Abel Ferrara – Mary (2005)

 Abel Ferrara   Mary (2005)

logoimdbb Abel Ferrara   Mary (2005)

synopsis

Bad Lieutenant director Abel Ferrara takes the helm of this allegorical drama concerning an actress locked in the throes of a profound spiritual crisis, and the affect that it has on both the director of her latest film and a New York journalist. Marie Palesi (Juliette Binoche) is a major European screen star who has just finished shooting her latest film, a revisionist religious drama directed by maverick American film director Tony Childress (Matthew Modine). In the film, Palesi portrayed the character of Mary Magdalene not as a common prostitute, but a full-fledged disciple whose power struggle with Peter set the stage for centuries of controversy. But the role has had a greater impact on Palesi than anyone could have foreseen, and after the shoot wraps, she makes the decision to remain in the Middle East and make a pilgrimage to Jerusalem. A year later, New York investigative journalist Ted Younger (Forest Whitaker) is producing a week-long network series examining the historical facts about Jesus Christ. After attending a screening for Childress’ film, Younger contacts the director about the possibility of interviewing both himself and Palesi for the project. Unfortunately for Younger, Palesi has disappeared and Younger has no idea how to track her down. But while married journalist Younger is currently having an affair with an actress (Marion Cotillard) who just happens to know Palesi’s number in Jerusalem, convincing the elusive starlet to appear on his special will pose a whole new set of challenges. by Jason Buchanan Continue reading

Abel Ferrara – 4:44 Last Day on Earth (2011)

 Abel Ferrara   4:44 Last Day on Earth (2011)

logoimdbb Abel Ferrara   4:44 Last Day on Earth (2011)

4:44 is a look at how a painter and a successful actor spend their last day together before the world comes to an end.

Ferrara began shooting the film in April 2011 with his longtime cinematographer Ken Kelsch. 4:44 is Willem Dafoe’s third collaboration with Ferrara after 1998′s New Rose Hotel and his last feature film, 2007′s Go Go Tales. During Montclair State University’s film forum event in February 2011, Ferrara revealed that Ethan Hawke was slated to star originally. The film was shot in one location, an apartment, set during the course of the last 24 hours before the biblical apocalypse.

The film showed in competition at the 68th Venice International Film Festival in September 2011. It had a limited theatrical release on 25 March 2012. Continue reading

Abbas Kiarostami – No (2010)

vlcsnap2011101502h08m26 Abbas Kiarostami   No (2010)

logoimdbb Abbas Kiarostami   No (2010)

IMDB:
A little girl with beautiful hair. She loves movies and wants to become an actress. She is being told about the plot of a movie that she is going to play: “a friend is jealous about her hair and cuts it when she is asleep”. The girl rejects playing the role. Then she is then told that she can play the jealous girl but she again rejects the role. Written by Anonymous Continue reading

James Benning – El Valley Centro (2000)

vlcsnap2013051420h58m18 James Benning   El Valley Centro (2000)

logoimdbb James Benning   El Valley Centro (2000)

Quote:
I began El Valley Centro in November of 1998; I was driving through the Great Central Valley looking for places to film. I wasn’t going to start shooting for at least six months; I wanted to just look and listen – to get to know the Valley well before I would make images. But almost immediately I came across an oil well fire with flames high into the sky. I returned home for my Bolex and Nagra. Determined that landscape is a function of time, I let a full roll of 16mm film (100 feet) run through the camera. At that moment I knew I would make a portrait of The Great Central Valley using 35 two and a half minute shots.

Nearing the completion of El Valley Centro, I began planning an urban companion piece, Los, that was to be a portrait of Los Angeles. It seemed logical, for the politics of water certainly run from the Valley to the City. Los would have the same structure as El Valley Centro and would look and listen with the same intensity. The two films would be connected with the last shot of El Valley Centro pumping water out of the Valley over Wheeler Ridge while the first shot of Los would show Mulholland’s first spillway (still in use) bringing water into LA.

James Benning, December 2001 Continue reading

James Benning – Los (2001)

vlcsnap2013051521h19m29 James Benning   Los (2001)

logoimdbb James Benning   Los (2001)

Quote:
I began El Valley Centro in November of 1998; I was driving through the Great Central Valley looking for places to film. I wasn’t going to start shooting for at least six months; I wanted to just look and listen – to get to know the Valley well before I would make images. But almost immediately I came across an oil well fire with flames high into the sky. I returned home for my Bolex and Nagra. Determined that landscape is a function of time, I let a full roll of 16mm film (100 feet) run through the camera. At that moment I knew I would make a portrait of The Great Central Valley using 35 two and a half minute shots.

Nearing the completion of El Valley Centro, I began planning an urban companion piece, Los, that was to be a portrait of Los Angeles. It seemed logical, for the politics of water certainly run from the Valley to the City. Los would have the same structure as El Valley Centro and would look and listen with the same intensity. The two films would be connected with the last shot of El Valley Centro pumping water out of the Valley over Wheeler Ridge while the first shot of Los would show Mulholland’s first spillway (still in use) bringing water into LA.

James Benning, December 2001 Continue reading

pixel James Benning   Los (2001)