Tag Archives: Italian

Ermanno Olmi – Il posto [+Extras] (1961)

“Criterion” wrote:
When young Domenico (Sandro Panseri) ventures from the small village of Meda to Milan in search of employment, he finds himself on the bottom rung of the bureaucratic ladder in a huge, faceless company. The prospects are daunting, but Domenico finds reason for hope in the fetching Antonietta (Loredana Detto). A tender coming-of-age story and a sharp observation of dehumanizing corporate enterprise, Ermanno Olmi’s Il posto is a touching and hilarious tale of one young man’s stumbling entrance into the perils of modern adulthood. Read More »

Julien Duvivier – Le Petit monde de Don Camillo aka The Little World of Don Camillo (1952)

Plot summary :
In a village of the Po valley where the earth is hard and life miserly, the priest and the communist mayor are always fighting to be the head of the community. If in secret, they admired and liked each other, politics still divided them as it is dividing the country. And when the mayor wants his “People’s House”; the priest wants his “Garden City” for the poor. Division exist between the richest and the poorest, the pious and the atheists and even between lovers. But if the people are hard as the country, they are good in the bottom of there heart. Read More »

Mauro Bolognini – Guardia, guardia scelta, brigadiere e maresciallo (1956)

Personally, Bolognini did not feel that he was really at home with comedy, yet he was often offered comedies, and in the early stage of his career he accepted some of these assignments. These films were very successful, and the director ascribed the credit for this to the stars he worked with; in this case unquestionably a handful of Italy’s funniest men of the day: Alberto Sordi, Aldo Fabrizzi, Peppino De Filippo, and Gino Cervi. Read More »

Dino Risi – Belle ma povere AKA Pretty But Poor (1957)

Scharph:
Made right after the great success of Risi’s own Poveri ma belli, and released later the same year, here are the further adventures of Romolo, Salvatore and Giovanna. Read More »

Ettore Scola – Passione d amore aka Passion Of Love (1981)

Ettore Scola’s dark, romantic tale of a woman so stubborn and passionate that nothing can dissuade her from pursuing the object of her affections.

When Captain Bachetti arrives at his new post in Northern Italy, he already resents the reassignment, which has separated him from his mistress, the exquisite Clara. And the situation becomes even more disturbing when this man with a taste for beautiful women finds himself subjected to the persistent attentions of the spectacularly ugly Fosca; everything about this brash, loud, impolite and unattractive creature fills him with horror.
But the Captain has never before encountered the transformative power of love. Read More »

Roberto Rossellini – Il tacchino prepotente (1939)

This is an anti-Fascist short Rossellini made in 1940.
Quote:
La vispa Teresa was rejected and, although Ferrara said that Il tacchino was distributed by Scalera under its working title, “La perfida Albione,” there were no press notices, and no one outside of Scalera is known to have seen it. According to Ferrara, Rossellini told him it was a satire in which “Perfidious Albion,” a big turkey representing England, goes around pecking at the hens representing the nations of Europe, until defied by a rooster representing Italy. “Rossellini detested it,” said Ferrara, “[though his] genius was such that he could achieve extraordinary effects out of nothing. He used to tell me, ‘It’s the only time that, through my weakness, I made a work of propaganda.’” Read More »

Mario Monicelli – Speriamo che sia femmina (1986)

PLOT:
This family drama by Monicelli features an impressive international cast: Liv Ullmann, Catherine Deneuve, Philippe Noiret, Stefania Sandrelli and Bernard Blier, and it won a series of prestigeous film awards upon its release. It is a less comedic film, than most of Monicelli’s oeuvre up to this point, although the folly of the Italian male is still a central theme, as it had been in so many of his films from the ’50s, ’60s and ’70s.
In this case, a group of several generations of women are pulled together, when an accident strikes the padre familias (Noiret) that they all in various ways are, or have been, involved with. Thus, the second half of the film focusses on this group of very different women, and how they manage to relate to each other and get along, when they are faced with a series of serious challenges. Read More »