Another romanian short student film on 35mm. Won several international prizes.
A lovely piece of film-making from Romania!, 18 March 2004
Author: michaelwalters56 from New York, U.S.A.
I saw this film at the NYU International Film Festival in New York and thoroughly enjoyed every minute of it! The story focuses on the lack of communication between a working-class family that live on C block and combines gritty drama with terrific unclichéd comedy. The story is so clever and entertaining and by the end it resolves itself with such charm. It is full of subtle messages about life, family, communication and relationships. Great acting from the three main actors and a wonderful sense of pacing from the director. This really is a lovely piece of film-making from Romania and well deserving of it’s award at the festival. Continue reading
A 2012 Chilean drama film directed by Pablo Larraín. The film is based on the unpublished play El Plebiscito, written by Antonio Skármeta. Mexican actor Gael García Bernal plays René, an in-demand advertising man working in Chile in the late 1980s. The historical moment the film captures is when advertising tactics came to be widely used in political campaigns. The campaign in question was the historic 1988 plebiscite of the Chilean citizenry over whether general Augusto Pinochet should have another 8-year term as President.
At the 85th Academy Awards the film was nominated for the Best Foreign Language Film Oscar. Continue reading
One of the recurrent themes of the Art Theatre Guild (ATG)’s films of the 60s and early 70s was incest. In Funeral Procession of Roses (Bara No Soretsu, 1968) Toshio Matsumoto told a modern version of the Oedipus tale, transplanting the story into the gay subculture of present-day Tokyo. The hero of Susumu Hani’s The Inferno of First Love (Hatsukoi Jigokuhen, 1968) suffers from the sexual abuse of his stepfather. In Yoshishige Yoshida’s Heroic Purgatory (Rengoku Eroica, 1970) a young girl who creeps into the life of a scientist and his wife pretending to be their daughter seduces her alleged father. The family head in Nagisa Oshima’s masterful critique of the patriarchic family, The Ceremony (Gishiki, 1971), rapes his son’s bride. In Masahiro Shinoda’s Himiko (1974) the prehistoric shaman empress of Japan falls in love with her brother and is killed by ruthless elders who can no longer exercise control over her. In Kazuo Kuroki’s Preparations for the Festival (Matsuri No Junbi, 1975) the disabled Kikuo is sexually comforted by his mother, and in Shuji Terayama’s Pastoral: To Die in the Country (Den’en Ni Shisu, 1974), the story of a boy who tries to escape his mother, incest is omnipresent. Continue reading
The outsider Benjamin and the charismatic Max share one mutual interest: hacking. Together with Max‘s friends, they form the subversive hacker group CLAY. CLAY provokes with hilarious hacks and connects with a whole generation. For the first time in his life Benjamin feels like he belongs. But when CLAY is suddenly investigated by German Secret Service and Europol, Benjamin must face the consequences of his actions. Continue reading
Oscar winner for BEST DOCUMENTARY (SHORT SUBJECT)
As daily air strikes pound civilian targets in Syria, a group of indomitable first responders risk their lives to rescue victims from the rubble. Continue reading
Nine short stories that together amount to a play time of 3h20m.
Presented here are nine short films that feature: film director Slatan Dudow; actor Martin Brandt; authors Erich Fried, Erich Weinert, and Arnold Zweig; photographer Walter Ballhause; cartoonist Leo Haas; and journalist Egon Erwin Kisch. Original interviews with the artists, close family members, and friends are combined with little-known historic film material. All produced in the GDR. Continue reading
Standing out from all the stumbling efforts toward a new expression of cinema, Giovanni Pastrone’s story of the Second Punic War, Cabiria , demands special attention. Compared to the other colossal Italian spectacles of its time, it had an integrity and sense of purpose. From the beginning it was regarded as something special, and its premiere at the Teatro Vittorio Emmanuele, Turin, on 18 April 1914 was a great occasion. The film’s accompanying score by Ildebrando Pizzetti, performed by an orchestra of 80 and a choir of 70, added to the excitement. Viewed today, the film has lost little of its epic poetry to the zeitgeist, though the acting performances may seem dated. Continue reading