Aleksandr Dovzhenko – The Cultural Heritage [Disc 1] (1926 – 1928)

Love’s Berries 1926
The mistress of hairdresser Jean Kovbasyuk throws a baby up to him. Jean decides in any method to be delivered from a “natural” child…Getting a call to the judicial investigator, Kovbasyuk is given up to search a child. A mistress labours for in the court of people’s “justice”. However much it turns out after registration of marriage, that Jean and in actual fact was not the father of child. But lately… Read More »

Aleksandr Dovzhenko – Arsenal (The Cultural Heritage) [Disc 2] (1928)

In Arsenal, Alexander Dovzhenko, perhaps the most radical of the Soviet directors of the silent period, altered the already extended conventions of cinematic structure to a degree greater than had even the innovative Sergei Eisenstein in his bold October. The effect of this tinkering with the more or less accepted proprieties of motion picture construction produced a work that is actually less a film than it is a highly symbolic visual poem. For example, in a more linearly structured piece like October, the metaphors, allusions, and analogies that arise through the construction of the various montages replace rather than comment on essential actions within the film. In Arsenal, however, the symbolism is so purposely esoteric, with seemingly deliberate barriers established to block the viewer’s perception, that the relationship of individual symbols or sequences to the various actions of the film is not immediately clear. Read More »

Aleksandr Dovzhenko – Zemlya – versions of 1930 & 1971 (The Cultural Heritage [Disc 3]) (1930)

Earh (1930) 59 min.
Poetic cinema story about events related to collectivization in Ukraine at the end of 20th years of the last century, about creation of the first of a collective farm communes, about class enmity on a village.
The best film Dovzhenko and one of the best films in history world to the cinema.
A film “Earth” on the World exhibition in Brussels of 1958 was adopted among the twelve best films of all times and people as a result of questioning, conducted Belgian cinematic among 117 film critics andconnoisseurs of the films from 26 countries of the world. During many subsequent years “Earth” was multiple included in the various lists of the best films of the world of XX century. Read More »

Miguel Gomes – Redemption (2013)

Synopsis
On January 21st 1975, in a village in the north of Portugal, a child writes to his parents who are in Angola to tell them how sad Portugal is. On July 13th 2011, in Milan, an old man remembers his first love. On May 6th 2012, in Paris, a man tells his baby daughter that he will never be a real father. During a wedding ceremony on September 3rd 1977 in Leipzig, the bride battles against a Wagner opera that she can’t get out of her head.
But where and when have these four poor devils begun searching for redemption? Read More »

Ivan Pyryev – Skazanie o zemle sibirskoy AKA The Tale of Siberian Land (1947)

From Mosfilm:
Andrey Balashov, a pianist, had to quit music after being wounded during the Great Patriotic War. Having failed to say goodbye to his friends and Natasha whom he loved he left for Siberia. He worked at the construction of an industrial complex and sang in a teahouse. An accidental meeting with his friends and Natasha changed his life. Andrey left for the Arctic region where being inspired by heroic labor of the builders he wrote a symphonic oratorio «Tale of Siberian Land» that won everybody’s recognition and made him popular in Moscow where Natasha was looking forward to see her true-love. Read More »

Joseph Pevney – It Happens Every Thursday (1953)

from TCM:
One morning in New York City, newspaper reporter Bob MacAvoy finishes his nighttime shift and stumbles into bed just as his very pregnant wife Jane rises. Jane cares for their young son Steve and then, while riding the subway to work, notices an advertisement for a small newspaper in Eden, California. Tired of never seeing her husband and living in their cramped apartment, Jane rushes home and convinces Bob that the paper represents the perfect escape from their city life. Read More »

Andrea Pallaoro – Hannah (2017)

Intimate portrait of a woman drifting between reality and denial when she is left alone to grapple with the consequences of her husband’s imprisonment.

Hannah is the intimate portrait of a woman’s loss of identity as she teeters between denial and reality. Left alone grappling with the consequences of her husband’s imprisonment, Hannah begins to unravel. Through the exploration of her fractured sense of identity and loss of self-control, the film investigates modern day alienation, the struggle to connect, and the dividing lines between individual identity, personal relationships, and societal pressures. Read More »