Tag Archives: Erland Josephson

Carlo Lizzani – La casa del tappeto giallo AKA House of the Yellow Carpet (1983)

Kevin Lyons on EOFFTV wrote:
By the early 1980s, the giallo – that uniquely Italian blend of thriller and horror tropes laced with plenty of sex – was facing its final curtain. Dario Argento would return to the form throughout the decade but just about everyone else was getting ready to give up on it as Italian horror lurched towards the more visceral in the wake of Lucio Fulci’s worldwide success with Zombi 2 / Zombie Flesheaters Zombie [1979]. Those gialli that were still being made seemed a pale imitation of the excesses of their 1970s forebears. Read More »

Ingmar Bergman – Efter repetitionen AKA After the Rehearsal (1984)

Quote:
With this spare chamber piece, set in an empty theater, Ingmar Bergman returned to his perennial theme of the permeability of life and art. Lingering after a rehearsal for August Strindberg’s A Dream Play (a touchstone for the filmmaker throughout his career), eminent director Henrik (Erland Josephson) enters into a frank and flirtatious conversation with his up-and-coming star, Anna (Lena Olin), leading him to recall his affair with Anna’s late mother, the self-destructive actress Rakel (Ingrid Thulin). The sharply written and impeccably performed After the Rehearsal, originally made for television, pares away all artifice to examine both the allure and the cost of a life in the theater. Read More »

Andrei Tarkovsky – Offret (1986)

The Sacrifice, director Andrei Tarkovsky’s final film, begins in Bergmanesque fashion on a small, remote island, where friends and family gather for drama critic Alexander’s (Erland Josephson) birthday celebration.

The revelry is interrupted by a radio announcement: World War III has begun, and Mankind is only hours away from utter annihilation. Each of the guests reacts differently to the news: the most dramatic response is Alexander’s, who promises God that he’ll give up everything he holds dear – including his beloved 6-year-old son – if war is averted. Allan Edwall, a local mailman with purported mystical powers, offers to intervene with the Creator on Josephson’s behalf. Read More »

Dusan Makavejev – Montenegro (1981)

Marilyn Jordan (Susan Anspach) is a bored, depressed American housewife, married to a rich Swedish businessman with two seemingly perfect children. She tries to “spice up” her existence by surprising the family when she eats their entire dinner, setting the bedclothes on fire and poisoning the pet dog’s milk and then advising it not to drink (the dog does not drink). Eventually Martin, Marilyn’s husband, decides to show her to a psychiatrist, but that only serves to further her frustration. Read More »

Ingmar Bergman – Larmar och gör sig till AKA In the Presence of a Clown (1997)

“In the Presence of a Clown (Swedish: Larmar och gör sig till) is a television film by Ingmar Bergman, recorded for Swedish television in 1997 with Bergman as a director. It was screened in the Un Certain Regard section of the 1998 Cannes Film Festival. It tells the story of a professor named Carl, who has been found guilty of attempted murder and sentenced to treatment in a mental ward. In the hospital he befriends a man named Osvald, and they attempt to make and promote a film.

The film was produced for Sveriges Television from Bergman’s 1994 play of the same title. ” Read More »

Ingmar Bergman – Larmar och gör sig till AKA In the Presence of a Clown (1997)

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Inventor Carl Åkerblom is a rosy-cheeked 54 year-old admirer of Franz Schubert – and a patient in the psychiatric ward of Akademiska Hospital in Uppsala, after having attempted to beat to death his fiancée, Pauline Thibault. Together with another patient, Professor Osvald Vogler, they set up a film project: the living talkie. Before long, they set off on a frantic tour with their film, “The Joy of the Joyous Girl”… (IMDB) Read More »

Ingmar Bergman – Scener ur ett äktenskap AKA Scenes from a Marriage [Theatrical Cut] (1973)

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“Criterion” wrote:
Marianne (Liv Ullmann) and Johan (Erland Josephson) always seemed like the perfect couple. But when Johan suddenly leaves Marianne for another woman, they are forced to confront the disintegration of their marriage. Shot in intense, intimate close-ups by master cinematographer Sven Nykvist, the film chronicles ten years of turmoil and love that bind the couple despite their divorce and subsequent marriages. Flawless acting and dialogue portray the brutal pain and uplifting peace that accompany a lifetime of loving.. Read More »