Filmed in 1948 as Senza Pieta, this Alberto Lattuada-directed effort came to America the following year as Without Pity. The film’s sensitive subject matter caused problems in distribution and approval; Lattuada was never known to shirk from a sociopolitical statement, even when it meant loss of revenue overseas. The plot is based on an actual postwar dilemma: in Northern Italy, dozens of black American GIs chose to go AWOL rather than return to a racially divided United States. John Kitzmiller plays an occupation soldier named Jerry, who decides to remain in Italy when he falls in love with a blonde, Caucasian local girl named Angela (Carla Del Poggio). Read More »
Tag Archives: Italian
Roberto Rossellini – L’Età di Cosimo de Medici AKA The Age of Medici AKA The Age of Cosimo de Medici (1972)
This three-part saga evokes the social, economic, and religious life of fifteenth-century Florence through two of its leading lights: banker Cosimo de’ Medici and art theorist Leon Battista Alberti. The Age of the Medici is like a Renaissance painting come to life. The three episodes of approximately 90 minutes each, begins as a movie about the shrewd worldliness of the banker Cosimo de’ Medici and ends as a tribute to the scholarly humanism of the author and architect Leon Battista Alberti. “Medicis” leaves us with an impression of Quattrocento Florence as a city of sublime harmony in which art and commerce are in perfect balance, seamlessly interdependent. Read More »
Rossellini, 1973: One makes films in order to become a better human being.
The New York Times, : Just watching Rossellini’s magnificent work may help a bit in that department as well.
In the final phase of his career, Italian master Roberto Rossellini embarked on a dramatic, daunting project: a series of television films about knowledge and history, made in an effort to teach, where contemporary media were failing. Looking at the Western world’s major figures and moments, yet focusing on the small details of daily life, Rossellini was determined not to recount history but to relive it, as it might have been, unadorned and full of the drama of the everyday. This selection of Rossellini’s history films presents The Age of the Medici, Cartesius and Blaise Pascal – works that don’t just enliven the past but illuminate the ideas that have brought us to where we are today. Read More »
Totò Al Giro D’Italia is about the 1948 edition of the Giro d’Italia, in which Professor Totò sells his soul to the devil in order to win the love of the bella Doriana. She agrees to marry him only if he can win the national bicycle race, calculating that this is an impossibility, but one stage after another he defeats all great cycling champions of that time (Coppi, Bartali, Schotte, Kubler, Bobet, Magni, et al). Read More »
Seven long-time friends get together for a dinner. When they decide to share with each other the content of every text message, email and phone call they receive, many secrets start to unveil and the equilibrium trembles. Read More »
Roberto Rosselini directs this fascinating program tracing the life and work of 17th century French mathematician, religious philosopher and physicist Blaise Pascal, who made pioneering contributions to the fields of geometry and probability. The legendary Rosselini created this television film as part of a remarkable series geared toward illuminating the evolution of knowledge and history in Western civilization. Read More »
There’s magic and mastery aplenty in “The Wolf’s Mouth,” a docu-fiction hybrid that represents a breathtakingly impressive debut from Pietro Marcello. Though running a bare-minimum feature length of 70 minutes (six shorter than the press notes and Berlinale catalog claim), it packs multiple layers and subjects into its densely intricate but enticingly accessible structure. A highly unusual love story between a macho ex-con and a transsexual former drug-addict, it’s also an exploration and celebration of their home city of Genoa, delicately examining the past’s interactions with the present. Read More »