Hieronim Neumann – Collected Short Films (1979 – 2005)

This is a collection of Hieronim Neumann’s experimental film and animation work from 1979 to 2005. Read More »

Chantal Akerman – Tous les garçons et les filles de leur âge…: Portrait d’une jeune fille de la fin des années 60 à Bruxelles (#1.3) (1994)


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Dave McDougall at MUBI.com

Last Monday night, MoMA played two installments from the series “Tous les garçons et les filles de leur âge…”, a series of one-hour television episodes “in which French directors were asked to contribute films based on their recollections of adolescence” (BFI). The first episode shown was Chantal Akerman’s Portrait of a Young Girl at the End of the 1960s in Brussels.

Akerman’s episode is an achievement of an entirely different level. It moves beyond being one of the great coming-of-age films; it is simply one of the great films. A moving, multifaceted, and magical hour, presented with honesty and subtle artistry. Read More »

Emanuele Crialese – Terraferma (2011)


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Two women, an Island dweller and a foreigner: one dramatically influences the life of the other. But they both share the same desire for a different future, a better life for their children and the dream of the mainland. Terraferma is the desired destination of those travelling by sea, but it may also turn out to be an island with its deep-rooted traditions.
The Pucillo family has to come to terms with immobility: Ernesto is 70 years old and he’d do anything to avoid having to scrap his fishing boat. His grandson Filippo is 20. His father was lost at sea and he finds himself caught up “in time“ between his grandfather Ernest and his uncle Nino, who gave up fishing in favour of “baiting“ tourists. His young, widowed mother, Giulietta, senses that this island’s frozen, immutable time has turned them all into strangers and that there is no future for her nor for her son Filippo. For there to be a future they must have the courage to leave. Read More »

René Vautier – Avoir 20 ans dans les Aurès AKA To Be Twenty in the Aures (1972)


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Summary
In 1961, a group of pacifist Bretons are sent to fight in France’s war against Algeria. Reluctant warriors, they are moulded into killing machines by the inspirational lieutenant Perrin and soon find their first taste of conflict. One of the group continues to rebel against the folly of the war and goes on the run with an Algerian prisoner. For all concerned, the experience will not be easily forgotten – for those that survive, that is… Read More »

Chantal Akerman – Nuit et jour aka Night and Day (1991)


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Synopsis
Jack and Julie live in a bare flat in Paris. At night, Jack drives a taxi while Julie wanders around the city, and in the day they make love. One day Julie meets Joseph, the daytime driver of the taxi, and soon Julie is spending her nights with Joseph and her days with Jack.. Read More »

Chantal Akerman – Les Années 80 AKA The Eighties (1983)


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IMDB:
Another Masterpiece by Chantal Akerman, 18 November 2009
10/10
Author: kubrick2899 from Concord, North Carolina

THE EIGHTIES marks the turning point in Chantal Akerman’s career. It stands as the end of her more experimental films of previous years and as the beginning of her more mainstream efforts of later years. The bulk of the film consists of auditions and rehearsals for a musical. In the final act, we get to see some segments of that musical. It’s a wholly original and brilliant motion picture experience. Like most of Akerman’s films, though, it’s not for everyone. Her films are experiences for those who aren’t into mainstream cinema. The songs in the film are catchy and unforgettable, and it’s a special treat to see Akerman herself pop in a few times and give the performers some direction. The only downside of this film is that it’s only available on an old VHS. The Criterion Collection has gotten a hold on her earlier films; maybe some day they’ll get a hold of this one, as well. Another interesting aspect to this film is that it serves as a prelude to her next feature film, GOLDEN EIGHTIES or WINDOW SHOPPING. Read More »

Chantal Akerman – La chambre (1972)


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. . . It is always the act of isolation from another space that brings into sharp focus Akerman’s themes and aesthetics. Jacques Polet has pointed out that the 360-degree pan in La Chambre maps out a literal movement of encirclement completed once the pan reverses, as if the camera had demarcated the minimally essential space for the performance . . .

— from essay on Akerman by Ivone Margulies found here. Read More »