Search Results for: uploadgig

Aleksandr Mitta & Kenji Yoshida – Moskva, lyubov moya AKA Moscow, My Love (1974)

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A Japanese girl came to Moscow to learn the art of dance. The love of a Moscow sculptor, the victory in the final-year students competition brought a lot of happiness to Yuriko. However a sudden disease of blood, result of an atomic bombardment of her town, bursts into her life. Continue reading

Ingmar Bergman – Larmar och gör sig till AKA In the Presence of a Clown (1997)

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Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert – and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to death his fiancée, Pauline Thibault. Together with another patient, Professor Osvald Vogler, they set up a film project: the living talkie. Before long, they set off on a frantic tour with their film, “The Joy of the Joyous Girl”… (IMDB) Continue reading

Nicholas Ray – They Live by Night (1948)

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John Greco wrote:
Three men escape from prison, two seasoned bank robbers T-Dub (Jay C. Flippen) and Chickamaw (Howard Da Silva) along with young Bowie (Farley Granger) who was innocently convicted of murder. The three men rob a bank. When Bowie is injured he is brought to Chickamaw’s brother’s place where he meets Keechie (Cathy O’Donnell), Chickamaw’s tomboyish niece. After another bank job, the young lovers take off to get away from Bowie’s two thug partners and a life of crime. Unlike Bowie, his two cohorts quickly blow their share of the money and want Bowie for another bank job which goes bad resulting in T-Dub’s death. Bowie and Keechie are again running only this time instead of running to a new life they are running from the law and straight toward a tragic end. Continue reading

Mario Peixoto – Limite AKA Limit (1931)

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Quote:
An astonishing creation, Limite is the only feature by the Brazilian director and author Mário Peixoto, made when he was just twenty-two years old. Inspired by a haunting André Kertész photograph on the cover of a French magazine, this avant-garde silent master­piece centers on a man and two women lost at sea, their pasts unfolding through flashbacks propelled by the music of Erik Satie, Claude Debussy, Igor Stravinsky, and others. An early work of independent Latin American filmmaking, Limite was famously difficult to see for most of the twentieth century. It is a pioneering achievement that continues to captivate with its timeless visual poetry. Continue reading

Lewis Seiler – You Can’t Get Away with Murder (1939)

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Synopsis:
Humphrey Bogart plays mobster Frank Wilson, the heavy headlining this crime thriller that sprung from the pen of Sing-Sing’s warden himself! Based on the play “Chalked Out” by Warden Lewis E. Lawes and Jonathan Finn, You Can’t Get Away With Murder tells the grim tale of a young punk taken in by the glamorous gangster life, only to find himself sent away to the federal pen with a man’s fate resting in his hands and a murderer dogging his every step. Young Johnnie Stone (original “Dead End Kid” Billy Halop) hooks up with hoodlum Wilson only to help Wilson frame his sister’s (Gale Page) straight and narrow fiancé Fred (Harvey Stephens) for Murder One. All three men soon find themselves sent to the “Big House” – two serving a stretch for robbery, the third for Death Row. Can Johnnie come clean in time to save Fred, with Frank watching his every move? Continue reading

Lütfi Akad – Hudutlarin Kanunu AKA The Law of the Border (1966)

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Quote:
Set along the Turkish-Syrian frontier, this terse, elemental tale of smugglers contending with a changing social landscape brought together two giants of Turkish cinema. Director Lütfi Ö. Akad had already made some of his country’s most notable films when he was approached by Yılmaz Güney—a rising action star who would become Turkey’s most important and controversial filmmaker—to collaborate on this neo-western about a quiet man who finds himself pitted against his fellow outlaws. Combining documentary authenticity with a tough, lean poetry, Law of the Border transformed the nation’s cinema forever—even though it was virtually impossible to see for many years. Continue reading

Barbara Sternberg – Transitions (1982)

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“Transitions” is a film of inner life and speaks of time, reality, power. It depicts the disquieting sensations of being between – between falling asleep and being awake, between here and there, between being and non-being. These metaphysical themes are evoked by the central image of a woman in white over which layers of images and sound (voices) are superimposed. Continue reading