After ten years away, Jacques Pruez, an unmarried, 50-year-old, modestly successful actor, returns to his home village to comfort his dying mother. His father Yvan, a family barber who’s counting on his “successful” son to support him in his old age, refuses to believe that his wife is sick and insists that her doctors are killing her. She dies, and Jacques finds out that Yvan is not his real father. Besieged by memories of his childhood, the village and the past, Jacques wanders the streets at night, reliving the moments that set him apart from the rest…. Read More »
DAMNED IF YOU DON’T is Friedrich’s subversive and ecstatic response to her Catholic upbringing. Blending conventional narrative technique with impressionistic camerawork, symbols and voice-overs, this film creates an intimate study of sexual expression and repression. Featuring Peggy Healey as a young nun tormented by her desire for the sultry irresistible Ela Troyano. Read More »
Action takes place in Georgia during world war two. Zurikela, orphan boy. Meets Khatia, blind girl, who wants to return eye-sight. Zurikela decides to help her. They know, that if blind sees the sunlight, her sight can be recovered. They both face obstacles and poverty, because of war. At one point Zurikela thinks to leave Khatia and have his own life. However, conscience doesn’t allow him to do it. Read More »
Dr. Miles Bennell returns to his small town practice to find several of his patients suffering the paranoid delusion that their friends or relatives are impostors. He is initially skeptical, especially when the alleged doppelgangers are able to answer detailed questions about their victim’s lives, but he is eventually persuaded that something odd has happened and determines to find out what is causing this phenomenon. Read More »
Eccentric millionaire Fredrick Loren and his 4th wife, Annabelle, have invited 5 people to the house on Haunted Hill for a “haunted House” party. Whoever will stay in the house for one night will earn ten thousand dollars each. As the night progresses, all the guests are trapped inside the house with ghosts, murderers, and other terrors. Read More »
Fábri linked two József Balázs novels. The Bálint Fábián story depicts the bitter peasant existence of the father of the protagonist of Hungarians with a profundity and power similar to sociographic literature of the 1930s.
Bálint Fábián is killing people on the Italian front in 1918. At home, his sons strangle the priest who is the lover of their mother. On returning from the front, instead of discovering a robust wife Bálint finds a deranged woman. He is to be the carriage driver for the baron but during the ‘white terror’ he showed solidarity with his fellow labourers, and he returns to his sons as a shepherd. His wife dies, his sons abandon him… Read More »
Werner Herzog’s third feature is a haunting, sardonic exploration of Africa as it was “in the beginning,” and as it becomes glutted with the wastes of technological civilization. Amos Vogel writes of the film: “Marvelous, sensual, 360-degree travelling shots of animal cadavers, barbed wire, industrial wastes, decaying trucks, sudden oil wells, ominous surrealist tableaux — all embedded in tragically alienated landscapes of sand and disassociated natives — create an obsessional, hypnotic statement whose anti-technological, anti-totalitarian, cruelly anti-sentimental humanism is subtle, overpowering, and inexplicable to shallow Left and know-nothing Right.” Read More »