A guy from the middle class meets a girl from a wealthy family and they start a romance in a country that frowns upon it.
This film was the official submission of Saudi Arabia for the ‘Best Foreign Language Film’ category of the 89th Academy Awards in 2017.
The leading actor Hisham Fageeh is probably best known for his 2013 music video No Woman, No Drive which amassed more than 14 million views on YouTube: link
The Arabic title of the film is بركة يقابل بركة.
Un film poème en 18 vagues, comme autant de scènes pour décrire Paris et ses paysages urbains traversés par un “jeune mineur étranger isolé”, les attentats, les roses blanches, l’état d’urgence, le bleu-blanc-rouge, l’océan atlantique et ses traversées, les volcans, la beat-box, la révolte, la colère, la violence d’Etat, un chant révolutionnaire, le silence, et la joie…, rien que la joie. Continue reading
From Time Out Film Guide:
In 1968, Godard began work on a film in America (One AM or One American Movie) dealing with aspects of resistance and revolution. Dissatisfied with what he had shot, he abandoned the project. Pennebaker here assembles the Godard footage, together with his own coverage of Godard at work (One PM standing for either One Parallel Movie or One Pennebaker Movie). Although it may be dubious to show stuff that Godard had rejected, the film does manage to convey how he got his results. You can draw your own conclusions about his approach and why he abandoned the film. Continue reading
Gerald Fox’s film documents Bill Viola and his wife and close collaborator Kira Perov’s odyssey to create two permanent video installations for London’s St Paul’s Cathedral, Martyrs and Mary, the first art commissions of their kind to be installed in Britain’s most famous religious space.
Heralded as the world’s greatest video artist, Bill Viola continues to astonish with every work. This intimate, 12 years in the making documentary, captures the spiritual dimension of his ground-breaking oeuvre and creative process. We’re proud to present it simultaneously with its UK cinema tour! Continue reading
An enchanting film combining beautiful costumes, fun music and excellent ballet performance
5 March 2005 | by (email@example.com) (United Kingdom)
I saw this film as a child in a small town cinema in Soviet Union, was completely mesmerised by it and since then was looking for it everywhere. Finally, we managed to get a video from Romania. I was so happy. It’s an enchanting, original, musical fairy-tale with a bit of rock’n’roll. The costumes and the music are Romanian indeed, but there are also wonderful Russian actors in main roles. I especially love Mihail Boyarski as the bad guy – the Wolf. There’s also a ballet performance from Bolshoi, and beautiful ballet on ice from Moscow. The film just has so much beauty and energy in it. I recommend it to all children and their parents. Unforgettable experience! Continue reading
Strictly Film School wrote:
A purely fun, entertaining, and lighthearted short film, A Straightforward Boy follows the (mis) adventures of a kidnapper (Tatsuo Saito) who, on an idyllic, sunny day (that, as the film comments, is conducive for such nefarious activities), lures a cherubic, bespectacled boy (Tomio Aoki) with toys and treats back into the hideout. However, when the mischievous and precocious boy becomes too much of a handful, the kidnapper’s attempts to get rid of him proves to be a greater challenge than the abduction itself. Continue reading
An exploration into our planetary past and a search for humanity’s place in the future. With narration by Cate Blanchett.
In the six years since it was made, Terrence Malick’s poetic odyssey The Tree Of Life has come to be acclaimed as a masterpiece. This is odd for those of us who watched it early on and recall critics complaining about – or even walking out of – its opening sequence, which takes the audience on a rapid trip through swirling nebulae from the big bang to the present day. Malick’s new work, Voyage Of Time, expands on that sequence. Though the original was considered by some to be far too long at 20 minutes, it has now been expanded to 45 for IMAX screenings and to 90 for traditional cinemas. This time around, critics and audiences alike have a better idea what to expect. If you’re the kind of person to consider it at all, you won’t be able to take your eyes off it. Continue reading