Tag Archives: Djibril Diop Mambéty

Djibril Diop Mambéty – Hyènes AKA Hyenas (1992)

One of the treasures of African cinema, Senegalese master Mambéty’s long-delayed follow-up to his canonical Touki Bouki is a hallucinatory comic adaptation of Swiss avant-garde writer Friedrich Dürrenmatt’s play The Visit, which in Mambéty’s imagining follows a now-rich woman returning to her poor desert hometown to propose a deal to the populace: her fortune, in exchange for the death of the man who years earlier abandoned her and left her with his child. Per its title, Hyenas is a film of sinister, mocking laughter, and a biting satire of a contemporary Senegal whose post-colonial dreams are faced with erosion by western materialism. Read More »

Djibril Diop Mambéty – La Petite vendeuse de soleil AKA The little girl who sold the Sun (1999)

29f7c043f76a2bde437fd0d52a185152

Quote:
La Petite Vendeuse du Soleil (the Girl who sold the Sun) follows the life of a young girl who moves from her village to Dakar – having permanently lost the use of one of her legs, the only job she can do, is beg on the streets. One day however she sees boys selling Le Soleil, a national newspaper. Although no girls do that job, she manages to convince those in charge to give her a try… But can she survive in a cut-throat world where only aggression pays off? Offering a loving vision of modern day Dakar, Diop-Mambety takes us through all of the highs and lows of the sprawling city. His gentle, tender touch is evident but the tone doesn’t become sickly sweet with the film ending as realistically as it honestly could. Read More »