Tag Archives: Edmond Van Daële

Jean Epstein – Six et demi onze (1927)

Quote:
Female infidelity leads a man, Jean, to commit suicide. When he is dead his brother, Jerôme, starts having an affair with the same woman, Mary. But… there is a photography left of her first brother, who the second is getting closer to finding – hence the title (6,5 X 11 – an film negative format).

Wonderfully photographed with moving camera, superimposed pictures and a contrast that leaves nothing to be desired. Interesting use of the close-up to emphasize the story as well. And notice the use of the mirror to show how the story is about to repeat itself. The mice-en-scene could, throughout the film, be though to have come directly from a display of state-of-the-art modernist interior design architecture – stunningly beautiful. The men in this film all wear lipstick, silk garments and nail-polish in their very chic upper-class fashion. Oscar Wilde would not be let down. Do not miss this film, should you ever get the chance to see it. Read More »

Jean Epstein – Coeur fidèle AKA The Faithful Heart (1923)

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Quote:
In Coeur Fidèle’s accompanying 44-page booklet, Jean Epstein, at a 1924 address, argues his film as “romantic” rather than”realist”, the label with which Italian poet Ricciotto Canudo assigned it before his death. The truth is that Epstein’s largely unknown masterpiece provides a fascinating agreement of the two styles, oscillating with seamless precision between reverie and sincerity. Marie (Gina Manès) is in love with Jean (Léon Mathot), a kind-hearted man who works on the Marseille docklands, but Marie’s adoptive parents want to marry her off to the obnoxious and unemployed drunk Petit Paul (Edmond Van Daële), and the scene is set for a sensational melodrama to unfold. Read More »