Tag Archives: Allan Dwan

Allan Dwan – The River’s Edge (1957)

Synopsis:
A murderous thief on the run with stolen loot forces a poor rancher to guide him across the desert into Mexico. Accompanying them is the rancher’s wife, who happens to be the killer’s former girlfriend. Read More »

Allan Dwan – Driftwood (1947)

Six-year-old Jenny rescues a collie dog, the only survivor of a plane wreck. A tag on the dog’s neck states that it is en route to a medical laboratory where its blood will be used for spotted fever vaccine. Dr. Steven Webster meets both Jenny and the dog and “adopts” them both. His fiancée Susan isn’t too fond of either the girl or the dog. Webster wants to get a hospital for the town but he is suppressed by the town mayor. In the arguments that follow, Webster’s lab is wrecked and ticks infected with spotted fever escape. The town is in a panic and all want to be vaccinated. Jenny is infected and is about to die. Written by Les Adams Read More »

Allan Dwan – Flight Nurse (1953)

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Plot: In this war drama, set during the Korean War, an Air Force nurse gets involved in a love triangle on the front lines. ~ Sandra Brennan, All Movie Guide

Quote:
A routine film on the surface, Flight Nurse is quite original in showing war from the point of view of a nurse who is as comely as as she is generous. Far from hiding her charms under the uniform, she emphasizes the to assert the right to life and beauty. Dwan thus makes a kind of erotic ritual of her applying make-up, particularly lipstick: Joan Leslie, in sympathy with her wounded patients, knows that her sex appeal provides far more comfort to them thah her medical attentions. In desiring her, they commune with their wives or girlfriends. When it comes to healing, desire is granted the same power as prayer. Michael Henry Wilson, Allan Dwan’s Moral Tales At the Edge of Paradise, in Allan Dwan The Name beneath the Title (2001) Read More »

Allan Dwan – Man to Man (1930)

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Plot: Man to Man refers to the relationship between father John Bolton (Grant Mitchell) and son Michael (Phillips Holmes) — or least, to the relationship as it should be. After serving a prison sentence for homicide (established by the screenwriters as justifiable), John starts life anew as a small-town barber. When Michael learns the truth about John’s past, it causes a rift in the relationship between the two men. But when Michael is accused of embezzlement, John gallantly shoulders the blame, even though he believes his son to be guilty — while Michael, convinced that his dad stole the money, refuses to recant his confession. Only after the true culprit is exposed are father and son tearfully reunited. Dwight Frye does his patented “Renfield” overacting in a minor role. ~ Hal Erickson, All Movie Guide Read More »