Mia Hansen-Løve – Eden (2014)

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The film follows the rise and fall of Paul, a DJ who pioneered the French touch – a type of electronic dance music that became widely popular in the 1990s.

At a time where raves dominate the era, Paul is drawn to the sounds of Chicago’s garage house. It’s not long before he forms a DJ duo called Cheers and his friends form the group Daft Punk. Together they fall headfirst into the world of drugs, sex, and music. Continue reading

Robert Altman – Fool For Love (1985)

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“At the center of Sam Shepard’s ‘Fool for Love’ are two people whose hurts are so deep, whose angers are so real, that they can barely talk about what they really feel. That does not stop them from talking, on and on into the hurtful night, and eventually we can put together their stories, using what they have said, and especially what they have not said.

One of the characters is a blond slattern named May, whose natural beauty has been rearranged into a parody of the classic movie baby doll — Brigitte Bardot, say. The other character is named Eddie, and he is a cowboy who drives through the empty Texas reaches in the obligatory pickup truck with the obligatory rifle rack behind his head and the obligatory horse trailer behind the truck. One night May is working behind the counter of a restaurant in a crumbling motel, and she sees Eddie’s pickup coming down the road. She runs and hides. Standing in the shadows of the rundown motel is an older man (Harry Dean Stanton) who simply waits and watches. Continue reading

Andre Singer – Night Will Fall (2014)

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Synopsis:

When Allied forces liberated the Nazi concentration camps, their terrible discoveries were recorded by army cameramen, revealing for the first time the horror of what had happened.

Using British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein collaborated with Alfred Hitchcock to make a film that would provide evidence of the Nazi’s unspeakable crimes. Yet, despite initial support from the British and US governments, the film was shelved. In this compelling documentary by André Singer (executive producer, The Act of Killing), the full story of the filming of the camps and the fate of Bernstein’s project, which has now been restored and completed by Imperial War Museums, can finally be told. Continue reading

Andrei Konchalovsky – Shy People (1987)

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Diana (Jill Clayburgh) and her rebellious cocaine snorting daughter (Martha Plimpton) travel to the Louisiana bayou to meat their distant relatives. They find a wild gun-toting marsh woman (Barbara Hershey), and her grown children who she protects from the outside world still, going as far as putting one in a cage. Diana came to write an insightful article about her lost family, but may have gotten in over her head. The atmosphere is beautiful. There are some great performances by the brilliant Barbara Hershey (won best actress in 1987 Cannes), and Martha Plimpton. The turning point of the film is a bizarre rape sequence involving Martha Plimpton, cocaine, a big barrel of honey, a dozen goats, and Patrick Swayze’s brother, Don Swayze. This leads to both Jill Clayburg and Martha Plimpton being alone in the swamp, fighting for survival, and also a serious conflict within the family. Photographed by Chris Menges (The Killing Fields, The Mission). This film is incredible. Continue reading

Leonid Gaidai – Ivan Vasilevich menyaet professiyu AKA Ivan Vasilyevich Changes Occupation (1973)

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Ivan Vasilyevich Changes Occupation

An unconventional comedy based on M. Bulgakov’s play, “Ivan Vassilevich,” when inventor, Timofeev builds a time machine, things go awry. Tsar Ivan the Terrible comes into the year 1973, while Ivan Bunsha, an apartment complex manager, and George Miloslavsky, a petty burglar, are transferred to 16th century Moscow accidentally. Continue reading