Thierry Demaizière & Alban Teurlai – Rocco (2016)

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A behind-the-scene account of the porn world and its stars as they’ve never been seen before – and the no-holds-barred portrait of a true giant.

Rocco Siffredi is to pornography what Mike Tyson is to boxing or Mick Jagger is to rock’n’roll: a living legend. His mother wanted him to be a priest; with her blessing he became a hardcore performer, devoting his life to one God only: Desire. Rocco Siffredi reveals all, even if it sometimes means busting his own myth: his true story, beginnings, career, wife and children… and the ultimate revelation that will change his life forever. A behind-the-scenes account of the porn world and its stars as they’ve never been seen before – the no-holds-bard portrait of a true giant. Continue reading

David Bickerstaff – The Curious World of Hieronymus Bosch (2016)

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Quote:
The Curious World of Hieronymus Bosch features the exhibition ‘Jheronimus Bosch – Visions of Genius’ at Het Noordbrabants Museum in the southern Netherlands, which brought the majority of Bosch’s paintings and drawings together for the first time to his home town of Den Bosch and attracted almost half a million art lovers from all over the world. With his fascinating life revealed plus the details and stories within his works seen like never before, don’t miss this cinematic exploration of a great creative genius. Continue reading

John Gianvito – Vapor Trail (Clark) (2010)

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Keith Ulich wrote:
John Gianvito’s new documentary, the first of two films focusing on decommissioned, and hazardous, U.S. military bases-one named Clark, the other Subic-in Pampanga province, Philippines, takes its title (minus parenthetical) from the contrails left behind by airplanes at high altitude. A pre-credits sequence shows several such images, in addition to a rolling stream at sunrise; the driver’s-eye interior view of a car, signal clicking, as it prepares to turn (which way unspecified); and faded photographs that depict, we will come to learn, incidents and asides from the Philippine-American War (1899-1913). What connects these disparate objects/mo(ve)ments is a shared sense of impermanence-the feeling that everything we’re viewing is fleeting and, likely, soon forgotten.
The three Gianvito films I’ve seen-this, 2007’s Profit motive and the whispering wind, and, my personal choice for best of the ’00s, 2001’s The Mad Songs of Fernanda Hussein-share a fascination with, and in some way seek to redress the human propensity toward cultural-historical amnesia. Continue reading