Tag Archives: Jean-Pierre Kalfon

Barbet Schroeder – La vallée AKA Valley (Obscured by Clouds) (1972)

P l o t
Viviane (Ogier), the wife of the French consul in Melbourne, joins a group of explorers in search of a mysterious hidden valley in the bush of New Guinea, where she hopes to find the feathers of an extremely rare exotic bird. Along the way through the dense jungles of Papua New Guinea and on the peak of Mount Giluwe, she and the small group of explorers make contact with the Mapuga tribe, one of the most isolated groups of human beings on earth, who inspire them to explore their own humanity, unfettered by their own subjective ideas of “civilization”. The search becomes a search for a paradise said to exist within a valley marked as “obscured by cloud” on the only map of the area available dated as surveyed in 1969. Read More »

Philippe Garrel – Un Ange Passe (1975)

Un Ange Passe is a portrait of Philippe Garrel’s father, Maurice. “I made it so it didn’t cost too much. I made it very quickly. It turned out to be a film that looked exactly like it costs — it was industrially just right. But it was also useful to do to show love to my father.” —Philippe Garrel Read More »

Jean-Luc Godard – Week End AKA Weekend [+Extras] (1967)

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SYNOPSIS
The master of the French New Wave indicts consumerism and elaborates on his personal vision of Hell with this raucous, biting satire. A nasty, scheming bourgeois Parisian couple embarks on a journey through the countryside to her father’s house, where they pray for his death and a subsequent inheritance. Their trip is at first delayed, and later it is distracted by several outrageous events and characters including an apocalyptic traffic jam, a group of fictional philosophers, a couple of violent carjackers, and eventually, a gross display of cannibalism. By the time the film concludes, their seemingly simple journey has deteriorated into a freewheeling philosophical diatribe that leaves no topic unscathed. With Week End, Jean-Luc Godard reaches an impressive plateau of film originality, incorporating inter-titles, extended tracking shots, and music to add an entirely new grammar to film language. The result is a deeply challenging work that will most certainly invigorate some viewers just as much as it will as frustrate others. Standout highlights include a jarring, sexually graphic opening monologue shot with a roaming camera and blaring musical accompaniment, and the infamous traffic jam scene, where an endless parade of cars sit bumper to bumper amidst burning cars, picnics, and honking horns. The work of a true artist and pioneer, Godard’s Week End is a landmark film that hasn’t aged or lessened in impact over time.
(Taken from Rotten Tomatoes) Read More »