Tag Archives: Birol Ünel

Fatih Akin – Gegen die Wand AKA Head-On (2004)

Synopsis wrote:
In ‘Gegen die Wand’ Cahit, a 40-something male from Mersin in Turkey has removed everything Turkish from his life. He has become an alcoholic drug addict and at the start of the movie wants to end it all. Sibel a 20-something female from Hamburg wishes to please her Turkish parents yet yearns for freedom. She has had her nose broken by her brother for being seen holding hands with a boy and yet she can not break her mother’s heart and run away. She too attempts suicide and she first approaches Cahit there at the Hospital. Sibel asks Cahit to marry her, as she believes this to be the way out of her parent’s house. She promises Cahit that their relationship will be like roommates, not like a married couple. The film follows Sibel and Cahit as they get married, become closer and eventually fall in love. Read More »

Tony Gatlif – Transylvania (2006)

Synopsis:
Zingarina arrives in Transylavania, accompanied by her close friend Marie and her guide and interpreter Luminitsa. She is not there only to visit this region of Romania but to trace her lover Milan, a musician who has made her pregnant and who left her without a word of explanation. When she finds him back, he brutally rejects her and Zingarina is terribly upset. She leaves her two companions and having become a wreck she hardly survives by following a wandering little girl. Her destiny changes for the best when she meets Tchangalo, a traveling trader… Read More »

Thomas Arslan – Dealer (1999)

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Second feature film by German-Turkish director Thomas Arslan (Ferien, Aus der Ferne), and a rough diamond of the first generation of the so-called ‘Berlin School’. Can is a young and smart upstart; he dreams of a small family but the money that fuels this dream comes from the streets. Can is a dealer, he works for Hakan who is supplying the kids in his neighbourhood with drugs. And while Can struggles to get control over his life he sees his girl friend, the mother of his kid, leaving and himself increasingly surrounded by false friends. On top of it, a cop (Birol Ünel, the male lead from Fatih Akin’s “Gegen die Wand) is on his back trying to persuade Can to work undercover for the police. The more Can attempts to free himself, the deeper he sinks into a life he never aspired to. Read More »