Tag Archives: 1910s

Charles Chaplin – Those Love Pangs (1914)

Quote:
Charlie and a rival vie for the favors of their landlady. In the park they each fall for different girls, though Charlie’s has a male friend already. Charlie considers suicide, is talked out of it by a policeman, and later throws his girl’s friend into the lake. Frightened, the girls go off to a movie. Charlie shows up there and flirts with them. Later both rivals substitute themselves for the girls and attack the unwitting Charlie. In an audience-wide fight, Charlie is tossed from the screen. Read More »

Louis Feuillade – Tih Minh (1918)

Jacques d’Athys, a French adventurer, returns to his home in Nice after an expedition to Indochina where he has picked up a Eurasian fiancée and a book that, unbeknownst to him, contains a coded message revealing the whereabouts of both secret treasures and sensitive government intelligence. This makes him the target of foreign spies, including a Marquise of mysterious Latin origin, a Hindu hypnotist and an evil German doctor, who will stop at nothing to obtain the book. Read More »

Louis Feuillade – Barrabas (1919)

Rudolph Strelitz, known as ‘Barrabas’, is the brutal leader of an underground gang who causes mayhe m and destruction to the lives of civilized people. A lawyer, Claude Varèse, is strongly determined to bring Strelitz to justice for the purpose of revenge, after his father was wrongly guillotined for the murder of Laure d’Hérigny, a mistress of a missing American millionaire. Later Claude Varèse’s sister, Françoise, is then abducted by the evil Dr Lucius, one of Barrabas’ henchmen. Read More »

Anatoli Dolinov & Aleksandr Panteleyev & Donat Pashkovsky – Uplotneniye (1918)

The first scenario work of Anatoliy Lunacharsky.

The first Soviet kinopostanovka Petrograd kinokomiteta (now – Lenfilm Studio).

November 7, 1918 – the date of the first issue on the screens of Soviet films. On this day it was released four paintings, three of them – campaign.

In order to seal one of the rooms of Professor relocated from raw basement working with his daughter. Flats start attending the factory workers. Guests are becoming more and more, and the professor begins to read popular lectures in the workers’ club. Between the younger son of a professor and his daughter working there is a feeling and the characters decide to get married … Read More »

Alice Guy – Making an American Citizen (1912)

Ivan Orloff and his wife decide to emigrate to America with a group of several others.
Ivan is used to treating his wife roughly, and on arrival in America, he forces her to carry their baggage, while he repeatedly prods her with his cane.
A passer-by rebukes Ivan, and forces him to carry the load. But this is only the first of several lessons that Ivan will learn in his new country. Read More »

J. Searle Dawley – A Christmas Carol (1910)

Quote:
Based on the story by Charles Dickens: The day before the Christmas holiday, Ebenezer Scrooge refuses to contribute to the Charity Relief Committee, and then rudely rejects his nephew when he visits Scrooge in his office. When Scrooge returns home, he sees the ghost of his former business partner Marley, who warns him of the punishment he will suffer in the next life if he does not change his ways. That night, Scrooge is visited by three more spirits, who show him his past, the present, and the future that awaits him. (imdb) Read More »

Raoul Walsh – Regeneration (1915)

Raoul Walsh had just come off The Birth of a Nation both as one of Griffith’s assistant directors and as an actor (most prominently as John Wilkes Booth), when he made this film. In his autobiography, Walsh credits Griffith with “teaching” him not only about much of the art of fiction filmmaking, but also about production management technics that aided him in taking full advantage of many of New York City’s most pictorial exterior locations. The locations play an important role in adding to the naturalism of an otherwise highly melodramatic plot with the high society young woman turned heroine social worker (much overplayed by a major star of the 1910s, Anna Q Nilsson) and the regeneration of the one-time Lower Manhatan gang leader. The wonder of this film is the performance of the male “star”, Rockliffe Fellowes, who played in over a dozen nearly unremembered films until he died in 1950. His performance is so subtly varied and electrically alive that one is reminded of Brando in his early 1950s films. Read More »