A woman’s funeral in Ghana. Read More »
Tag Archives: Jean Rouch
About an African mother suckling her two year old child. Read More »
Jean Rouch’s Nigerien collaborators travel to France to perform a reverse ethnography of late-1960’s Parisian life. Read More »
Documentation of the lion hunt performed by the gow hunters of the Songhay people, shot on the border between Niger and Mali over a period of seven years.
Icarus Films Synopsis:
Shot on the border between Niger and Mali over a period of seven years, THE LION HUNTERS is Jean Rouch’s documentation of the lion hunt performed by the gow hunters of the Songhay people.
Opening on the Niger River, the film travels north to “the bush that is farther than far “: the desert region populated by the Fulani cattle herders, who have requested the help of the gow in eliminating a lion, nicknamed “The American” for his cruel cunning, who has been killing their cows. Read More »
A group of young Nigerians leave the savannah to work in the Ivory Coast. They end up in Treichville, a poor quarter of Abidjan, lost and rootless in modern civilisation. The hero, who narrates his own story, calls himself Edward J. Robinson in homage to the American actor. Like him, his friends have adopted pseudonyms intended to create, symbolically, an ideal personality. Read More »
IDFA Synopsis :
A number of farmers – Jean Rouch’s actors who more or less play themselves – is looking for a simple and cheap way to irrigate their farmland. They dream of a green Niger. While struggling against their Sahel country turning into a desert more and more, they develop the idea to get a windmill from Holland. Rouch follows the three men – Damour, Lam, and Tallou – when they examine how wind-energy is applied in Holland. Jean Rouch: “The solution we are looking for is simple, so it will work. That is the moral of the film. So many projects have been carried out in this country that have failed. They are the ‘poisoned presents’: waterpumps installed but never maintained. The landscape is filled with these modern ruins.” MADAME L’EAU unmistakably has ironic overtones, but Rouch’s effort is genuine. He protests against the tendency of Third World development projects looking for expensive and complicated solutions that do not fit in with the needs of the local population. Read More »