recent high school graduate in Bloomington, Indiana, who is caught with his friends — Dennis Quaid, Daniel Stern, Jackie Earle Haley — coasting between high school and deciding what to do with the rest of their lives. The four friends are snobbishly looked down upon by the college students of the town as “cutters,” since they were born in Bloomington and their parents worked in the local limestone quarries that built the university. Dennis Christopher’s character Dave wants to be a champion bicycle racer and he idolizes the Italian racing team — so much so that he speaks, thinks, and acts Italian, all to his father’s (Paul Dooley) forlorn exasperation. Dave falls for a college girl (Robyn Douglass), but is ashamed to admit he is a cutter and poses as an Italian exchange student to impress her. Dave is particularly excited when his heroes — the Italian racers — come to town for a race. But they are even more snobbish than the college students and rely on dirty tricks to keep Dave from winning a race against them. After that ordeal, Dave throws away his false identity and convinces his friends to enter the university’s “Little 500″ bicycle race against the college students. This light-hearted and heartwarming tale was a surprising word-of-mouth success at the box-office and won several awards, including an Academy Award for “Best Screenplay.”
Sgt. Jinji is very interested in Yaeli, Mr. Hasson’s youngest daughter. After getting into a dispute with a fuming Mr. Hasson who falsely believed Jinji wanted to marry his eldest daughter, Jinji is kicked out of Mr. Hasson’s house. Having witnessed the scene, and unbeknownst to Mr. Hasson nor Jinji, Yaeli escapes too and hides in the back of Jinji’s jeep, intent to join him despite her father’s wishes.
On the way to his army base, Jinji picks up Konstanza, a shady businessman, who has been evading reporting to reserve duty for a while. Konstanza also happens to owe money to Mr. Hasson (due to a very dubious business deal gone awry), and Mr. Hasson decides to look for Konstanza to get his money back. All our characters end up in the middle of the desert at a small, somewhat improvised military base.
Mr.Freedom is a militaristic moron of a superhero. In his secret identity he is a United States sheriff, but when he enters his hidden closet hidden in his office behind a large American flag, he transforms into the patriotic superhuman. He takes orders from Doctor Freedom, the controller of Freedom Inc, who orders him to go to France and stop it from falling prey to the evils of Communism after the death of Freedom’s counterpart, Capitaine Formidable. Getting a less than rapturous welcome from the French, Mr.Freedom decides to save them all anyway…by destroying the entire country and everyone in it if he has to. Continue reading
Synopsis: Marianna returns to Greece on a whim to surprise her boyfriend, secretly plotting to stay with him forever, while Nikos is using the carnival as an excuse to confess his love to his unsuspecting boss. Eugenia hesitates to tell her daughter about her secret romance with the much younger carnival crew leader, while Ilias has no qualms about begging his estranged wife to come home.
Four couples, each one desperately trying to either rescue or escape their relationship, lose themselves in the intoxicating atmosphere of the carnival before they finally reveal their true colors, hidden behind the masks.
In the midst of carnival madness, four duets are staking their claim on their own personal Paradise… Continue reading
Two young people, Hidenori and Sunako, are on the run from the law following Hidenori’s killing of his mother. The two manage to hitch a ride in a passing ice-cream van, but Sunako is assaulted by its driver while bathing in a stream in a forest. They escape through the trees, eventually ending up in a secluded wooden cottage where they hide out, eking out a feral existence by raiding neighbouring gardens. With Hidenori still in a state of shock, Sunako eventually breaks the communication barrier using her body, seducing him in a bathtub full of floating ripe tomatoes. It is a turning point in their relationship, and Hidenori then becomes the sexually dominant partner in this strange relationship. One day, Hidenori plunges a knife into his stomach, forcing the pair to leave their makeshift haven and seek help in the big city. Continue reading
“Pasolini Pa* Palestine is an attempt to repeat Pasolini’s trip to Palestine in his film, Seeking Locations in Palestine for The Gospel According to Matthew (1963). It adapts his script into a route map superimposed on the current landscape, creating contradictions and breaks between the visual and the audible, the expected and the real. The video explores the question of repetition. For Heidegger Wiederholung ‘repetition, retrieval’ is one of the terms he uses for the appropriate attitude toward the past. “By the repetition of a basic problem we understand the disclosure of its original, so far hidden possibilities.” The project ventures a conversation and a dialogue with Pasolini, especially his ‘Poem for the Third World’. Discutere ‘to smash to pieces’ is the Latin source of dialogue, discussion. The piece does not criticize Pasolini, but reveals unnoticed possibilities in his thought and works back to the ‘experiences’ that inspired it.” (Ayreen Anastas) Continue reading
Late in this documentary about film critic Roger Ebert, the subject himself e-mails director Steve James from the hospital to insist that a difficult conversation with his wife Chaz be captured for the movie. After all, he writes, “This is not only your film.”
The correspondence underscores how this filmic profile is also a kind of a self-portrait by Ebert. It shares a title with the critic’s 2011 memoir, passages of which are lifted to narrate his rise from precocious tabloid reviewer to unlikely celebrity to national treasure. And while it’s too candid about Ebert’s ego, petulance, and late-career critical softening to be called hagiography, that very frankness does harmonize with the critic’s own eleventh-hour turn toward full and fearless disclosure. He came out as alcoholic in 2009, used his blog to inform readers of his health issues (which rendered him unable to speak in 2006), and here thrills to James’s documenting of his most painful medical ordeals.