Tag Archives: Hindi

Mani Kaul – Satah Se Uthata Aadmi aka Arising From The Surface (1980)

Quote:
Kaul’s film addresses the writings of Gajanan Madhav Muktibodh (1917-79), one of the main representatives of the Nai Kavita (New Poetry) movement in Hindi. Muktibodh also wrote several short stories, one of which provides the film with its title, and critical essays. The film integrates episodes from Muktibodh’s writings with material from other source, including a reinvented neo-realism derived from Muktibodh’s literary settings. The narrative is constructed around 3 characters. Ramesh (Gopi) iis one who speaks and enacts Muktibodh’s writings, functioning as the first-person voice of the text; his two friends, , Madhav (Jha) and Keshav (Raina), are Ramesh’s antagonists and interlocuters esp. in the debates about modernity. Kaul gradually minimizes the fictional settings until, in the remarkably shot sequences of the factory, the audience is directly confronted with the written text itself. Read More »

Hrishikesh Mukherjee – Mili (1975)

Synopsis:
Shekhar Dayal has moved into a new neighborhood, and is just not pleased with the new surroundings. He resents the noise children make while playing, as he prefers quiet and solitude. His reclusion is shattered when his neighbor, Mili, comes into his life. At first he hates the intrusion, but then grows to be fond, and then ultimately fall in love with her. When the time comes for him to propose to this sunny, cheerful, and positive young lady, he is told that she has only a few more months to live. Read More »

Mira Nair – Monsoon Wedding (2001)

Synopsis:
A story set in the modern upper-middle class of India, where telecommunications and a western lifestyle mix with old traditions, like the arranged wedding young Aditi accepts when she ends the affair with a married TV producer. The groom is an Indian living in Texas, and all relatives from both families, some from distant places like Australia, come to New Delhi during the monsoon season to attend the wedding. The four-day arrangements and celebrations will see clumsy organization, family parties and drama, dangers to the happy end of the wedding, lots of music and even a new romance for the wedding planner Dubey with the housemaid Alice… Read More »

Guru Dutt – Aar-Paar aka Across the Heart (1954)

Kalu (Guru Dutt), a taxi driver who was sentenced to prison for speeding, is released two months before his term for good behaviour. His old employer refuses to let him drive his taxi again. Wandering the streets, Kalu helps a young woman Nikki (Shyama) to fix her car. Kalu goes home but his brother-in-law will not have a convict in the house so he finds himself on the streets. Kalu visits a club to deliver a message for Captain on behalf of a former jail mate. He gets a job at Nikki’s father’s garage and love blossoms between Nikki and him. When her father finds out, he kicks Kalu out. Kalu asks Nikki to elope with him but she hesitates and by the time she decides to do so, he has already left. Read More »

Mani Kaul – Mati Manas AKA The Mind of Clay (1985)

Quote:
In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives. Pots are shown in many settings, including a museum where a young child is mesmerized by the ceramics that ancient ancestors created from clay. The tradition continues and so does its magic, as potters are shown deftly working a lump of wet clay and fashioning it moment by moment into a slowly emerging shape. Kaul blends in myth and fables as well as the beauty of the art itself to create an inspiring look at a humble, everyday object. Read More »

Sunil Dutt – Yaadein AKA Memories (1964)


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BACKGROUND
Yaadein (“Memories”) is a 1964 B&W Hindi film directed and produced by Sunil Dutt also starring himself. The only other actor in the film is Nargis Dutt, that too as a silhouette in the final scene.

This film is the first of its kind as it features only a single actor and hence has found an entry in the Guinness Book of World Records in the category of “Fewest actors in a narrative film”.

Film narrative progresses through dialogues and background music composed by Vasant Desai, who also gave the song, Dekha hai sapna koi.. (sung by Lata Mangeshkar.)

SYNOPSIS
The film is soliloquy of a man who comes home to find that his wife and son are not at home, he assumes that they have left him and reminiscences his life with them, and scared of his life without them, he regrets his past indiscretions. The suspense is only revealed in the end. Read More »