A young woman, Karin, has recently returned to the family island after spending some time in a mental hospital. On the island with her is her lonely brother and kind, but increasingly desperate husband (Max von Sydow). They are joined by Karin’s father (Gunnar Björnstrand), who is a world-traveling author that is estranged to his children. The film depicts how Karin’s grip on reality slowly slips away and how the bonds between the family members are changing in light of this fact. Read More »
Tag Archives: Ingmar Bergman
This feature documentary is an affectionate yet truthful account of the 42 years and 12 films long relationship between legendary actress Liv Ullmann and master film maker Ingmar Bergman.
Told entirely from Liv’s point of view, this rollercoaster journey of extreme highs and lows is constructed as a collage of images and sounds from the timeless Ullmann-Bergman films, behind the scenes footage, still photographs, passages from Liv’s book ‘Changing’ and Ingmar’s love letters to Liv. Read More »
Strongly influenced by the neorealist films of Roberto Rossellini, Port of Call is Ingmar Bergman’s most naturalistic work. Shot on location in the port of Göteborg by Gunnar Fischer (who would become one of the director’s key collaborators), the film focuses on the tentative relationship between Gösta (Bengt Eklund), a sincere, easygoing seaman, and Berit (NineChristine Jönsson), a suicidal young woman from a broken home. As Berit reveals more about her troubled past, and the couple confront many harsh realities in the present, a meaningful bond begins to form between them. With this confident and disciplined feature, his fifth, Bergman tackled moral and social issues head-on. Read More »
“In the Presence of a Clown (Swedish: Larmar och gör sig till) is a television film by Ingmar Bergman, recorded for Swedish television in 1997 with Bergman as a director. It was screened in the Un Certain Regard section of the 1998 Cannes Film Festival. It tells the story of a professor named Carl, who has been found guilty of attempted murder and sentenced to treatment in a mental ward. In the hospital he befriends a man named Osvald, and they attempt to make and promote a film.
The film was produced for Sveriges Television from Bergman’s 1994 play of the same title. ” Read More »
While at a summerhouse, awaiting their husbands’ return, a group of sisters-in-law recount stories from their respective marriages. Rakel (Anita Björk) tells of receiving a visit from a former lover (Jarl Kulle); Marta (Maj-Britt Nilsson) of agreeing to marry a painter (Birger Malmsten) only after having his child; and Karin (Eva Dahlbeck) of being stuck with her husband (Gunnar Björnstrand) in an elevator, where they talk intimately for the first time in years. Making dexterous use of flashbacks, the engaging Waiting Women is a veritable seedbed of Bergman themes, ranging from aspiring young love to the fear of loneliness, with the finale a masterpiece of chamber comedy. Read More »
A judge in an unnamed country interviews three actors, together and singly, provoking them while investigating a pornographic performance for which they may face a fine. Their relationships are complicated: Sebastian, volatile, a heavy drinker, in debt, guilty of killing his former partner, is having an affair with that man’s wife. She is Thea, high strung, prone to fits, and seemingly fragile, currently married to Sebastian’s new partner, Hans. Hans is the troupe leader, wealthy, self-contained, growing tired. The judge plays on the trio’s insecurities, but when they finally, in a private session with him, perform the masque called The Rite, they may have their revenge. Read More »
A couple traveling across a war-ravaged Europe. A disintegrating marriage. A ballet dancer’s scarred past. Her friend’s psychological agony. Meanwhile, a widow resists seductions from two different persons – her psychiatrist and a lesbian friend. Told in flashbacks and multiple narrative threads, Ingmar Bergman’s Thirst shows people enslaved to memory and united in isolation. Read More »