Hollis Frampton

  • Hollis Frampton – Zorns Lemma (1970)

    Hollis Frampton1961-1970ExperimentalShort FilmUSA

    “Zorn’s Lemma stands for – Every non-empty partially ordered set in which every chain (i.e. totally ordered subset) has an upper bound contains at least one maximal element.

    It is named after the mathematician Max Zorn.

    The terms are defined as follows. Suppose (P,≤) is the partially ordered set. A subset T is totally ordered if for any s, t ∈ T we have either s ≤ t or t ≤ s. Such a set T has an upper bound u ∈ P if t ≤ u for all t ∈ T. Note that u is an element of P but need not be an element of T. A maximal element of P is an element m ∈ P such that the only element x ∈ P with m ≥ x is x = m itself.Read More »

  • Hollis Frampton – Hapax Legomena I: Nostalgia (1971)

    1971-1980ExperimentalHollis FramptonShort FilmUSA

    Quote:
    As its name suggests, Nostalgia is autobiographical. Its maker, HOLLIS FRAMPTON, is recognised as one of the leading figures of the New American Cinema, a contemporary of Michael Snow, Paul Sharits and George Landow. This film, made in 1971 and itself part of a larger work called Hapax Legomena relates to a period between 1958 and 1966- before Frampton was known as a film-maker and was working mainly in still photography. Twelve photographs are presented as ‘documents’ of that period. A number are of friends in the New York art world, others are images that were of aesthetic interest. The tone throughout is dry and ironic.Read More »

  • Michael Snow – Wavelength (1967) (HD)

    1961-1970Amos Vogel: Film as a Subversive ArtCanadaClassicsExperimentalMichael Snow

    Quote:
    “Wavelength” was shot in one week in December, 1966, preceded by a year of notes, thoughts, mutterings. It was edited and first print seen in May, 1967. (The Film-Makers’ Cooperative)

    Quote:
    I wanted to make a summation of my nervous system, religious inklings, and aesthetic ideas. I was thinking of, planning for a time monument in which the beauty and sadness of equivalence would be celebrated, thinking of trying to make a definitive statement of pure Film space and time, a balancing of “illusion” and “fact,” all about seeing.Read More »

  • Hollis Frampton – Manual of Arms (1966)

    1961-1970ExperimentalHollis FramptonShort FilmUSA

    Experimental filmmaker Hollis Frampton shoots a series of portrait shots of each of his fourteen friends, each with half of their face in shadow and each with a different expression. After all fourteen introductions have been made, Frampton then presents a series of brief shots in which each friend shown previously performs an everyday activity for the camera, from smoking to drinking to sitting. The different angles and the varied lighting in each of these lightning-quick shots are used to create a mysterious and sinister atmosphere.Read More »

  • Hollis Frampton – Process Red (1966)

    1961-1970ExperimentalHollis FramptonShort FilmUSA

    An abstract short consisting of a series of quick shots, in which hands are shown doing a variety of things: peeling an egg, holding a cup, etc. Tinted pink, these shots are consistently interrupted by other black and white shots of other images.Read More »

  • Hollis Frampton – Zorns Lemma (1970)

    1961-1970ExperimentalHollis FramptonShort FilmUSA

    “Zorn’s Lemma stands for – Every non-empty partially ordered set in which every chain (i.e. totally ordered subset) has an upper bound contains at least one maximal element.

    It is named after the mathematician Max Zorn.

    The terms are defined as follows. Suppose (P,≤) is the partially ordered set. A subset T is totally ordered if for any s, t ∈ T we have either s ≤ t or t ≤ s. Such a set T has an upper bound u ∈ P if t ≤ u for all t ∈ T. Note that u is an element of P but need not be an element of T. A maximal element of P is an element m ∈ P such that the only element x ∈ P with m ≥ x is x = m itself.Read More »

  • Hollis Frampton – Ingenivm Nobis Ipsa Pvella Fecit: Part I (1975)

    1971-1980CultExperimentalHollis FramptonUSA

    A naked woman.Read More »

  • Hollis Frampton – Hapax Legomena V: Ordinary Matter (1972)

    1971-1980ExperimentalHollis FramptonUSA

    Frampton on Ordinary Matter wrote:
    A vision of a journey, during which the eye of the mind drives headlong through Salisbury Cloister (a monument to enclosure), Brooklyn Bridge (a monument to connection), Stonehenge (a monument to the intercourse between consciousness and LIGHT)…visiting along the way diverse meadows, barns, waters where I now live; and ending in the remembered cornfields of my childhood. The soundtrack annexes, as mantram, the Wade-Giles syllabary of the Chinese language.Read More »

  • Hollis Frampton – Hapax Legomena II: Poetic Justice (1972) (HD)

    1971-1980ExperimentalHollis FramptonUSA

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    Quote:
    A table with a small cactus, a cup of coffee and a stack of paper. One by one, separated by white flashes, we see the text written on the pages. It is a screenplay, each of the 240 pages describing a single shot of a four-part film. The screenplay contains no dialogue, but concerns some sort of melancholy romantic tryst between “yourself” and “your lover”, with occasional appearances by “me” (or more frequently, “my hand”). There’s something to be said about the relationship between filmmaker and viewer, as well as a twisted take on the voyeurism of cinema. But as an experience it can be a tough slog. The most interesting part is the third “tableau”, a surreal and often comical scene consisting entirely of sexual congress while assorted bizarre things are going on outside the window. I also liked the very ending. Much of the rest of it is significantly less compelling, as the concept wears thin.Read More »

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