Tag Archives: 1910s

Alberto Capozzi & Gero Zambuto – Il fiacre n. 13 (1917)

EP.1 – IL DELITTO AL PONTE DE NEULLY
EP.2 – GIAN GIOVEDÌ’
EP.3 – LA FIGLIA DEL GHIGLIOTTINATO
EP.4 – GIUSTIZIA!
“Not many Italian silent films structured in episodes have survived, though a good many were made (see Monica Dall’Asta, “La diffusione dei film a episodi in Europa”, in Storia del cinema mondiale. Vol. 1: L’Europa. I. Miti, luoghi divi, Einaudi, 1999, p.309). Most of them were based on foreign models, particularly French, and some were direct reworkings. One such case is Il Fiacre n. 13, from the novel of the same title by Xavier Henri Aymon Perrin, Count of Montépin, a highly prolific and much-loved author whose books were vehicles for the depiction of social inequality, narrating stories of love, death, betrayal, blackmail, and redemption. Read More »

Giulio Antamoro – Pinocchio (1911)

Synopsis (thanks IMDb user jsanchez)
The old carpenter Geppeto manufactures in his workshop a wooden puppet that will soon come alive. For an hour the doll will live a thousand and one adventures: he will be judged, hanged, swallowed by a whale, taken prisoner by the Indians, saved by Canadian soldiers and, even, returned home mounted on a cannonball that flies through the sky. Read More »

Louis Feuillade – Le trust, ou les batailles de l’argent (1911)

Quote:
It is an outstanding film that sees Feuillade experimenting with this new cinematic genre that will lead to his classics, Fantomas, Les Vampires and Judex. The film is also notable for its introduction of the actor René Navarre, who plays detective Julien Kieffer and will go on to play Fantomas.

Le trust, ou les batailles de l’argent has a most unusual plot. The film involves the detective Julien Kieffer helping the industrialist Jacob Berwick spy on his rival Darbois in order to steal Darbois’ discovery of a formula to manufacture artificial rubber. This is the earliest example of a film that is based around corporate espionage; surprisingly, the film transcends its plot and proves to be compelling viewing. Read More »

Louis Feuillade – La tare (1911)

LA TARE is about Anna, a woman who is rescued from a Parisian dance hall to work in a charitable hospital. Over the years, she rises to become the head of the institution, but when an old habitué of the dance hall recognizes her picture, he attempts to blackmail her. When she refuses, he publishes a letter in the paper and the good local people who make up the hospital’s board demand her resignation. Read More »

Louis Feuillade – Bout-de-Zan vole un éléphant (1913)

A circus is in town so Bout-de-Zan (Rene Poyen) decides to sneak off and see the elephant while everyone else is sleeping. Once there he decides the best thing to do would be to steal it and the two then set off for many misadventures. Read More »

Emile Chautard & Victorin-Hippolyte Jasset – Le mystère de Notre-Dame de Paris (1912)

Drama in which the love between Claude and Germaine is tested when Claude is falsely accused and Germaine’s father doesn’t approve of their relationship.
Germaine Darlot’s father forbids a marriage between her and Claude Duval. Claude wants to commit suicide because of this, but when he wants to jump into the river he drives away a robber who has just robbed a rich gentleman. He drags the rich gentleman to his house, who dies there. Claude and Germaine flee to the colonies, where Claude becomes the mining director. When another woman fancies Claude, Germaine becomes jealous, suspects him of adultery, and reports Claude. He is sentenced to twenty years in prison. Read More »

Max Mack – Die Tango-Königin (1913)

Quote:
Hanni, the shop girl, comes from a milieu like Zille, from which she is freed, so to speak, by Ferdinand, a wealthy elderly gentleman. The first date turns into a shopping spree, and after the new clothes come a new home. Since we write the year 1913 and at that time the cinema was still chaste, Max Mack saved us the details of the Techtelmechtel. To keep the story going, they both learn the new fashion dance: Tango, which Lieutenant Lulu has tried in vain. A tango competition makes the comedy a mix-up comedy: it wins – who wouldn’t have thought it – Hanni as the tango queen.
(International Forum of Young Films 1984) Read More »