Tag Archives: Fernando Rey

Luis Buñuel – Viridiana (1961)

Synopsis:
After years in Mexican exile, Buñuel returned to his native Spain to make this dark account of corruption, which was immediately banned. A young nun, full of charity, kindness, and idealistic illusions about humanity, visits her uncle and tries to help some local peasants and beggars. But her altruism is greeted with ridicule and cruelty. Pinal gives a superb performance in the title role, and Buñuel’s clear-eyed wit is relentless in its depiction of human selfishness, ingratitude, and cynicism. The final beggars’ orgy – a black parody of the Last Supper, performed to the ethereal strains of Handel’s Messiah – is one of the director’s most memorably disturbing, funny, and brutal scenes. A masterpiece.
— Timeout. Read More »

Luis Buñuel – Le charme discret de la bourgeoisie AKA The Discreet Charm of the Bourgeoisie (1972)

Quote:
The guests arrive at the Senechal home for a dinner party, only to discover that the invitation had been given for the following evening. This miscommunication proves to be the first in a series of unusual events that invariably prevent the Thevenots (Paul Frankeur and Delphine Seyrig), the Senechals (Jean-Pierre Cassel and Stephane Audran), Don Rafael (Fernando Rey), and Florence (Bulle Ogier) from enjoying a meal together. An alternate plan to dine at a local bistro is foiled when a funeral wake for the restaurant owner is held in an adjacent back room. Read More »

William Friedkin – The French Connection (1971)

29f7c043f76a2bde437fd0d52a185152

Quote:

“The French Connection” is routinely included, along with “Bullitt,” “Diva” and “Raiders of the Lost Ark,” on the short list of movies with the greatest chase scenes of all time. What is not always remembered is what a good movie it is apart from the chase scene. It featured a great early Gene Hackman performance that won an Academy Award, and it also won Oscars for best picture, direction, screenplay and editing.

The movie is all surface, movement, violence and suspense.
Roger Ebert Read More »