A boxing match in Brooklyn; life in postwar Bosnia and Herzegovina; the daily routine of a Nigerian midwife; an intimate family moment at home: these scenes and others are woven into Cameraperson, a tapestry of footage collected over the twenty-five-year career of documentary cinematographer Kirsten Johnson.
Through a series of episodic juxtapositions, Johnson explores the relationships between image makers and their subjects, the tension between the objectivity and intervention of the camera, and the complex interaction of unfiltered reality and crafted narrative. A hybrid work that combines documentary, autobiography, and ethical inquiry, Cameraperson is both a moving glimpse into one filmmaker’s personal journey and a thoughtful examination of what it means to train a camera on the world.
Exposing her role behind the camera, Kirsten Johnson reaches into the vast trove of footage she has shot over decades around the world. What emerges is a visually bold memoir and a revelatory interrogation of the power of the camera. Continue reading
Story of the effect on three women living on an isolated farm when a man comes to live there.
Agata, sa fille Silvia et la belle-sœur Pia exploitent une ferme perdue dans un coin de montagne. L’embauche d’Angelo, séduisant quadragénaire, va provoquer affrontements et rivalités amoureuses entre les trois femmes… Continue reading
A film-in-film story set in a provincial town in Russia. Pasha (Churikova) is an amateur actress who plays a witch at a local club, but her dream is to play Joan of Arc. In a strike of luck she is cast as Joan of Arc in a big screen film. Now she is torn between her luck and her love to Arkadi (Kuravlev) who is a married man. Continue reading
In 1934, French director Jean Vigo tragically died of tuberculosis at the age of just 29, leaving behind his one and only completed feature, L’Atalante (1934). A simple, yet visually complex tale of two young newly weds travelling aboard a barge, Vigo’s film has since been awarded classic status, with its director heralded as one of French cinema’s most significant auteurs despite a relatively small body of work. This new Artificial Eye collection allows completists to revisit Vigo’s newly restored magnum opus, as well as several short films from the same period. Continue reading
Madrid,1980. Jose Sirgado, a labouring bohemian b-movie filmmaker finishes editing the sequel to a previous film. Visibly displeased he journeys home to his girlfriend strung out on heroin. After attempting to tidy his home and taking some heroin himself he opens a mail package from an old acquaintance Pedro P. containing a reel of super-8 film, a cassette tape and a key to his apartment. Watching the film and listening to the accompanying tape on which Pedro talks through the pair’s first meeting, their ensuing friendship and how he developed an addiction to filmmaking, notably recording himself in bed as he reached a state of rapture induced by the camera manifested in a series of flashbacks. As Pedro’s gravelly voice over wears on it becomes clear that his camera has taken on a vampiric life of its own absorbing its subjects and ultimately erasing them from the real world. Pedro’s final recording informs Jose of his suspected fate and informs him to visit his apartment where he too is absorbed by the camera. Continue reading
John Berger is a storyteller, essayist, novelist, screenwriter, dramatist and critic, whose body of work embodies his concern for, in Geoff Dyer’s words, “the enduring mystery of great art and the lived experience of the oppressed.”
He is one of the most internationally influential writers of the last fifty years, who has explored the relationships between the individual and society, culture and politics and experience and expression in a series of novels, book works, essays, plays, films, photographic collaborations and performances, unmatched in their diversity, ambition and reach. His television series and book Ways of Seeing revolutionized the way that Fine Art is read and understood, while his engagement with European peasantry and migration in the fiction trilogy Into Their Labours and A Seventh Man stand as models of empathy and insight.
John Berger in conversation with Michael Silverblatt at Berger’s home, a working farm, in Quincy, Mieussy, France, October 2002. Silverblatt is the host of the radio interview program, Bookworm. Continue reading
Three days after the terrorist attack on the offices of Parisian weekly Charlie Hebdo and forty days after the death of his father, Lary, a doctor in his forties is about to spend the Saturday at a family gathering to commemorate the deceased. But the occasion does not go according to expectations. Forced to confront his fears and his past, to rethink the place he holds within the family, Lary finds himself constraint to tell his version of the truth. Continue reading